69 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Panathenaic Amphora: Athena; Wrestlers and Referee side A Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/291504 Description An account of the resource Side A: archaistic Athena Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson OBJECT NUMBER: 1959.128 Publisher An entity responsible for making the resource available Harvard Art Museum Date A point or period of time associated with an event in the lifecycle of the resource c. 422 BCE Format The file format, physical medium, or dimensions of the resource Terracotta Vessel, black -Figure, H. 53.4 x W. 32 cm (21 x 12 5/8 in.) IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678869 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678869","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/annotation/anno-20678869","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678869","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20678869/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20678869","profile":"http://iiif.io/api/image/2/level2.json"},"width":823}}],"label":"side A","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/list/20678869","@type":"sc:AnnotationList"}],"width":823} UUID 682d4f19-9bee-4ea9-9b2d-126488b532a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Panathenaic Amphora: Athena; Wrestlers and Referee Side B Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/291504 Description An account of the resource Side B: two boys wrestling. Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson OBJECT NUMBER: 1959.128 Publisher An entity responsible for making the resource available Harvard Art Museum Date A point or period of time associated with an event in the lifecycle of the resource c. 422 BCE Format The file format, physical medium, or dimensions of the resource Terracotta Vessel, black -Figure, H. 53.4 x W. 32 cm (21 x 12 5/8 in.) IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678870 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678870","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/annotation/anno-20678870","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/291504/canvas/canvas-20678870","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20678870/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20678870","profile":"http://iiif.io/api/image/2/level2.json"},"width":834}}],"label":"side B","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/291504/list/20678870","@type":"sc:AnnotationList"}],"width":834} UUID efc5d518-6fce-4379-892f-11f550c7a4b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper on Confederate Currency Subject The topic of the resource https://exhibitions.blogs.lib.lsu.edu/?page_id=707 IIIF Item Metadata UUID 97a7211f-4d03-44b8-8ba5-c5f235d5b3ed https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/9061d720f8aee0fe6ed618a197f215bc.jpg 6d179932c76d378bb4afd5b26c6746d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 4/12 IIIF Collection Metadata UUID b07ae80a-b5c7-48fb-815b-2879976840e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Papyrus 9 recto Subject The topic of the resource First Epistle of John verses 4:11-12 Cambridge, Houghton Library, Harvard University, Semitic Museum Inv. 3736 Description An account of the resource Early 3rd century fragment from an early copy of the New Testament written in Greek in the Alexandrian text-type IIIF Item Metadata UUID f09451b2-dfa8-4c99-b7f6-cacf90e947a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parthénon pris du Temple de la Victoire, Aptère, et mur Pélasgique Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/156761 Creator An entity primarily responsible for making the resource Harvard Art Museums/Fogg Museum, Transfer from the Carpenter Center for the Visual Arts OBJECT NUMBER: 2.2002.2448 Publisher An entity responsible for making the resource available Harvard Art Museums Date A point or period of time associated with an event in the lifecycle of the resource c. 1900 Format The file format, physical medium, or dimensions of the resource Gelatin Silver Print Photograph, image: 22 x 27.9 cm (8 11/16 x 11 in.) IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/156761/canvas/canvas-18784280 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/156761/canvas/canvas-18784280","@type":"sc:Canvas","height":773,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/156761/annotation/anno-18784280","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/156761/canvas/canvas-18784280","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18784280/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":773,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18784280","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/156761/list/18784280","@type":"sc:AnnotationList"}],"width":1024} UUID 957b44aa-56d6-489a-a536-8bf25293122c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Constantinople to Venice: Loot and Relics in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410","label":"From Constantinople to Venice: Loot and Relics in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1","@type":"sc:Canvas","label":"Glass hanging-lamp","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3618.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1099,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1"}],"description":"The inscription along the outer rim of this glass lamp reads (in translation from the original Greek): \"Saint Panteleimon, protect thy servant, Zacharias, Archbishop of Iberia, Amen.