82 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stater of Elis Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/187471 Description An account of the resource Obverse: Head of Hera r., wearing stephane with palmettes. HP[A] above. Should be Λ below but not on this specimen. Reverse: Thunderbolt in wreath. F-A across field. Loop attached above. Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation OBJECT NUMBER: 1.1965.1874 Publisher An entity responsible for making the resource available Harvard Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 400-365 BCE Format The file format, physical medium, or dimensions of the resource Silver coin, struck 12.17 g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/187471/canvas/canvas-18734535 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/187471/canvas/canvas-18734535","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/187471/annotation/anno-18734535","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/187471/canvas/canvas-18734535","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734535/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734535","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/187471/list/18734535","@type":"sc:AnnotationList"}],"width":1024} UUID 300b525c-1509-48d3-8784-ea5314b6552c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stater of Elis Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/170816 Description An account of the resource Obverse: Eagle flying r. with hare. 2 countermarks. Reverse: Thunderbolt with F-A across field. Incuse circle. Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation OBJECT NUMBER: 1.1965.1860 Publisher An entity responsible for making the resource available Harvard Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 471-422 BCE Format The file format, physical medium, or dimensions of the resource Silver coin, struck. 12.07g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/170816/canvas/canvas-20411209 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/170816/canvas/canvas-20411209","@type":"sc:Canvas","height":472,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/170816/annotation/anno-20411209","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/170816/canvas/canvas-20411209","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20411209/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":472,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20411209","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/170816/list/20411209","@type":"sc:AnnotationList"}],"width":1024} UUID 587cafd2-5f52-4227-9fc2-11a42f651da3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stater of Lydia, time of Croesus Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/148696 Description An account of the resource Foreparts of lion and bull, facing each other; rev: Two incuse squares, one slightly larger. Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation OBJECT NUMBER: 1.1965.2427 Date A point or period of time associated with an event in the lifecycle of the resource 561 BCE-546 BCE Rights Information about rights held in and over the resource Harvard Art Museums Format The file format, physical medium, or dimensions of the resource Coins, gold, struck IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/148696/canvas/canvas-18734072 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/148696/canvas/canvas-18734072","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/148696/annotation/anno-18734072","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/148696/canvas/canvas-18734072","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734072/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734072","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/148696/list/18734072","@type":"sc:AnnotationList"}],"width":1024} UUID c7efbb3f-396e-464c-8e4f-f5a243ca0e74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 #2 IIIF Collection Metadata UUID 54308238-ac8d-44f8-91f1-a3fe4953a54e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stater of Philip II of Macedon, Amphipolis Coin Constituent: Philip II of Macedonia Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/188584 Subject The topic of the resource Coin Creator An entity primarily responsible for making the resource Greek Publisher An entity responsible for making the resource available Harvard Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 340 BCE-328 BCE (Classical period late) Rights Information about rights held in and over the resource Credit line: Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Harvard College Library, Van Nest Bequest, 1917 Object number: 1976.40.588 Format The file format, physical medium, or dimensions of the resource Coin, Gold, Struck, 8.59g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/188584/canvas/canvas-18778580 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/188584/canvas/canvas-18778580","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188584/annotation/anno-18778580","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/188584/canvas/canvas-18778580","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18778580/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18778580","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188584/list/18778580","@type":"sc:AnnotationList"}],"width":1024} UUID d47399b7-c33e-4b4f-9577-213b0778794f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 #2 IIIF Collection Metadata UUID 54308238-ac8d-44f8-91f1-a3fe4953a54e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stater of Philip II of Macedonia, Pella