https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/f96917c6251a6fc27426c3c9ed4a832b.JPG 1514a134d1f5b49804a5b3238454817b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Keystone with Dionysos Subject The topic of the resource Keystone with Dionysos, late 5th-6th century, Early Byzantine, Egypt, limestone, 35 x 38.5 x 12.5cm, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Description: “The fragment (BZ.1940.60) showing Dionysus, nude except for a mantle, with legs crossed and his right arm placed over his head—now broken off—leaning on a spirally fluted pedestal, served as a keystone of an arch whose span would have been approximately 2 m. The remarkable depth of the sharply carved design, which creates a strong contrast of light and shadow, and the combination of symmetry and repetition characterize a wellknown group of limestone sculpture that has been excavated from a rich early Byzantine site in Middle Egypt called Oxyrhynchus (modern Behnesa). Closely related to two fragments with a vine scroll ornament in this collection (BZ.1935.12 and BZ.1940.59) which undoubtedly formed part of the same or similar arches with an inner span of about 2.5 m. There has been much debate and confusion about the date and context of these architectural fragments. In the beginning of the twentieth century, they were interpreted as parts of church decorations. The excavations, however, were not systematically undertaken and documented and there is little exclusively Christian about these carvings. Revisions in the chronology of Egyptian-Coptic sculpture have led to a shift in opinion. We now know that these sculptural remains were mainly part of tombs and belong to the city’s necropolis. The vine scroll arches may have been the façade of a Christian or a pagan tomb cella or the decoration and setting of a funerary niche. Dionysus in combination with grape vines alludes to the hope of the deceased for a joyful afterlife.” -G. Bühl Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/27197 Publisher An entity responsible for making the resource available Dumbarton Oaks BZ.1940.60 IIIF Item Metadata UUID 86dbe9ca-39d6-4c9e-8a93-038708a5cd94