\" Iberia, in this case, refers to Georgia.","metadata":[{"label":"Date","value":"11th century"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"glass, silver-gilt"},{"label":"Dimensions","value":"diam. 270 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1099,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3","@type":"sc:Canvas","label":"Reliquary of the Column of the Flagellation","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3616.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1097,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3"}],"description":"The fragment of the Column of the Flagellation contained within this reliquary is thought to have arrived in Venice from Constantinople in 1125 along with various other relics. The reliquary itself, however, was commissioned in 1375 by Michele Morosini (who would be elected doge in 1382). It was repaired and expanded in 1489. This is the largest and the heaviest reliquary in the treasury of San Marco.","metadata":[{"label":"Date","value":"1375 and 1489"},{"label":"Material","value":"Silver, partly gilt, granite"},{"label":"Place of Creation","value":"Venice"},{"label":"Dimensions","value":"670 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1097,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4","@type":"sc:Canvas","label":"Icon with lapis lazuli Crucifixion medallion","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3615.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1850,"height":2550},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4"}],"description":"This icon is made up of several previously unrelated elements of Byzantine artistry, all set within a Venetian filigree panel. The central lapis medallion represents one of just a few examples of Byzantine hard-stone that has been inlaid with gold. The text reads \"behold thy son\" and \"behold thy mother.\" The earliest possible mention of this icon comes from the 1325 inventory.","metadata":[{"label":"Date","value":"Medallion: 11th-12th century; Enamel: 9th-12th century; Filigree panel: 13th century"},{"label":"Place of Creation","value":"Byzantium and Venice"},{"label":"Material","value":"Lapis lazuli, gold, silver-gilt, enamel, glass"},{"label":"Dimensions","value":"420 mm x 314 mm x 240 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1850,"height":2550},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6","@type":"sc:Canvas","label":"Ewer of the caliph al-Aziz Billah","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3613.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":392,"height":608},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6"}],"description":"This Egyptian Fatimid rock-crystal ewer features carved reliefs of arabesques and palmettes, seated lions, and additional foliate motifs. A Kufic inscription reads \"The blessing of God on the imam al-Aziz bi'llah.\" The gold mount is much later, and has possibly been replaced several times.","metadata":[{"label":"Date","value":"c. 975-96 (metalwork: 16th century and later)"},{"label":"Culture","value":"Fatimid"},{"label":"Material","value":"rock-crystal, gold, enamel"},{"label":"Dimensions","value":"230 mm x 125 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":392,"height":608},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7","@type":"sc:Canvas","label":"Turquoise glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3612.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1348,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7"}],"description":"The opaque turquoise glass bowl features images of running, stylized hares in each of the five panels. The five enamel plaques have been identified as Byzantine, but were most likely made for another purpose. Three are decorated with a rosette pattern and the other two have a design of crosses beneath silver-gilt panels. The filigree plaques are of Western European origin, and were maybe added after the bowl arrived in Venice (15th century?).","metadata":[{"label":"Date","value":"Glass: 9th-10th century; enamel: 11th century; other metal: late 10th and 15th (?) century"},{"label":"Place of Creation","value":"glass: Iran or Iraq; enamel: Byzantine"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"60 mm, diam: 186 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1348,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8","@type":"sc:Canvas","label":"Seat of St Mark (Sedia di San Marco)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3608.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1103,"height":1327},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8"}],"description":"This throne-reliquary is decorated in relief on all sides and includes depictions of the symbols of the Evangelists, as well as the Lamb of God, two nimbed figures flanking a cross, and what has been identified as the Tree of Life.","metadata":[{"label":"Date","value":"6th century"},{"label":"Place of Creation","value":"Alexandria (?)"},{"label":"Material","value":"Alabaster"},{"label":"Dimensions","value":"1470 mm x 550 mm x 530 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1103,"height":1327},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9","@type":"sc:Canvas","label":"\"Grotto of the Virgin\" with the votive crown of Leo the Wise","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3609.