{"@context":"http://www.shared-canvas.org/ns/context.json","@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/collections/82/manifest.json","@type":"sc:Manifest","label":"Late Antiquity, Seminar 3 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Rome","otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/510/annolist.json","@type":"sc:AnnotationList"}],"width":1024,"metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/510\">View page</a>"},{"label":"Subject","value":"John Singer Sargent, Landscape with Figures, Templum Vestas, Rome,  1869, Watercolor over graphite on off-white wove paper, 15.2 x 24.2 cm (6 x 9 1/2 in.), Harvard Art 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Giulia\r\n","otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/528/annolist.json","@type":"sc:AnnotationList"}],"width":1024,"metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/528\">View page</a>"},{"label":"Subject","value":"Roma, Foro Romano con il Tempio di Castore e Polluce e la Basilica Giulia, 1880s, albumen silver print, 18.6 x 25.5 cm (7 5/16 x 10 1/16 in.), Cambridge, Harvard Art Museums"},{"label":"Source","value":"https://iiif.harvardartmuseums.org/manifests/object/156488"}]},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/234353/canvas/canvas-17825443","@type":"sc:Canvas","height":687,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/234353/annotation/anno-17825443","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/234353/canvas/canvas-17825443","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17825443/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":687,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17825443","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"View of the Interior of the Flavian Amphitheater, called the Colosseum\r\n","otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/529/annolist.json","@type":"sc:AnnotationList"}],"width":1024,"metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/529\">View page</a>"},{"label":"Subject","value":"Giovanni Battista Piranesi, View of the Interior of the Flavian Amphitheater, called the Colosseum, 1766, etching, 45.1 × 69 cm (17 3/4 × 27 3/16 in.), Cambridge, Harvard Art Museums"},{"label":"Source","value":"https://iiif.harvardartmuseums.org/manifests/object/234353"}]},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/284727/canvas/canvas-18790883","@type":"sc:Canvas","height":722,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/284727/annotation/anno-18790883","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/284727/canvas/canvas-18790883","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18790883/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":722,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18790883","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"San Angelo, Rome\r\n","otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/530/annolist.json","@type":"sc:AnnotationList"}],"width":1024,"metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/530\">View page</a>"},{"label":"Subject","value":"James Anderson, San Angelo, Rome,  c. 1855, photograph, 38.6 x 55 cm (15 3/16 x 21 5/8 in.), Cambridge, Harvard Art Museums"},{"label":"Source","value":"https://iiif.harvardartmuseums.org/manifests/object/284727"}]},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/340103/canvas/canvas-43441371","@type":"sc:Canvas","height":574,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/340103/annotation/anno-43441371","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/340103/canvas/canvas-43441371","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43441371/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":574,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43441371","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"The Colosseum Seen from the Southeast","otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/549/annolist.json","@type":"sc:AnnotationList"}],"width":1024,"description":"Born in the Dutch Republic but active in Rome, Vanvitelli gained fame for his vedute, or detailed views of cityscapes or vistas. These evocative views were popular purchases for eighteenth-century travelers on the Grand Tour. Here, Vanvitelli paints the ruins of the Colosseum washed in a soft afternoon “Roman” light. He carefully renders the arena, implicitly placing the viewer in the scene by lowering the viewpoint; the perspective also helps give a sense of the building’s colossal scale. Vanvitelli increases the effect by widening the panorama, which allows him to include nearby monuments like the Arch of Constantine, the top of which can be seen in the distance to the left of the Colosseum, and the Esquiline Hill on the right.\r\n","metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/549\">View page</a>"},{"label":"Subject","value":"Gaspar van Wittel (called Vanvitelli), The Colosseum Seen from the Southeast, c. 1700, Oil on canvas, 72 x 125 cm (28 3/8 x 49 3/16 in.), Cambridge, Harvard Art Museums"},{"label":"Source","value":"https://iiif.harvardartmuseums.org/manifests/object/340103"}]},{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/550/canvas.json","label":"Foro e Colonna di Trajano\r\n","@type":"sc:Canvas","width":1770,"height":2323,"images":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/files/121/anno.json","motivation":"sc:painting","@type":"oa:Annotation","resource":{"@id":"https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/beb43891e446fef0ab77ca1be0ba8327.jpg","@type":"dctypes:Image","format":"image/jpeg","width":1770,"height":2323,"service":{"@id":"https://iiif.omeka.fas.harvard.edu/loris/atg-prod-oaas-files/haaimagehosting/original/beb43891e446fef0ab77ca1be0ba8327.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/550/canvas.json"}],"description":"Constant, who associated with the painter-photographers at the Caffè Greco, was the first in Rome to use the method of albumen on glass plate negatives devised by the Frenchman Niépce de Saint-Victor in 1847. This remarkable album contains thirty prints by Constant, each affixed to a page bearing the blind stamp of the bookseller Edouard Mauche (who sold his views).\r\n","attribution":"Metropolitan Museum of Art","metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/550\">View page</a>"},{"label":"Subject","value":"Eugène Constant, Foro e Colonna di Trajano, 1848–52, Albumen print from glass negative, 11 5/16 × 8 11/16 in. (28.8 × 22 cm), New York, Metropolitan Museum of Art"}],"otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/550/annolist.json","@type":"sc:AnnotationList"}]},{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/551/canvas.json","label":"View of Nero's aqueduct, Rome\r\n","@type":"sc:Canvas","width":3672,"height":2992,"images":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/files/122/anno.json","motivation":"sc:painting","@type":"oa:Annotation","resource":{"@id":"https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/ba47c45a2cb9b2e02d05978658feb423.jpg","@type":"dctypes:Image","format":"image/jpeg","width":3672,"height":2992,"service":{"@id":"https://iiif.omeka.fas.harvard.edu/loris/atg-prod-oaas-files/haaimagehosting/original/ba47c45a2cb9b2e02d05978658feb423.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/551/canvas.json"}],"attribution":"Metropolitan Museum of Art","metadata":[{"label":"Record in Omeka","value":"<a href=\"/items/show/551\">View page</a>"},{"label":"Subject","value":"Luigi Rossini, View of Nero's aqueduct, Rome, 1823, etching, 21 3/4 x 30 1/2 in. (55.3 x 77.5 cm), New York, Metropolitan Museum of Art"}],"otherContent":[{"@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/items/551/annolist.json","@type":"sc:AnnotationList"}]}]}],"metadata":[{"label":"Record in Omeka","value":"<a href=\"/collections/show/82\">View page</a>"}],"service":[{"@context":"http://iiif.io/api/search/1/context.json","@id":"https://haaimagehosting.omeka.fas.harvard.edu/oa/collections/82/search","label":"Search this manifest with Omeka","profile":"http://iiif.io/api/search/1/search"}]}