73 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Constantinople to Venice: Loot and Relics in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410","label":"From Constantinople to Venice: Loot and Relics in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1","@type":"sc:Canvas","label":"Glass hanging-lamp","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3618.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1099,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1"}],"description":"The inscription along the outer rim of this glass lamp reads (in translation from the original Greek): \"Saint Panteleimon, protect thy servant, Zacharias, Archbishop of Iberia, Amen.\" Iberia, in this case, refers to Georgia.","metadata":[{"label":"Date","value":"11th century"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"glass, silver-gilt"},{"label":"Dimensions","value":"diam. 270 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1099,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3","@type":"sc:Canvas","label":"Reliquary of the Column of the Flagellation","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3616.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1097,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3"}],"description":"The fragment of the Column of the Flagellation contained within this reliquary is thought to have arrived in Venice from Constantinople in 1125 along with various other relics. The reliquary itself, however, was commissioned in 1375 by Michele Morosini (who would be elected doge in 1382). It was repaired and expanded in 1489. This is the largest and the heaviest reliquary in the treasury of San Marco.","metadata":[{"label":"Date","value":"1375 and 1489"},{"label":"Material","value":"Silver, partly gilt, granite"},{"label":"Place of Creation","value":"Venice"},{"label":"Dimensions","value":"670 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1097,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4","@type":"sc:Canvas","label":"Icon with lapis lazuli Crucifixion medallion","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3615.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1850,"height":2550},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4"}],"description":"This icon is made up of several previously unrelated elements of Byzantine artistry, all set within a Venetian filigree panel. The central lapis medallion represents one of just a few examples of Byzantine hard-stone that has been inlaid with gold. The text reads \"behold thy son\" and \"behold thy mother.\" The earliest possible mention of this icon comes from the 1325 inventory.","metadata":[{"label":"Date","value":"Medallion: 11th-12th century; Enamel: 9th-12th century; Filigree panel: 13th century"},{"label":"Place of Creation","value":"Byzantium and Venice"},{"label":"Material","value":"Lapis lazuli, gold, silver-gilt, enamel, glass"},{"label":"Dimensions","value":"420 mm x 314 mm x 240 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1850,"height":2550},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6","@type":"sc:Canvas","label":"Ewer of the caliph al-Aziz Billah","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3613.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":392,"height":608},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6"}],"description":"This Egyptian Fatimid rock-crystal ewer features carved reliefs of arabesques and palmettes, seated lions, and additional foliate motifs. A Kufic inscription reads \"The blessing of God on the imam al-Aziz bi'llah.\" The gold mount is much later, and has possibly been replaced several times.","metadata":[{"label":"Date","value":"c. 975-96 (metalwork: 16th century and later)"},{"label":"Culture","value":"Fatimid"},{"label":"Material","value":"rock-crystal, gold, enamel"},{"label":"Dimensions","value":"230 mm x 125 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":392,"height":608},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7","@type":"sc:Canvas","label":"Turquoise glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3612.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1348,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7"}],"description":"The opaque turquoise glass bowl features images of running, stylized hares in each of the five panels. The five enamel plaques have been identified as Byzantine, but were most likely made for another purpose. Three are decorated with a rosette pattern and the other two have a design of crosses beneath silver-gilt panels. The filigree plaques are of Western European origin, and were maybe added after the bowl arrived in Venice (15th century?).","metadata":[{"label":"Date","value":"Glass: 9th-10th century; enamel: 11th century; other metal: late 10th and 15th (?) century"},{"label":"Place of Creation","value":"glass: Iran or Iraq; enamel: Byzantine"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"60 mm, diam: 186 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1348,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8","@type":"sc:Canvas","label":"Seat of St Mark (Sedia di San Marco)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3608.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1103,"height":1327},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8"}],"description":"This throne-reliquary is decorated in relief on all sides and includes depictions of the symbols of the Evangelists, as well as the Lamb of God, two nimbed figures flanking a cross, and what has been identified as the Tree of Life.","metadata":[{"label":"Date","value":"6th century"},{"label":"Place of Creation","value":"Alexandria (?)"