Coin Constituent: Philip II of Macedonia Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/191447 Subject The topic of the resource Coin Creator An entity primarily responsible for making the resource Greek Publisher An entity responsible for making the resource available Harvard Art Museums Date A point or period of time associated with an event in the lifecycle of the resource 336 BCE-328 BCE (Classical Period, Late) Rights Information about rights held in and over the resource Credit line: Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation Object number: 1.1965.1099 Format The file format, physical medium, or dimensions of the resource Coin, Gold, Struck, 8.57g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/191447/canvas/canvas-18779202 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/191447/canvas/canvas-18779202","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/191447/annotation/anno-18779202","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/191447/canvas/canvas-18779202","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18779202/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18779202","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/191447/list/18779202","@type":"sc:AnnotationList"}],"width":1024} UUID d9703d4c-bede-4d55-b6fa-c135d8b61f3e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/d51f00306e676ccd25ac21030b0c2554.jpg e188d907d11538c96183f734cf11f1f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/22 IIIF Collection Metadata UUID 757c5558-e796-4c37-8900-2967f996c0ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue from the Catacombs of Domitilla, Rome, now at the Vatican Museums Subject The topic of the resource c. 300-50 Marble statue of Christ as the Good Shepherd IIIF Item Metadata UUID bf370877-e1d4-4b4d-b54e-75293dea053e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Commemoration, Remembrance, and Metaphor in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414","label":"Commemoration, Remembrance, and Metaphor in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0","@type":"sc:Canvas","label":"Home-Coming Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3644.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1750,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0"}],"description":"A knight of the German Order returning from thr crusade, after Karl Immermann\u2019s poem \u201cThe arrival of the crusader\u201d,1826","metadata":[{"label":"Date","value":"1835"},{"label":"Artist","value":"Karl Friedrich Lessing"},{"label":"Location","value":"Rheinisches Landesmuseum Bonn"}],"width":1750,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1","@type":"sc:Canvas","label":"Taking of Jerusalem by the Crusaders, 15th July 1099","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3645.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":918},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1"}],"metadata":[{"label":"Date","value":"1847"},{"label":"Artist","value":"\u00c9mile Signol"},{"label":"Location","value":"Ch\u00e2teau de Versailles"}],"width":1600,"height":918},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2","@type":"sc:Canvas","label":"Statue of Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3646.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2"}],"description":"This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin\u2019s death. It depicts his victory at the Battle of Hittin. Saladin is shown on horseback with two swordsmen, with the captured Renaud de Chatillon and Guy de Lusignan walking behind.","metadata":[{"label":"Date","value":"1993"},{"label":"Artist","value":"Abdallah al-Sayed"},{"label":"Location","value":"Damascus, Syria"}],"width":800,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3","@type":"sc:Canvas","label":"Egyptian Postage Stamp showing Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3647.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1028,"height":1018},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3"}],"description":"This stamp from 1993 depicts Saladin and marks the 800th anniversary of his death.","metadata":[{"label":"Date","value":"1993"},{"label":"Place","value":"Egypt"}],"width":1028,"height":1018},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4","@type":"sc:Canvas","label":"Entry of the Crusaders in Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3648.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4"}],"description":"This painting by Delacrois was commissioned by Louis-Philippe, the last king of France. It shows a scene from the Fourth Crusade, wherein the Crusaders decide to sack the city of Constantinople instead of continuing on to invade the Muslin East and Jerusalem. Baldwin I is shown leading the procession through the streets of Constantinople, while desperate locals crowd around. The painting was poorly received at the 1841 Salon.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3649.5","@type":"sc:Canvas","label":"The Departure of the Crusaders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3649.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2489%2Fabd5bd231fe8776cf72ff39fdc537233.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2489%2Fabd5bd231fe8776cf72ff39fdc537233.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":1904},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3649.5"}],"metadata":[{"label":"Date","value":"1863"},{"label":"Artist","value":"Victor Nehlig"},{"label":"Location","value":"Smithsonian American Art Museum"}],"width":3000,"height":1904},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3650.6","@type":"sc:Canvas","label":"The Departure of the Crusaders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3650.