90 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lighthouse at Alexandria Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/236508 Subject The topic of the resource Antonio Tempesta, The Lighthouse at Alexandria, 16th century, etching, Harvard Art Museums IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/236508/canvas/canvas-9703695 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/236508/canvas/canvas-9703695","@type":"sc:Canvas","height":799,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/236508/annotation/anno-9703695","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/236508/canvas/canvas-9703695","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/9703695/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":799,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/9703695","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/236508/list/9703695","@type":"sc:AnnotationList"}],"width":1024} UUID 10cf9032-ab18-4952-bf9d-233dbd6801c8 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0b962fb9bff92153ccfe5faa6257a7a0.jpg 6d35cb33b613399362dd1756773829f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Meeting of Leo I and Attila Subject The topic of the resource Raphael, The Meeting of Leo I and Attila, 1513-4, Italian, fresco, 500 x 750cm, Vatican City, Apostolic Palace. Description An account of the resource Museum Description: “The encounter between Leo the Great and Attila is the last fresco painted in this room. It was completed after the death of Julius II (pontiff from 1503 to 1513), during the pontificate of his successor Leo X (pontiff from 1513 to 1521). In fact the latter appears twice in the same scene, portrayed in the guise of Pope Leo the Great and as cardinal. According to legend, the miraculous apparition of Saints Peter and Paul armed with swords during the meeting between Pope Leo the Great and Attila (452 A.D.) caused the king of the Huns to desist from invading Italy and marching on Rome. Raphael situates the scene at the gates of Rome, identified by the Colosseum, by an aqueduct, an obelisk and other buildings, even if in fact the historical event took place in the north of Italy, near Mantua.” Source A related resource from which the described resource is derived http://www.museivaticani.va/content/museivaticani/en/collezioni/musei/stanze-di-raffaello/stanza-di-eliodoro/incontro-di-leone-magno-con-attila.html Publisher An entity responsible for making the resource available Musei Vaticani IIIF Item Metadata UUID 9ac85353-5bf8-47a6-8bd6-9c52777f0555 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). 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To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Nine Worthies at Kölner Rathaus Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource These carved wooden figures at the city hall in Cologne, Germany represent the "nine worthies" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). Godfrey, known for his participation in the crusades, is third from the left with a dog at his feet. 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Bejeweled cross, IC - XC / NI -KA in limbs","width":900,"height":457},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3562.17","@type":"sc:Canvas","label":"Billon (base silver) Denier, mint of Valence, 11th 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those issued from the mints of Charters, Le Mans, Melgueil, Le Puy, Lucca and Melle are mentioned by the chronicler Raymond of Aguilers who accompanied the count of Toulouse Raymond of Saint-Gilles as the preferred coins used in the Latin East by members of the First crusade.","width":900,"height":467},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18","@type":"sc:Canvas","label":"Billon denier, Principality of ANTIOCH. Bohemond III or IV, c.1149-1233","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3563.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":451},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18"}],"description":"Obverse: + BOAMANDVS , helmeted bust left, crescent in front star behind\nReverse: +ANTIOCHIA around cross downward crescent in 2nd quarter","width":900,"height":451},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19","@type":"sc:Canvas","label":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 (=AD 1185)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3564.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1263,"height":622},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19"}],"description":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 = AD 1185. Obverse: al-Imam/Ahmad in two lines across field; citing the Abbasid caliph \"Abu l-\u00c1bbas al-Nasir li-din Allah, commander of the faithful\" in inner margin; mint and date formula in outer margin \nReverse: \"Yusuf/bin Ayyub\" in two lines across field; title \"`alin al-Malik ghaya Salah al-Din\" in inner margin; Kalima and Qur`an IX,33 in outer margin.","width":1263,"height":622},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20","@type":"sc:Canvas","label":"Othello Castle, Cyprus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3565.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1089,"height":721},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20"}],"width":1089,"height":721},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21","@type":"sc:Canvas","label":"Cathedral Church of St Nicholas, Famagusta, Cyprus (Lala Mustafa Pasha Mosque)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3567.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1197,"height":656},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21"}],"description":"The imposing cathedral of St Nicholas is located in the walled city of Ammochostos and dates to the 14th century. Its architecture mimics the cathedral in the French city of Reims. It was in this cathedral that the Frankish kings of Cyprus and Jerusalem were crowned. The interior was originally decorated with wall paintings but these were destroyed when the Ottomans converted the cathedral into a mosque in 1571 (re-named Lala Mustafa Pasha mosque).","width":1197,"height":656},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22","@type":"sc:Canvas","label":"The street of the Knights of Saint John, 14th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3568.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22"}],"description":"The Order initially included 7 tongues: Provence, Auvergne, France, Italy, Aragon, England, and Germany.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23","@type":"sc:Canvas","label":"Palace of the Grand Master in Rhodes","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3569.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":960,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23"}],"description":"Built on the foundations of the Temple of Sun God (Helios), whose cult was much distinct to the island of Rhodes in the antiquity, the palace was the residence of the governor and the island's administrative center. It was constructed in the 14th century by the Knights of Saint John.","width":960,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24","@type":"sc:Canvas","label":"The Castle of Chlemoutsi (or Clairmont), Achaea, the Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3570.