},{"label":"Material","value":"Alabaster"},{"label":"Dimensions","value":"1470 mm x 550 mm x 530 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1103,"height":1327},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9","@type":"sc:Canvas","label":"\"Grotto of the Virgin\" with the votive crown of Leo the Wise","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3609.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1227,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9"}],"description":"This item is made up of three distinct parts from three separate time periods. The rock crystal edifice, the votive crown, and the figure of the Virgin Mary. They have been united as unit since at least the inventory of 1325. The rock-crystal \"grotto\" is most likely a classical work. The votive crown of the Byzantine emperor Leo the Wise would have originally had fourteen enamel medallions: one with a portrait of Leo himself, seven with the images of apostles and evangelists, and six that are now lost. The figurine of the Virigin orans was probably made in 13th century Venice.","metadata":[{"label":"Date","value":"stonework: 4th-5th century; crown: late 9th-early 10th century; figure of the Virgin: 13th century"},{"label":"Material","value":"rock-crystal, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls"},{"label":"Dimensions","value":"130 mm, 35 mm (figure: 90mm in height)"},{"label":"Location","value":"Treasury of San Marco"}],"width":1227,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11","@type":"sc:Canvas","label":"Gilded and painted glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3611.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":2024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11"}],"description":"This object is often discussed and debated by scholars, and is one of the most famous items brought to Venice after the sack of Constantinople in 1204. The seven medallions show figures from mythology, and both the interior of the rim and the exterior of the bowl's base are decorated with pseudo-Kufic inscriptions.","metadata":[{"label":"Date","value":"probably 10th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, gilded and painted, silver-gilt, stone"},{"label":"Dimensions","value":"170 mm, diam 170 mm, width 330 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":3000,"height":2024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13","@type":"sc:Canvas","label":"Reliquary of the arm of St. George","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3605.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":450,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13"}],"metadata":[{"label":"Date","value":"14th century; interior casing pre: 1204"},{"label":"Location","value":"Treasury of San Marco"}],"width":450,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14","@type":"sc:Canvas","label":"Icon with full-length figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3604.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14"}],"description":"Made in Constantinople in the late 11th to early 12th century, this icon first appears in the inventory of San Marco in 1325, but most likely came to Venice after the sack of Constantinople in 1204. The figure of Michael is identified by the roundels on either side of his head. Additional enamel panels and medallions depict (at top) St Peter, Christ, and St Menas, as well as pairs of military saints along either side.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"silver-gilt, gold cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"460 mm x 350 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15","@type":"sc:Canvas","label":"St Mark's Basilica","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3600.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4574,"height":3066},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15"}],"metadata":[{"label":"Consecrated","value":"1117"},{"label":"Location","value":"Venice, Italy"}],"width":4574,"height":3066},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16","@type":"sc:Canvas","label":"The Tetrarchs","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3601.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2048,"height":3072},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16"}],"description":"This porphyry statue depicting the four Tetrarchs (Diocletian, Maximian, Galerius, and Constantius I), was originally designed as two separate sculptures that should show an Augustus and a Caesar. It most likely originally decorated the Philadelphion in Constantinople and arrived in Venice soon after the sack of Constantinople in 1204.","metadata":[{"label":"Date","value":"c. 300 AD"},{"label":"Material","value":"Porphyry"},{"label":"Location","value":"Exterior, San Marco (missing foot: Istanbul)"}],"width":2048,"height":3072},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17","@type":"sc:Canvas","label":"Glass situla with Dionysiac scene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3602.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":937,"height":1191},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17"}],"description":"This dark puple-blue glass bucket shows images of Dionysiac scenes. Scholars have debated the date of its creation, offering a range from the 4th century to the 6th or 7th, and with a Byzantine origin for these later dates.","metadata":[{"label":"Date","value":"4th century"},{"label":"Place of Creation","value":"Rome or Alexandria"},{"label":"Material","value":"glass, silvered bronze"},{"label":"Dimensions","value":"203 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":937,"height":1191},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18","@type":"sc:Canvas","label":"Mosaic of the translation of the body of St Mark","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3603.