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2490%2Fe2b6e4b296ab2e85d938dfdd4e7b4141.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2490%2Fe2b6e4b296ab2e85d938dfdd4e7b4141.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":978},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3650.6"}],"metadata":[{"label":"Date","value":"1857\u20131858"},{"label":"Artist","value":"John Everett Millais"},{"label":"Location","value":"Gallery Oldham"}],"width":1200,"height":978},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3651.7","@type":"sc:Canvas","label":"Crusaders in the Field","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3651.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2491%2Fc1b81247628515ff7c8fa9b970d2590b.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2491%2Fc1b81247628515ff7c8fa9b970d2590b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":785},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3651.7"}],"metadata":[{"label":"Date","value":"1830"},{"label":"Artist","value":"Denis-Auguste-Marie Raffet"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":785},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3652.8","@type":"sc:Canvas","label":"Illustration for a Book: Pope Handing a Banner to a Crusader, with ships in the Background","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3652.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2492%2F1b4b05dff67de0295f2e61ff0e35b94f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2492%2F1b4b05dff67de0295f2e61ff0e35b94f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3275,"height":1636},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3652.8"}],"metadata":[{"label":"Date","value":"1696-1770"},{"label":"Artist","value":"Giovanni Battista Tiepolo"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3275,"height":1636},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3653.9","@type":"sc:Canvas","label":"King Edward and Queen Eleanor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3653.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2493%2F86f88c7a68f79c97c5c479e2342c702d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2493%2F86f88c7a68f79c97c5c479e2342c702d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3199,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3653.9"}],"description":"This terracotta sculpture depicts an apocryphal scene from the life of King Edward, in which his life was saved by his young wife, Eleanor, who sucked poison from his arm after Edward was stabbed by a would-be-assassin with a poisoned dagger during the ninth crusade","metadata":[{"label":"Date","value":"1790"},{"label":"Artist","value":"Charles Rossi, R.A."},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3199,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3654.10","@type":"sc:Canvas","label":"Manuscript Leaf with the Crusades of St. Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3654.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2494%2F376b4646cf77d33794c10bd3c6e45447.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2494%2F376b4646cf77d33794c10bd3c6e45447.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1198,"height":856},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3654.10"}],"description":"In the style of the first half of the 15th century","metadata":[{"label":"Date","value":"c. 1900"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":1198,"height":856},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3655.11","@type":"sc:Canvas","label":"The Companions of Rinaldo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3655.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2495%2F12d8d93dffe1f2ba09de9e254b07b65b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2495%2F12d8d93dffe1f2ba09de9e254b07b65b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3194,"height":3701},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3655.11"}],"description":"Another scene from Tasso's Jerusalem Delivered, this time showing two Christian knights confronting a dragon in an attempt to rescue Rinaldo from a sorceress","metadata":[{"label":"Date","value":"1633"},{"label":"Artist","value":"Nicholas Poussin"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3194,"height":3701},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3656.12","@type":"sc:Canvas","label":"The Crusade","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3656.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2496%2Fb4e476347fa076634fe0bd8c1a3785f6.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2496%2Fb4e476347fa076634fe0bd8c1a3785f6.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1884,"height":1380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3656.12"}],"metadata":[{"label":"Date","value":"Early 20th century"},{"label":"Artist","value":"William Ritschel"},{"label":"Location","value":"Private Collection"}],"width":1884,"height":1380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3657.13","@type":"sc:Canvas","label":"Necklace","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3657.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2497%2Fbc326d030c09e39cad6c4e0576e40747.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2497%2Fbc326d030c09e39cad6c4e0576e40747.