{"@context":"http://www.shared-canvas.org/ns/context.json","@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/332/manifest.json","@type":"sc:Manifest","label":"Late Antiquity, Seminar 2","sequences":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/332/sequence.json","@type":"sc:Sequence","label":"","canvases":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/332/canvas.json","label":"Keystone with Dionysos","@type":"sc:Canvas","width":1233,"height":1800,"images":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/files/97/anno.json","motivation":"sc:painting","@type":"oa:Annotation","resource":{"@id":"https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/f96917c6251a6fc27426c3c9ed4a832b.JPG","@type":"dctypes:Image","format":"image/jpeg","width":1233,"height":1800,"service":{"@id":"https://iiif.omeka.fas.harvard.edu/loris/atg-prod-oaas-files/haaimagehosting/original/f96917c6251a6fc27426c3c9ed4a832b.JPG","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/332/canvas.json"}],"description":"Museum Description: “The fragment (BZ.1940.60) showing Dionysus, nude except for a mantle, with legs crossed and his right arm placed over his head—now broken off—leaning on a spirally fluted pedestal, served as a keystone of an arch whose span would have been approximately 2 m. \r\n\r\nThe remarkable depth of the sharply carved design, which creates a strong contrast of light and shadow, and the combination of symmetry and repetition characterize a wellknown group of limestone sculpture that has been excavated from a rich early Byzantine site in Middle Egypt called Oxyrhynchus (modern Behnesa). \r\n\r\nClosely related to two fragments with a vine scroll ornament in this collection (BZ.1935.12 and BZ.1940.59) which undoubtedly formed part of the same or similar arches with an inner span of about 2.5 m. \r\n\r\nThere has been much debate and confusion about the date and context of these architectural fragments. In the beginning of the twentieth century, they were interpreted as parts of church decorations. The excavations, however, were not systematically undertaken and documented and there is little exclusively Christian about these carvings. Revisions in the chronology of Egyptian-Coptic sculpture have led to a shift in opinion. \r\n\r\nWe now know that these sculptural remains were mainly part of tombs and belong to the city’s necropolis. The vine scroll arches may have been the façade of a Christian or a pagan tomb cella or the decoration and setting of a funerary niche. Dionysus in combination with grape vines alludes to the hope of the deceased for a joyful afterlife.”\r\n\r\n-G. Bühl","attribution":"Dumbarton Oaks BZ.1940.60","metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/332\">View page</a>"},{"label":"Subject","value":"Keystone with Dionysos, late 5th-6th century, Early Byzantine, Egypt, limestone, 35 x 38.5 x 12.5cm, Washington D.C., Dumbarton Oaks."},{"label":"Source","value":"http://museum.doaks.org/objects-1/info/27197"}],"otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/332/annolist.json","@type":"sc:AnnotationList"}]}]}],"description":"Museum Description: “The fragment (BZ.1940.60) showing Dionysus, nude except for a mantle, with legs crossed and his right arm placed over his head—now broken off—leaning on a spirally fluted pedestal, served as a keystone of an arch whose span would have been approximately 2 m. \r\n\r\nThe remarkable depth of the sharply carved design, which creates a strong contrast of light and shadow, and the combination of symmetry and repetition characterize a wellknown group of limestone sculpture that has been excavated from a rich early Byzantine site in Middle Egypt called Oxyrhynchus (modern Behnesa). \r\n\r\nClosely related to two fragments with a vine scroll ornament in this collection (BZ.1935.12 and BZ.1940.59) which undoubtedly formed part of the same or similar arches with an inner span of about 2.5 m. \r\n\r\nThere has been much debate and confusion about the date and context of these architectural fragments. In the beginning of the twentieth century, they were interpreted as parts of church decorations. The excavations, however, were not systematically undertaken and documented and there is little exclusively Christian about these carvings. Revisions in the chronology of Egyptian-Coptic sculpture have led to a shift in opinion. \r\n\r\nWe now know that these sculptural remains were mainly part of tombs and belong to the city’s necropolis. The vine scroll arches may have been the façade of a Christian or a pagan tomb cella or the decoration and setting of a funerary niche. Dionysus in combination with grape vines alludes to the hope of the deceased for a joyful afterlife.”\r\n\r\n-G. 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