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5684,"height":3987},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18"}],"description":"This mosaic is in the arch above the Door of Sant'Alipio, the left-most door on the west side of San Marco. It shows the translation of the body of the deceased saint.","metadata":[{"label":"Date","value":"1260-70"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"San Marco, Venice"}],"width":5684,"height":3987},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19","@type":"sc:Canvas","label":"Icon of the Virgin Nicopeia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3620.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":476,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19"}],"description":"Looted from the Monastery of Stoudios in Constantinople, this icon of the Virgin was brought to Venice by Enrico Dandolo. This transfer was seen by some Venetians as representative of the transference of God's favor and blessing from Constantinople to Venice. The icon was previously decorated with gems, but they were similarly looted.","metadata":[{"label":"Date","value":"12th century"},{"label":"Attributed to","value":"Luca Cancellari"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Location","value":"San Marco"}],"width":476,"height":600}]}]} IIIF Type Manifest UUID 3f1e1f59-79ed-49e9-b88f-3d1e2fe2890a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reliquary-casket of Trebizond Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 Description An account of the resource This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580} Display as IIIF? Yes UUID 8f48c9db-cfca-42e8-8969-d98edde1e60f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). View the manuscript in full here: http://www.bl.uk/manuscripts/Viewer.aspx?ref=yates_thompson_ms_12_fs001ar","metadata":[{"label":"Date","value":"between 1232 and 1261"},{"label":"Type","value":"Manuscript"},{"label":"Text","value":"Histoire d'Outremer, continued to 1232"},{"label":"Author","value":"William of Tyre"},{"label":"Location","value":"The British Library"},{"label":"Label","value":"Yates Thompson 12"}],"width":1428,"height":1351},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3471.1","@type":"sc:Canvas","label":"Coin of Baldwin III","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3471.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2319%2F9a7213333407e94ec5456768a0183b5b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2319%2F9a7213333407e94ec5456768a0183b5b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1600,"height":1136},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3471.1"}],"description":"This coin of Baldwin III shows a cross on the obverse and the Tower of David on the reverse. 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X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. You might recognize this image from the course canvas site! Balian of Ibelin (right) offers Saladin (left, on horseback) the keys to the city. This image is from fol. 144r in volume 2. To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. It was constructed by the Knights Hospitaller in the 12th century, and was near to the site of the Battle of Belvoir Castle fought between Baldwin IV and Saladin in 1182","metadata":[{"label":"Date","value":"1168"},{"label":"Type","value":"Fortress"},{"label":"Patrons","value":"Knights Hospitaller"},{"label":"Location","value":"Israel"}],"width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4","@type":"sc:Canvas","label":"Billon Denier of Amaury I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3468.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":496},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4"}],"description":"One side of this coin shows a depiction of the Holy Sepulcher in Jerusalem and the other a cross. 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The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. 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This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). Godfrey, known for his participation in the crusades, is third from the left with a dog at his feet.","metadata":[{"label":"Date","value":"13th century"},{"label":"Location","value":"City Hall, Cologne"},{"label":"Material","value":"Wood"}],"width":1500,"height":649},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11","@type":"sc:Canvas","label":"Detail of Godfrey and Charlemagne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3461.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":337,"height":524},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11"}],"description":"Here is a detail of Godfrey (at right, with his sword and dog) with another one of the Christian worthies, Charlemagne.","metadata":[{"label":"Date","value":"13th century"},{"label":"Material","value":"Wood"},{"label":"Location","value":"City Hall, Cologne"}],"width":337,"height":524},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12","@type":"sc:Canvas","label":"Map of the Holy Land","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3460.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1378},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12"}],"description":"This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris.\n\nYou can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448","metadata":[{"label":"Date","value":"c. 1240-53"},{"label":"Creator","value":"Matthew Paris"},{"label":"Format","value":"Manuscript"},{"label":"Place of Creation","value":"Saint Albans"},{"label":"Location","value":"Corpus Christi College, Cambridge"},{"label":"Label","value":"10.