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3657.13"}],"description":"This oxidized silver necklace shows a scene of a crusader taking leave of his lady, along with two page boys.","metadata":[{"label":"Date","value":"1851"},{"label":"Designer","value":"Fran\u00e7ois D\u00e9sir\u00e9 Froment-Meurice"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3658.14","@type":"sc:Canvas","label":"The First Crusade","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3658.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2498%2Fae0d8cbc2b3f8cf729c154962c5a58c9.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2498%2Fae0d8cbc2b3f8cf729c154962c5a58c9.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2020,"height":1110},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3658.14"}],"description":"An illustration for Bernard de Montfaucon's 'Les monumens de la monarchie fran\u00e7oise.'","metadata":[{"label":"Date","value":"1729"},{"label":"Location","value":"The British Museum"}],"width":2020,"height":1110},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3659.15","@type":"sc:Canvas","label":"Saladin accepting the surrender of Guy de Lusignan after the Battle of Hattin in 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3659.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2499%2F019dece92e6a192423efab71a486592d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2499%2F019dece92e6a192423efab71a486592d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":931},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3659.15"}],"metadata":[{"label":"Date","value":"1954"},{"label":"Artist","value":"Said Tahseen"},{"label":"Location","value":"National Museum, Damascus, Syria"}],"width":1200,"height":931},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3660.16","@type":"sc:Canvas","label":"Astonighment of the Crusaders at the Wealth of the East","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3660.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2500%2F321c187540406d315793d68fdbd5ec57.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2500%2F321c187540406d315793d68fdbd5ec57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2445,"height":3017},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3660.16"}],"metadata":[{"label":"Date","value":"pre 1883"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2445,"height":3017},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3661.17","@type":"sc:Canvas","label":"Stylized Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3661.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2501%2F373704821b54f01092d04147f158afbc.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2501%2F373704821b54f01092d04147f158afbc.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2180,"height":1726},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3661.17"}],"description":"One of a series of similar depictions at the Martim Moniz Metro station in Lisbon, Portugal. This one shows the 12th-century crusader, Arnout IV, Count of Aarschot.","metadata":[{"label":"Date","value":"1966"},{"label":"Designer and Artist","value":"Denis Gomes and Maria Keli"},{"label":"Location","value":"Lisbon, Portugal"}],"width":2180,"height":1726},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3662.18","@type":"sc:Canvas","label":"Il Crociato","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3662.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2502%2F4d7891fba2ea142e3cb53a57ecab981a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2502%2F4d7891fba2ea142e3cb53a57ecab981a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2052,"height":2612},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3662.18"}],"metadata":[{"label":"Date","value":"1906"},{"label":"Artist","value":"Adolfo Wildt"}],"width":2052,"height":2612},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3663.19","@type":"sc:Canvas","label":"The Shadow","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3663.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2503%2Fd0afa38fd2e3b30445e0fc32fcc91797.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2503%2Fd0afa38fd2e3b30445e0fc32fcc91797.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2610,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3663.19"}],"description":"Leighton uses a Greek myth (concerning the daughter of Debutades) as the basis for this scene. Here, the woman traces the departing knight's shadow against the wall. There are several versions including one in Cardiff and one in Alabama.","width":2610,"height":4000}]}]} IIIF Type Manifest UUID 32b479c6-fdcb-410b-abff-51757653169f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of Saladin Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 Description An account of the resource This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin’s death. It depicts his victory at the Battle of Hittin. Saladin is shown on horseback with two swordsmen, with the captured Renaud de Chatillon and Guy de Lusignan walking behind. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2","@type":"sc:Canvas","label":"Statue of Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3646.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2"}],"description":"This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin\u2019s death. It depicts his victory at the Battle of Hittin. Saladin is shown on horseback with two swordsmen, with the captured Renaud de Chatillon and Guy de Lusignan walking behind.","metadata":[{"label":"Date","value":"1993"},{"label":"Artist","value":"Abdallah al-Sayed"},{"label":"Location","value":"Damascus, Syria"}],"width":800,"height":600} Display as IIIF? Yes UUID 31b1fc37-74c9-40bc-bbee-5005b0df59e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Constantinople to Venice: Loot and Relics in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410","label":"From Constantinople to Venice: Loot and Relics in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1","@type":"sc:Canvas","label":"Glass hanging-lamp","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3618.