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24"}],"description":"Built between 1220/1230 by the Geoffrey I de Villehardouin, Chlemoutsi was the strongest fortress in the Frankish principality of Achaea, in the Peloponnese. Named Clermont by its founder and Chlemoutsi by the locals, the castle was known by the Venetians as Castel Tornese. Clermont or Chlemoutsi controlled the core of the Frankish possessions in Achaea, and\u00a0protected Glarentza (modern day Kyllini), a key Frankish mint and port, and Andravida, the capital of the Principality of Achaea.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25","@type":"sc:Canvas","label":"The fortified city of Mystras in the Peloponnese, Greece. Founded in the 13th century as the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3571.25","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":768},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece founded in the 13th century. It became the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204. In 1259, the city's Latin lord, Prince William II Villehardouin, was captured on the battlefield of Pelagonia by Byzantine Emperor Michael VIII Paleologos who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","width":1024,"height":768},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26","@type":"sc:Canvas","label":"connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3573.26","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":850,"height":588},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26"}],"description":"Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and \"cloisonn\u00e9\" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings.\u00a0There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic.\u00a0\u00a0Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church.\u00a0 The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.","width":850,"height":588},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27","@type":"sc:Canvas","label":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3574.27","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1129,"height":696},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27"}],"description":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204. \nThe imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.","width":1129,"height":696}]}]} IIIF Type Manifest UUID 74d0b396-e4b8-4aa1-8931-0d105c9b7ce7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204 Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403 Description An account of the resource The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204. The imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros. 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Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.","width":1129,"height":696} Display as IIIF? Yes UUID d6e656d8-894f-42b7-b9ba-9959d16caa6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Praetorian Camp Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/175995 Subject The topic of the resource Giacomo Lauro, The Praetorian Camp, 1641, engraving, 17.9 x 23.6 cm (7 1/16 x 9 5/16 in.), Harvard Art Museums IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/175995/canvas/canvas-20464681 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/175995/canvas/canvas-20464681","@type":"sc:Canvas","height":783,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/175995/annotation/anno-20464681","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/175995/canvas/canvas-20464681","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20464681/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":783,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20464681","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/175995/list/20464681","@type":"sc:AnnotationList"}],"width":1024} UUID 48a6ed44-bc68-4f60-b4c5-61fac638dbc9 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6661503907bfcbe785f2cbe911711aa8.png 3e6f24cb6cb06a7cb7b69c4e56bc4e68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sacrifice of Isaac from the Dura-Europos Synagogue Subject The topic of the resource The Sacrifice of Isaac from the Dura-Europos Synagogue, 3rd century, Roman, Dura-Europos, Syria, tempera over plaster, Damascus, The National Museum of Damascus. Description An account of the resource The town of Dura-Europos in Syria existed on the frontier between the Roman Empire and the Parthian and the Sassanian Empires of Persia. It was under Roman control from 165 CE until its final destruction by the Sassanians in 257 CE. During this short period, the synagogue was built and decorated with numerous wall paintings showing animals, vegetal motifs, as well as figures, which was a shock to archeologists. An inscription in Aramaic dated 244 CE marks the completion of the final stage of construction. This detail shows the Sacrifice of Isaac (also called the “Binding of Isaac” in Hebrew: עֲקֵידַת יִצְחַק, Aqedat Yitzhaq), which occurs in Genesis chapter 22. In the story, Abraham is commanded by God to sacrifice his only son, Isaac, on Mount Moriah. Although Abraham binds Isaac and begins to go through with the sacrifice, he is interrupted by an angel and sees a ram, which he sacrifices in Isaac’s place. This scene eventually becomes a fixture in Christian art. The archeological site of the synagogue at Dura-Europos was discovered in 1932. The wall paintings were subsequently moved to the National Museum of Damascus. Although the museum closed in 2012 with the rise of the Syrian Civil War, some 300,000 items were secured and hidden. Four of the museum’s five wings reopened in 2018. Dura-Europos itself was occupied by ISIL and it appears that the remains of the synagogue as well as the other excavated buildings have been destroyed. Source A related resource from which the described resource is derived https://www.thebyzantinelegacy.com/dura-synagogue Publisher An entity responsible for making the resource available The National Museum of Damascus IIIF Item Metadata UUID 79243b28-1f80-4181-9ecd-050e7647b616 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Four quarter tiles making up a circular picture; six surviving fragments; representation of Saladin (Salah al-Din) on horseback, in combat with his adversary Richard I (Coeur de Lion). Made in Chertsey, Surrey, 13th century. 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The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Shroud of Saint-Josse, Musée du Louvre Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource The Shroud of Saint-Josse, now in the collections of the Musée du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. When the precious textile was brought back from the First Crusade by Étienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723} Display as IIIF? Yes UUID 815dcc84-3910-4593-85da-93dc67301607 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. Castles as fortified administrative centers and places of refuge for the local population during troubled times IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396","label":"The Crusader States in Twenty Images","description":"The built environment in the Eastern Mediterranean under crusader rule consisted of \nNew public and private buildings \nCovered and open markets\nHospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. \nUrban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making.