\tCambridge, Corpus Christi College, MS 026: Matthew Paris OSB"}],"width":1600,"height":1378},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13","@type":"sc:Canvas","label":"Reliquary of the True Cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3459.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2675,"height":3400},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13"}],"description":"The cross in this panel comes from the Latin Kingdom of Jerusalem, while the panel into which the cross has been set comes from the Rhine-Meuse region. The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). 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Title A name given to the resource reverse Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196942 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196942/canvas/canvas-423291042 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196942/canvas/canvas-423291042","@type":"sc:Canvas","height":2519,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196942/annotation/anno-423291042","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196942/canvas/canvas-423291042","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/423291042/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":2519,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/423291042","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"reverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196942/list/423291042","@type":"sc:AnnotationList"}],"width":2550} Display as IIIF? 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource reverse Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/97605 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/97605/canvas/canvas-17456518 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/97605/canvas/canvas-17456518","@type":"sc:Canvas","height":987,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/97605/annotation/anno-17456518","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/97605/canvas/canvas-17456518","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17456518/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":987,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17456518","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"reverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/97605/list/17456518","@type":"sc:AnnotationList"}],"width":1024} Display as IIIF? Yes UUID c38329e9-e4ec-4873-a597-7522498e852c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Faustina II Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196160 Description An account of the resource Obv.: Bust of Faustina, draped, to r., hair elaborately dressed in horizontal waves at the front, and coiled up in a bun, pearl diadem; Rev.: Venus, standing, facng l., holding apple in r. hand, and a rudder set on dolphin, which coils around it Publisher An entity responsible for making the resource available Harvard Art Museums IIIF Collection Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196160 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://iiif.harvardartmuseums.org/manifests/object/196160","@type":"sc:Manifest","attribution":"Harvard Art Museums","description":"Obv.: Bust of Faustina, draped, to r., hair elaborately dressed in horizontal waves at the front, and coiled up in a bun, pearl diadem; \r\nRev.: Venus, standing, facng l., holding apple in r. hand, and a rudder set on dolphin, which coils around it","label":"Aureus of Faustina II","logo":{"@id":"https://ids.lib.harvard.edu/ids/iiif/437958013/full/!800,800/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/437958013","profile":"http://iiif.io/api/image/2/level2.json"}},"metadata":[{"label":"Date","value":"147-150 CE"},{"label":"Classification","value":"Coins"},{"label":"Credit Line","value":"Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Frederick M. Watkins"},{"label":"Object Number","value":"1972.255"},{"label":"People","value":["Coin Constituent: Faustina II, Roman, r. 161-175"]},{"label":"Medium","value":"Gold"},{"label":"Technique","value":"Struck"},{"label":"Dimensions","value":"7.38 g"},{"label":"Provenance","value":"From the H. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource reverse Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196160 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-17804128 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-17804128","@type":"sc:Canvas","height":968,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/annotation/anno-17804128","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-17804128","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17804128/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":968,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17804128","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"reverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/list/17804128","@type":"sc:AnnotationList"}],"width":1024} Display as IIIF? Yes UUID 7df7434c-18b6-4466-96f1-c55a0b424dcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidus of Theodosius II, Constantinople Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196791 Description An account of the resource Obverse: Helmeted bust, pearl-diademed, cuirassed, spear in r. hand held over r. shoulder behind head, on l. arm shield decorated with horseman. Reverse: Constantinopolis seated, looking r., holding spear in r. hand and globe surmounted by Victory in l.; star in field to l.; prow under r. foot. CONOB in exergue; officina (Z) at end of legend. Publisher An entity responsible for making the resource available Harvard Art Museums IIIF Collection Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196791 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://iiif.harvardartmuseums.org/manifests/object/196791","@type":"sc:Manifest","attribution":"Harvard Art Museums","description":"Obverse: Helmeted bust, pearl-diademed, cuirassed, spear in r. hand held over r. shoulder behind head, on l. arm shield decorated with horseman.