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1099,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1"}],"description":"The inscription along the outer rim of this glass lamp reads (in translation from the original Greek): \"Saint Panteleimon, protect thy servant, Zacharias, Archbishop of Iberia, Amen.\" Iberia, in this case, refers to Georgia.","metadata":[{"label":"Date","value":"11th century"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"glass, silver-gilt"},{"label":"Dimensions","value":"diam. 270 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1099,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3","@type":"sc:Canvas","label":"Reliquary of the Column of the Flagellation","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3616.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1097,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3"}],"description":"The fragment of the Column of the Flagellation contained within this reliquary is thought to have arrived in Venice from Constantinople in 1125 along with various other relics. The reliquary itself, however, was commissioned in 1375 by Michele Morosini (who would be elected doge in 1382). It was repaired and expanded in 1489. This is the largest and the heaviest reliquary in the treasury of San Marco.","metadata":[{"label":"Date","value":"1375 and 1489"},{"label":"Material","value":"Silver, partly gilt, granite"},{"label":"Place of Creation","value":"Venice"},{"label":"Dimensions","value":"670 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1097,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4","@type":"sc:Canvas","label":"Icon with lapis lazuli Crucifixion medallion","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3615.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1850,"height":2550},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4"}],"description":"This icon is made up of several previously unrelated elements of Byzantine artistry, all set within a Venetian filigree panel. The central lapis medallion represents one of just a few examples of Byzantine hard-stone that has been inlaid with gold. The text reads \"behold thy son\" and \"behold thy mother.\" The earliest possible mention of this icon comes from the 1325 inventory.","metadata":[{"label":"Date","value":"Medallion: 11th-12th century; Enamel: 9th-12th century; Filigree panel: 13th century"},{"label":"Place of Creation","value":"Byzantium and Venice"},{"label":"Material","value":"Lapis lazuli, gold, silver-gilt, enamel, glass"},{"label":"Dimensions","value":"420 mm x 314 mm x 240 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1850,"height":2550},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6","@type":"sc:Canvas","label":"Ewer of the caliph al-Aziz Billah","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3613.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":392,"height":608},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6"}],"description":"This Egyptian Fatimid rock-crystal ewer features carved reliefs of arabesques and palmettes, seated lions, and additional foliate motifs. A Kufic inscription reads \"The blessing of God on the imam al-Aziz bi'llah.\" The gold mount is much later, and has possibly been replaced several times.","metadata":[{"label":"Date","value":"c. 975-96 (metalwork: 16th century and later)"},{"label":"Culture","value":"Fatimid"},{"label":"Material","value":"rock-crystal, gold, enamel"},{"label":"Dimensions","value":"230 mm x 125 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":392,"height":608},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7","@type":"sc:Canvas","label":"Turquoise glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3612.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1348,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7"}],"description":"The opaque turquoise glass bowl features images of running, stylized hares in each of the five panels. The five enamel plaques have been identified as Byzantine, but were most likely made for another purpose. Three are decorated with a rosette pattern and the other two have a design of crosses beneath silver-gilt panels. The filigree plaques are of Western European origin, and were maybe added after the bowl arrived in Venice (15th century?).","metadata":[{"label":"Date","value":"Glass: 9th-10th century; enamel: 11th century; other metal: late 10th and 15th (?) century"},{"label":"Place of Creation","value":"glass: Iran or Iraq; enamel: Byzantine"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"60 mm, diam: 186 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1348,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8","@type":"sc:Canvas","label":"Seat of St Mark (Sedia di San Marco)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3608.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1103,"height":1327},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8"}],"description":"This throne-reliquary is decorated in relief on all sides and includes depictions of the symbols of the Evangelists, as well as the Lamb of God, two nimbed figures flanking a cross, and what has been identified as the Tree of Life.","metadata":[{"label":"Date","value":"6th century"},{"label":"Place of Creation","value":"Alexandria (?)"