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                <text>Large shallow silver platter with a deep foot-ring set off-centre, made in one piece with the platter. The whole platter is virtually flat, with a flat raised rim and a slight lip. &#13;
In the centre of the platter is a roundel, comprising a medallion holding a small bird with outstretched wings, set within an eight-pointed star formed by two crossed squares. Between the points of the star are fleur-de-lys motifs. Outside this is a circular band of running spirals. This design is contained within a larger eight-pointed star also formed by two crossed squares, filled with frond, palmette and fleur-de-lys ornament. The frames of the squares contain a running spiral design. Between the points of this star are foliate fleur-de-lys, scroll and leaf motifs. The entire roundel is contained within a plain circular border.&#13;
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&#13;
Inscription&#13;
&#13;
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                <text>The Antioch “Chalice,” 500-550 CE Byzantine, Antioch or Kaper Koraon (?), silver and silver gilt, 19.6 x 18 x 15.2cm), New York City, The Metropolitan Museum of Art. </text>
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                <text>Museum Description: “When it was discovered at the beginning of the twentieth century, this "chalice" was claimed to have been found in Antioch, a city so important to the early Christians that it was recognized with Rome and Alexandria as one of the great sees of the church. The chalice's plain silver interior bowl was then ambitiously identified as the Holy Grail, the cup used by Christ at the Last Supper. The elaborate footed shell enclosing it was thought to have been made within a century after the death of Christ to encase and honor the Grail. The fruited grapevine forming the rinceau pattern of the gilded shell is inhabited by birds, including an eagle; animals, including a lamb and a rabbit; and twelve human figures holding scrolls and seated in high-backed chairs. Two of the figures are thought to be images of Christ. The other ten figures have been variously identified as ten of the twelve apostles, or philosophers of the classical age, who, like the prophets of the Old Testament, had foretold the coming of Christ. The sixth-century chronicler Malalas of Antioch was among those who sought to make such links between Christianity and classical philosophy.&#13;
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'The Benevolent Physician takes no Fee.&#13;
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350x250 mm&#13;
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                <text>The interior of a room showing no trace of actual poverty. The invalid, a man, fully dressed but wearing a nightcap, sits in an upholstered arm-chair by the fire. A little girl stands at his knee; at his side on a tray or table are two bowls and a medicine bottle labelled 'as before'.&#13;
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&#13;
'The Benevolent Physician takes no Fee. &#13;
Of those that need him much in Poverty. &#13;
To Poor distress'd, and those of small estate &#13;
He Money gives, takes only of the great.' 1782&#13;
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