\r\nReverse: Constantinopolis seated, looking r., holding spear in r. hand and globe surmounted by Victory in l.; star in field to l.; prow under r. foot. CONOB in exergue; officina (Z) at end of legend.","label":"Solidus of Theodosius II, Constantinople","logo":{"@id":"https://ids.lib.harvard.edu/ids/iiif/437958013/full/!800,800/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/437958013","profile":"http://iiif.io/api/image/2/level2.json"}},"metadata":[{"label":"Date","value":"408-419 CE"},{"label":"Classification","value":"Coins"},{"label":"Credit Line","value":"Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Thomas Whittemore"},{"label":"Object Number","value":"1951.31.4.136"},{"label":"People","value":["Coin Constituent: Theodosius II, Roman, r. 402 -450 CE"]},{"label":"Medium","value":"Gold"},{"label":"Technique","value":"Struck"},{"label":"Dimensions","value":"4.41 g"}],"rendering":{"@id":"https://www.harvardartmuseums.org/collections/object/196791","format":"text/html","label":"Full record view"},"sequences":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/sequence/normal","@type":"sc:Sequence","canvases":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-43347620","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/annotation/anno-43347620","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-43347620","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43347620/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43347620","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/list/43347620","@type":"sc:AnnotationList"}],"width":1024},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803990","@type":"sc:Canvas","height":943,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/annotation/anno-17803990","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803990","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17803990/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":943,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17803990","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"obverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/list/17803990","@type":"sc:AnnotationList"}],"width":1024},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803991","@type":"sc:Canvas","height":949,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/annotation/anno-17803991","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803991","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17803991/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":949,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17803991","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"reverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/list/17803991","@type":"sc:AnnotationList"}],"width":1024}],"viewingHint":"individuals"}],"thumbnail":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43347620/full/!170,170/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43347620","profile":"http://iiif.io/api/image/2/level2.json"}},"within":"https://www.harvardartmuseums.org/collections"} IIIF Type Manifest UUID dc0b0982-326b-4ed3-ba3d-168152ab1472 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource reverse Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196791 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803991 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803991","@type":"sc:Canvas","height":949,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/annotation/anno-17803991","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196791/canvas/canvas-17803991","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17803991/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":949,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17803991","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"reverse","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196791/list/17803991","@type":"sc:AnnotationList"}],"width":1024} Display as IIIF? Yes UUID f1b781dd-4d6c-4df5-8df3-6c9b1a6b08f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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The Polo Brothers bid farewell to Constantinople en route to Trebizond and the Silk Route. \nLe Livre des Merveilles,15th cent. Bibliotheque Nationale MS Fr. 2810.","metadata":[{"label":"Date","value":""},{"label":"Type","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Repository","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":746,"height":1054},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3435.7","@type":"sc:Canvas","label":"Crusaders in Sight of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3435.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2284%2Fdfb345222b9cc4b1ea9ce59a7c62f78e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2284%2Fdfb345222b9cc4b1ea9ce59a7c62f78e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":806},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3435.7"}],"description":"Hermann Freihold Pl\u00fcddemann, German (1809 - 1868), Crusaders in sight of Jerusalem. 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Now part of the Collections of the British Museum, 1885,1113.9065-9070","width":2500,"height":1598},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10","@type":"sc:Canvas","label":"The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata) designed ca. 1689\u201393, woven 1732\u201339, MET","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3437.