86
10
972
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coinage in the Latin East and Latin Greece in 20 objects and monuments
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
JSON Data
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those issued from the mints of Charters, Le Mans, Melgueil, Le Puy, Lucca and Melle are mentioned by the chronicler Raymond of Aguilers who accompanied the count of Toulouse Raymond of Saint-Gilles as the preferred coins used in the Latin East by members of the First crusade.","width":900,"height":467},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18","@type":"sc:Canvas","label":"Billon denier, Principality of ANTIOCH. Bohemond III or IV, c.1149-1233","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3563.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":451},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18"}],"description":"Obverse: + BOAMANDVS , helmeted bust left, crescent in front star behind\nReverse: +ANTIOCHIA around cross downward crescent in 2nd quarter","width":900,"height":451},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19","@type":"sc:Canvas","label":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 (=AD 1185)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3564.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1263,"height":622},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19"}],"description":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 = AD 1185. Obverse: al-Imam/Ahmad in two lines across field; citing the Abbasid caliph \"Abu l-\u00c1bbas al-Nasir li-din Allah, commander of the faithful\" in inner margin; mint and date formula in outer margin \nReverse: \"Yusuf/bin Ayyub\" in two lines across field; title \"`alin al-Malik ghaya Salah al-Din\" in inner margin; Kalima and Qur`an IX,33 in outer margin.","width":1263,"height":622},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20","@type":"sc:Canvas","label":"Othello Castle, Cyprus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3565.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1089,"height":721},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20"}],"width":1089,"height":721},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21","@type":"sc:Canvas","label":"Cathedral Church of St Nicholas, Famagusta, Cyprus (Lala Mustafa Pasha Mosque)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3567.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1197,"height":656},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21"}],"description":"The imposing cathedral of St Nicholas is located in the walled city of Ammochostos and dates to the 14th century. Its architecture mimics the cathedral in the French city of Reims. It was in this cathedral that the Frankish kings of Cyprus and Jerusalem were crowned. The interior was originally decorated with wall paintings but these were destroyed when the Ottomans converted the cathedral into a mosque in 1571 (re-named Lala Mustafa Pasha mosque).","width":1197,"height":656},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22","@type":"sc:Canvas","label":"The street of the Knights of Saint John, 14th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3568.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22"}],"description":"The Order initially included 7 tongues: Provence, Auvergne, France, Italy, Aragon, England, and Germany.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23","@type":"sc:Canvas","label":"Palace of the Grand Master in Rhodes","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3569.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":960,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23"}],"description":"Built on the foundations of the Temple of Sun God (Helios), whose cult was much distinct to the island of Rhodes in the antiquity, the palace was the residence of the governor and the island's administrative center. It was constructed in the 14th century by the Knights of Saint John.","width":960,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24","@type":"sc:Canvas","label":"The Castle of Chlemoutsi (or Clairmont), Achaea, the Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3570.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24"}],"description":"Built between 1220/1230 by the Geoffrey I de Villehardouin, Chlemoutsi was the strongest fortress in the Frankish principality of Achaea, in the Peloponnese. Named Clermont by its founder and Chlemoutsi by the locals, the castle was known by the Venetians as Castel Tornese. Clermont or Chlemoutsi controlled the core of the Frankish possessions in Achaea, and\u00a0protected Glarentza (modern day Kyllini), a key Frankish mint and port, and Andravida, the capital of the Principality of Achaea.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25","@type":"sc:Canvas","label":"The fortified city of Mystras in the Peloponnese, Greece. Founded in the 13th century as the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3571.25","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":768},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece founded in the 13th century. It became the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204. In 1259, the city's Latin lord, Prince William II Villehardouin, was captured on the battlefield of Pelagonia by Byzantine Emperor Michael VIII Paleologos who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","width":1024,"height":768},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26","@type":"sc:Canvas","label":"connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3573.26","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":850,"height":588},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26"}],"description":"Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and \"cloisonn\u00e9\" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings.\u00a0There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic.\u00a0\u00a0Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church.\u00a0 The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.","width":850,"height":588},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27","@type":"sc:Canvas","label":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3574.27","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1129,"height":696},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27"}],"description":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204. \nThe imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.","width":1129,"height":696}]}]}
IIIF Type
Manifest
UUID
74d0b396-e4b8-4aa1-8931-0d105c9b7ce7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
Description
An account of the resource
Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and "cloisonné" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings. There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic. Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church. The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26","@type":"sc:Canvas","label":"connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3573.26","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":850,"height":588},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26"}],"description":"Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and \"cloisonn\u00e9\" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings.\u00a0There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic.\u00a0\u00a0Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church.\u00a0 The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.","width":850,"height":588}
Display as IIIF?