\nCastles as fortified administrative centers and places of refuge for the local population during troubled times","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0","@type":"sc:Canvas","label":"A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3516.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":710,"height":784},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0"}],"description":"The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle.\nPotsherds and coin finds date the numerous graves to the short period between 1218 and 1291. The deceased were almost certainly Europeans. They were primarily buried in shrouds and lowered into pits that then were covered with a lid anchored with stones, the common method in France in that period. Some may have been pilgrims who chose to be buried at Athlit, perhaps due to the proximity to relics in the castle\u2019s chapel, as might be the case of a man in his 50s found with his arms folded over his chest and his hands in what may have been an attitude of prayer. Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region.","width":710,"height":784},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1","@type":"sc:Canvas","label":"Belvoir Castle, Israel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3515.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1"}],"description":"The Crusader castle of Belvoir is located on a hill of the Naphtali plateau, about 500 meters above the Jordan Valley and a few miles south of Lake Tiberias (the Sea of Galilee). It is surrounded by a moat, and built with an outer and inner fortress.\nThe first structure was modest and part of the estate of a certain Velos, a Frankish nobleman who lived in nearby Tiberias. Velos sold it to the Knights Hospitaller in 1168. It took five years and hundreds of workers to build Belvoir. 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The donor of the icon appears kneeling and kissing the right red boot of the saint in a gesture of reverence. \nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Icon Collection","width":1416,"height":2000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5","@type":"sc:Canvas","label":"Saints Sergius and Bacchus on horseback","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3511.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":678,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5"}],"description":"Saints Sergius and Bacchus on horseback.\nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Egypt, Icon Collection\nWho were Saints Sergius and Bacchus?","width":678,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6","@type":"sc:Canvas","label":"The Siege of Acre, 1799","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3510.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":698,"height":698},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6"}],"description":"The Siege of Acre by Napoleon's army in May 1799. Scene from Napoleon's failed attempt to take the city of Acre from the Ottomans and British during his campaign in the Holy Land in 1799. \n\nFrom J. Jenkins, The Martial Achievements of Great Britain and Her Allies; from 1799 to 1815 (London: L. Harrison & J.C. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Siege of Acre Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The Siege of Acre, 1189-1191. Part of the Third Crusade. Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270) Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background. 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Part of the Third Crusade. Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270)\n Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background.","width":1067,"height":1500} Display as IIIF? Yes UUID a5eafe95-1601-4f4e-8d3a-1f1ab0869d08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. Castles as fortified administrative centers and places of refuge for the local population during troubled times IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396","label":"The Crusader States in Twenty Images","description":"The built environment in the Eastern Mediterranean under crusader rule consisted of \nNew public and private buildings \nCovered and open markets\nHospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. \nUrban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making.\nCastles as fortified administrative centers and places of refuge for the local population during troubled times","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0","@type":"sc:Canvas","label":"A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3516.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":710,"height":784},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0"}],"description":"The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle.\nPotsherds and coin finds date the numerous graves to the short period between 1218 and 1291. 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Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region.","width":710,"height":784},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1","@type":"sc:Canvas","label":"Belvoir Castle, Israel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3515.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1"}],"description":"The Crusader castle of Belvoir is located on a hill of the Naphtali plateau, about 500 meters above the Jordan Valley and a few miles south of Lake Tiberias (the Sea of Galilee). 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The castle controlled the eastern entryway from Gilead into Kingdom of Jerusalem and the roads in the valley leading to Galilee.\nIn 1189, the castle was surrendered to Saladin.","width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3514.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2"}],"description":"Upon its foundation in 1142, the Kerak or Karak of Moab Castle became the stronghold of the Latin Lordship of Transjordan, which was part of the Latin Kingdom of Jerusalem. 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Leigh, 1814-1815)","width":698,"height":698},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7","@type":"sc:Canvas","label":"The Siege of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3509.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1067,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7"}],"description":"The Siege of Acre, 1189-1191. Part of the Third Crusade. Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270)\n Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background.","width":1067,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8","@type":"sc:Canvas","label":"Old City of Acre, UNESCO World Heritage Site","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3508.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":845,"height":335},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8"}],"description":"The Old City of Acre, UNESCO World Heritage Site. 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Is this barrel vaulted space a chapel or a mosque? 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