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2513},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10"}],"description":"Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians\u2019 First Crusade into Jerusalem recounted in Tasso\u2019s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).\n\nAs the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard and Saladin Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource Earthenware floor-tiles, lead-glazed with inlaid slip decoration. Four quarter tiles making up a circular picture; six surviving fragments; representation of Saladin (Salah al-Din) on horseback, in combat with his adversary Richard I (Coeur de Lion). Made in Chertsey, Surrey, 13th century. Now part of the Collections of the British Museum, 1885,1113.9065-9070 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3436.9 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3436.9","@type":"sc:Canvas","label":"Richard and Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3436.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2285%2Fc850f1112c6e406a757d5e6c55789d72.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2285%2Fc850f1112c6e406a757d5e6c55789d72.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2500,"height":1598},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3436.9"}],"description":"Earthenware floor-tiles, lead-glazed with inlaid slip decoration. Four quarter tiles making up a circular picture; six surviving fragments; representation of Saladin (Salah al-Din) on horseback, in combat with his adversary Richard I (Coeur de Lion). Made in Chertsey, Surrey, 13th century. Now part of the Collections of the British Museum, 1885,1113.9065-9070","width":2500,"height":1598} Display as IIIF? Yes UUID 982e3904-3c64-4343-b79a-363be769c29d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 Supplement IIIF Collection Metadata UUID 498b0279-20b9-4df5-a515-e511ae8b36bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roma, Foro Romano con il Tempio di Castore e Polluce e la Basilica Giulia Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/156488 Subject The topic of the resource Roma, Foro Romano con il Tempio di Castore e Polluce e la Basilica Giulia, 1880s, albumen silver print, 18.6 x 25.5 cm (7 5/16 x 10 1/16 in.), Cambridge, Harvard Art Museums IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/156488/canvas/canvas-18784451 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/156488/canvas/canvas-18784451","@type":"sc:Canvas","height":773,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/156488/annotation/anno-18784451","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/156488/canvas/canvas-18784451","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18784451/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":773,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18784451","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/156488/list/18784451","@type":"sc:AnnotationList"}],"width":1024} UUID a0f11f06-ec6a-4bb1-aa0b-d5c2bdf1629d https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6907ef440df89cbc6cc1af41bc3896c1.jpg 0aaa6bbec84fbd1bb00507d5b4ba9665 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 4/12 IIIF Collection Metadata UUID b07ae80a-b5c7-48fb-815b-2879976840e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rossano Gospels fol.121r Subject The topic of the resource St Mark author portrait with the Virgin Mary Diocesan Museum, Rossano Cathedral, Codex Purpureus Rossanensis 6th century illuminated Gospel book made after the Byzantine reconquest of the Italian Peninsula from the Ostrogoths (535-553) IIIF Item Metadata UUID 94a1d811-453e-4c61-aaea-28cf16f7affa https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/fbbf198a75fb39b89f3fc47f79c2e53f.jpg cd4d58172e6a4f54ee88695da1144cee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roundel Subject The topic of the resource Roundel: Personification with Candelabra Plants, Byzantine, Egypt, 7th-8th century, 20.23 cm, wool and linen, Cambridge, MA, Harvard Art Museums. Description An account of the resource Museum Description: “Tapestry woven roundel (orbiculus). The small medallion at its center contains a female figure, likely a beneficent personification, with a green nimbus against a bright red background. Her breasts are distinguished in yellow against her dark blue torso. She wears a skirt with many folds and may be seated. The woman raises one arm and possibly holds up a leaf in a gesture common to depictions of personifications of the earth. Thin white supplementary threads above the woman’s right hand may be an unreadable interpretation of the inscriptions that often identify personifications. Eight thick, gold plant forms outlined in black surround the central medallion in a symmetrical arrangement; these plants are of the jeweled candelabra type often featured in textile medallions in the later part of Late Antiquity. Four of the vine-like plants contain birds, and the other four have leaves/flowers of various colors. Small birds and red dots fill the empty space within the main field. The borders of the central medallion and the larger design field are formed by interlocking color segments outlined in black. The outermost border is formed of red and yellow tendrils and blue dots. Undyed warps run parallel to the orientation of the figural design.” Source A related resource from which the described resource is derived https://hvrd.art/o/213655 Publisher An entity responsible for making the resource available Harvard Art Museums 1931.46 IIIF Item Metadata UUID 3892135b-e6f1-468c-9585-d59a78c72579