Yes
UUID
23027c16-439e-48a6-8fd6-8831a136d722
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coinage in the Latin East and Latin Greece in 20 objects and monuments
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
JSON Data
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Obverse: al-Imam/Ahmad in two lines across field; citing the Abbasid caliph \"Abu l-\u00c1bbas al-Nasir li-din Allah, commander of the faithful\" in inner margin; mint and date formula in outer margin \nReverse: \"Yusuf/bin Ayyub\" in two lines across field; title \"`alin al-Malik ghaya Salah al-Din\" in inner margin; Kalima and Qur`an IX,33 in outer margin.","width":1263,"height":622},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20","@type":"sc:Canvas","label":"Othello Castle, Cyprus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3565.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1089,"height":721},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20"}],"width":1089,"height":721},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21","@type":"sc:Canvas","label":"Cathedral Church of St Nicholas, Famagusta, Cyprus (Lala Mustafa Pasha Mosque)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3567.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1197,"height":656},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21"}],"description":"The imposing cathedral of St Nicholas is located in the walled city of Ammochostos and dates to the 14th century. Its architecture mimics the cathedral in the French city of Reims. It was in this cathedral that the Frankish kings of Cyprus and Jerusalem were crowned. The interior was originally decorated with wall paintings but these were destroyed when the Ottomans converted the cathedral into a mosque in 1571 (re-named Lala Mustafa Pasha mosque).","width":1197,"height":656},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22","@type":"sc:Canvas","label":"The street of the Knights of Saint John, 14th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3568.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22"}],"description":"The Order initially included 7 tongues: Provence, Auvergne, France, Italy, Aragon, England, and Germany.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23","@type":"sc:Canvas","label":"Palace of the Grand Master in Rhodes","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3569.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":960,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23"}],"description":"Built on the foundations of the Temple of Sun God (Helios), whose cult was much distinct to the island of Rhodes in the antiquity, the palace was the residence of the governor and the island's administrative center. It was constructed in the 14th century by the Knights of Saint John.","width":960,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24","@type":"sc:Canvas","label":"The Castle of Chlemoutsi (or Clairmont), Achaea, the Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3570.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24"}],"description":"Built between 1220/1230 by the Geoffrey I de Villehardouin, Chlemoutsi was the strongest fortress in the Frankish principality of Achaea, in the Peloponnese. Named Clermont by its founder and Chlemoutsi by the locals, the castle was known by the Venetians as Castel Tornese. Clermont or Chlemoutsi controlled the core of the Frankish possessions in Achaea, and\u00a0protected Glarentza (modern day Kyllini), a key Frankish mint and port, and Andravida, the capital of the Principality of Achaea.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25","@type":"sc:Canvas","label":"The fortified city of Mystras in the Peloponnese, Greece. Founded in the 13th century as the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3571.25","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":768},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece founded in the 13th century. It became the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204. In 1259, the city's Latin lord, Prince William II Villehardouin, was captured on the battlefield of Pelagonia by Byzantine Emperor Michael VIII Paleologos who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","width":1024,"height":768},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26","@type":"sc:Canvas","label":"connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3573.26","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":850,"height":588},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26"}],"description":"Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and \"cloisonn\u00e9\" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings.\u00a0There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic.\u00a0\u00a0Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church.\u00a0 The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.","width":850,"height":588},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27","@type":"sc:Canvas","label":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3574.27","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1129,"height":696},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27"}],"description":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204. \nThe imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.","width":1129,"height":696}]}]}
IIIF Type
Manifest
UUID
74d0b396-e4b8-4aa1-8931-0d105c9b7ce7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403
Description
An account of the resource
The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204.
The imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27
JSON Data
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Display as IIIF?
Yes
UUID
d6e656d8-894f-42b7-b9ba-9959d16caa6b
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
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It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Illustration from the Paris Gregory, fol. 440r
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
The “Paris Gregory” was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top “the dream of Constantine”, “the battle of the Milvian bridge” in the center panel, and “Helena discovering the True Cross” at the bottom.
Full manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0
JSON Data
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Display as IIIF?
Yes
UUID
cd8e375b-834b-496b-ac78-d7c06c7622fb
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The skull relic of Saint Helena of Constantinople
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073}
Display as IIIF?
Yes
UUID
9adb8680-eb4f-4bca-bbeb-b2438b056908
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Interior, Limburg Staurotheke
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning “container of the cross.” This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus’ body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin’s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030}
Display as IIIF?
Yes
UUID
2be6b931-fbb7-4db7-8452-ee26861964cb
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
True Cross Relic, Santo Toribio de Liébana
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600}
Display as IIIF?
Yes
UUID
e983ae85-7d07-4714-a014-66c5a0e8deeb
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Relic of the Crown of Thorns
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Bibliothèque Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799}
Display as IIIF?
Yes
UUID
06d63658-e86a-4f5e-afba-e830c3bf824f
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reliquary of the Crown of Thorns
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
Reliquary of the Crown of Thorns, 1862, designed by Eugène Viollet-le-Duc, Notre Dame Cathedral, Paris.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5
JSON Data
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Display as IIIF?
Yes
UUID
1e7534eb-b500-42ae-972e-ae86ad0f2c08
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Holy Thorn Reliquary
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218}
Display as IIIF?
Yes
UUID
348ae648-15cc-4ca0-a505-8248fea37778
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Crusades and Relics in Twenty Objects
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
IIIF Collection Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
JSON Data
{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]}
IIIF Type
Manifest
UUID
c83798f7-ad29-4eee-b6c5-f0c58bd1fc08
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Icon Showing the Image of Edessa (Mandylion)
Source
A related resource from which the described resource is derived
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406
Description
An account of the resource
The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.
IIIF Item Metadata
Original @id
https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7
JSON Data
{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651}
Display as IIIF?
Yes
UUID
c6f66cd6-c9a6-4fa6-8f4f-91dcc211251a