},{"label":"Material","value":"Alabaster"},{"label":"Dimensions","value":"1470 mm x 550 mm x 530 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1103,"height":1327},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9","@type":"sc:Canvas","label":"\"Grotto of the Virgin\" with the votive crown of Leo the Wise","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3609.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1227,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9"}],"description":"This item is made up of three distinct parts from three separate time periods. The rock crystal edifice, the votive crown, and the figure of the Virgin Mary. They have been united as unit since at least the inventory of 1325. The rock-crystal \"grotto\" is most likely a classical work. The votive crown of the Byzantine emperor Leo the Wise would have originally had fourteen enamel medallions: one with a portrait of Leo himself, seven with the images of apostles and evangelists, and six that are now lost. The figurine of the Virigin orans was probably made in 13th century Venice.","metadata":[{"label":"Date","value":"stonework: 4th-5th century; crown: late 9th-early 10th century; figure of the Virgin: 13th century"},{"label":"Material","value":"rock-crystal, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls"},{"label":"Dimensions","value":"130 mm, 35 mm (figure: 90mm in height)"},{"label":"Location","value":"Treasury of San Marco"}],"width":1227,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11","@type":"sc:Canvas","label":"Gilded and painted glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3611.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":2024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11"}],"description":"This object is often discussed and debated by scholars, and is one of the most famous items brought to Venice after the sack of Constantinople in 1204. The seven medallions show figures from mythology, and both the interior of the rim and the exterior of the bowl's base are decorated with pseudo-Kufic inscriptions.","metadata":[{"label":"Date","value":"probably 10th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, gilded and painted, silver-gilt, stone"},{"label":"Dimensions","value":"170 mm, diam 170 mm, width 330 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":3000,"height":2024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13","@type":"sc:Canvas","label":"Reliquary of the arm of St. George","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3605.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":450,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13"}],"metadata":[{"label":"Date","value":"14th century; interior casing pre: 1204"},{"label":"Location","value":"Treasury of San Marco"}],"width":450,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14","@type":"sc:Canvas","label":"Icon with full-length figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3604.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14"}],"description":"Made in Constantinople in the late 11th to early 12th century, this icon first appears in the inventory of San Marco in 1325, but most likely came to Venice after the sack of Constantinople in 1204. The figure of Michael is identified by the roundels on either side of his head. Additional enamel panels and medallions depict (at top) St Peter, Christ, and St Menas, as well as pairs of military saints along either side.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"silver-gilt, gold cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"460 mm x 350 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15","@type":"sc:Canvas","label":"St Mark's Basilica","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3600.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4574,"height":3066},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15"}],"metadata":[{"label":"Consecrated","value":"1117"},{"label":"Location","value":"Venice, Italy"}],"width":4574,"height":3066},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16","@type":"sc:Canvas","label":"The Tetrarchs","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3601.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2048,"height":3072},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16"}],"description":"This porphyry statue depicting the four Tetrarchs (Diocletian, Maximian, Galerius, and Constantius I), was originally designed as two separate sculptures that should show an Augustus and a Caesar. It most likely originally decorated the Philadelphion in Constantinople and arrived in Venice soon after the sack of Constantinople in 1204.","metadata":[{"label":"Date","value":"c. 300 AD"},{"label":"Material","value":"Porphyry"},{"label":"Location","value":"Exterior, San Marco (missing foot: Istanbul)"}],"width":2048,"height":3072},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17","@type":"sc:Canvas","label":"Glass situla with Dionysiac scene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3602.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":937,"height":1191},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17"}],"description":"This dark puple-blue glass bucket shows images of Dionysiac scenes. Scholars have debated the date of its creation, offering a range from the 4th century to the 6th or 7th, and with a Byzantine origin for these later dates.","metadata":[{"label":"Date","value":"4th century"},{"label":"Place of Creation","value":"Rome or Alexandria"},{"label":"Material","value":"glass, silvered bronze"},{"label":"Dimensions","value":"203 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":937,"height":1191},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18","@type":"sc:Canvas","label":"Mosaic of the translation of the body of St Mark","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3603.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5684,"height":3987},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18"}],"description":"This mosaic is in the arch above the Door of Sant'Alipio, the left-most door on the west side of San Marco. It shows the translation of the body of the deceased saint.","metadata":[{"label":"Date","value":"1260-70"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"San Marco, Venice"}],"width":5684,"height":3987},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19","@type":"sc:Canvas","label":"Icon of the Virgin Nicopeia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3620.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":476,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19"}],"description":"Looted from the Monastery of Stoudios in Constantinople, this icon of the Virgin was brought to Venice by Enrico Dandolo. This transfer was seen by some Venetians as representative of the transference of God's favor and blessing from Constantinople to Venice. The icon was previously decorated with gems, but they were similarly looted.","metadata":[{"label":"Date","value":"12th century"},{"label":"Attributed to","value":"Luca Cancellari"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Location","value":"San Marco"}],"width":476,"height":600}]}]} IIIF Type Manifest UUID 3f1e1f59-79ed-49e9-b88f-3d1e2fe2890a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Staurotheca of Henry of Flanders Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 Description An account of the resource The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188} Display as IIIF? Yes UUID 2c536c21-2146-4a6c-ac59-0afa152ad4a7 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/8843f8351d83cf4a7ead21b3ff7277eb.jpg 086c87ae8f7c149aed1324cee8383fbf IIIF File Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/320164/annotation/anno-20308056 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/320164/annotation/anno-20308056","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/320164/canvas/canvas-20308056","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20308056/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":336,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20308056","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}} Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource steelyard Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/320164 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/320164/canvas/canvas-20308056 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/320164/canvas/canvas-20308056","@type":"sc:Canvas","height":336,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/320164/annotation/anno-20308056","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/320164/canvas/canvas-20308056","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20308056/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":336,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20308056","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"steelyard","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/320164/list/20308056","@type":"sc:AnnotationList"}],"width":1024} Display as IIIF? Yes UUID 4ca1b884-74f8-4db3-8868-766812a5d427 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/52d508947abc0ffacf93a9f04ffe6fbe.jpg 7bd0d30203ec242cd240cfc5a7c7927f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stilicho Diptych Subject The topic of the resource Stilicho Diptych, c. 395, Roman, ivory, Monza, Italy, Monza Cathedral. Description An account of the resource This ivory diptych, called the Stilicho Diptych, is most often associated with the Roman commander, Flavius Stilicho, who, according to Edward Gibbon, was “the last of the Roman generals.” Related by marriage to the emperor Theodosius I, Stilicho was, notably, half Vandal by birth. He participated in numerous campaigns and is well known for his defeat of Radagaisus in 406. Despite his prolific military career, numerous victories, and his personal ties to members of the imperial family, his reputation was destroyed as the provinces of Gaul were lost to incursions of Vandals (Roman troops having been recalled from these fronts at Stilicho’s behest to protect Italy from Radagaisus) and the subsequent military revolts in both Gaul and Britannia. This unrest led to further turmoil and revolt. Stilicho was executed on August 22, 408. Many historians directly link the success of Alaric’s sack of Rome in 410 to the removal of Stilicho. The ivory diptych depicts, one the left leaf, Stilicho’s wife Serena and their son Eucherius (who was executed soon after his father.) On the right leaf, Stilicho stands holding a spear and a shield. Some scholars argue, however, that the diptych instead shows Flavius Aetius, another Roman general, another recipient of a dramatic epithet courtesy of Edward Gibbon, “the Last of the Romans.” Aetius was murdered by Valentinian III in 454. If the diptych does depict Aetius and his family, the figures would be re-identified as his wife Pelagia and their son Gaudentius. Source A related resource from which the described resource is derived https://doi.org/10.1017/S1047759400072299 Publisher An entity responsible for making the resource available Monza Cathedral IIIF Item Metadata UUID ea17c3a9-b90d-4cd6-854d-6371547c3a31