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1227,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9"}],"description":"This item is made up of three distinct parts from three separate time periods. The rock crystal edifice, the votive crown, and the figure of the Virgin Mary. They have been united as unit since at least the inventory of 1325. The rock-crystal \"grotto\" is most likely a classical work. The votive crown of the Byzantine emperor Leo the Wise would have originally had fourteen enamel medallions: one with a portrait of Leo himself, seven with the images of apostles and evangelists, and six that are now lost. The figurine of the Virigin orans was probably made in 13th century Venice.","metadata":[{"label":"Date","value":"stonework: 4th-5th century; crown: late 9th-early 10th century; figure of the Virgin: 13th century"},{"label":"Material","value":"rock-crystal, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls"},{"label":"Dimensions","value":"130 mm, 35 mm (figure: 90mm in height)"},{"label":"Location","value":"Treasury of San Marco"}],"width":1227,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11","@type":"sc:Canvas","label":"Gilded and painted glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3611.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":2024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11"}],"description":"This object is often discussed and debated by scholars, and is one of the most famous items brought to Venice after the sack of Constantinople in 1204. The seven medallions show figures from mythology, and both the interior of the rim and the exterior of the bowl's base are decorated with pseudo-Kufic inscriptions.","metadata":[{"label":"Date","value":"probably 10th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, gilded and painted, silver-gilt, stone"},{"label":"Dimensions","value":"170 mm, diam 170 mm, width 330 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":3000,"height":2024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13","@type":"sc:Canvas","label":"Reliquary of the arm of St. George","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3605.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":450,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13"}],"metadata":[{"label":"Date","value":"14th century; interior casing pre: 1204"},{"label":"Location","value":"Treasury of San Marco"}],"width":450,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14","@type":"sc:Canvas","label":"Icon with full-length figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3604.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14"}],"description":"Made in Constantinople in the late 11th to early 12th century, this icon first appears in the inventory of San Marco in 1325, but most likely came to Venice after the sack of Constantinople in 1204. The figure of Michael is identified by the roundels on either side of his head. Additional enamel panels and medallions depict (at top) St Peter, Christ, and St Menas, as well as pairs of military saints along either side.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"silver-gilt, gold cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"460 mm x 350 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15","@type":"sc:Canvas","label":"St Mark's Basilica","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3600.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4574,"height":3066},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15"}],"metadata":[{"label":"Consecrated","value":"1117"},{"label":"Location","value":"Venice, Italy"}],"width":4574,"height":3066},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16","@type":"sc:Canvas","label":"The Tetrarchs","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3601.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2048,"height":3072},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16"}],"description":"This porphyry statue depicting the four Tetrarchs (Diocletian, Maximian, Galerius, and Constantius I), was originally designed as two separate sculptures that should show an Augustus and a Caesar. It most likely originally decorated the Philadelphion in Constantinople and arrived in Venice soon after the sack of Constantinople in 1204.","metadata":[{"label":"Date","value":"c. 300 AD"},{"label":"Material","value":"Porphyry"},{"label":"Location","value":"Exterior, San Marco (missing foot: Istanbul)"}],"width":2048,"height":3072},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17","@type":"sc:Canvas","label":"Glass situla with Dionysiac scene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3602.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":937,"height":1191},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17"}],"description":"This dark puple-blue glass bucket shows images of Dionysiac scenes. Scholars have debated the date of its creation, offering a range from the 4th century to the 6th or 7th, and with a Byzantine origin for these later dates.","metadata":[{"label":"Date","value":"4th century"},{"label":"Place of Creation","value":"Rome or Alexandria"},{"label":"Material","value":"glass, silvered bronze"},{"label":"Dimensions","value":"203 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":937,"height":1191},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18","@type":"sc:Canvas","label":"Mosaic of the translation of the body of St Mark","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3603.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5684,"height":3987},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18"}],"description":"This mosaic is in the arch above the Door of Sant'Alipio, the left-most door on the west side of San Marco. It shows the translation of the body of the deceased saint.","metadata":[{"label":"Date","value":"1260-70"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"San Marco, Venice"}],"width":5684,"height":3987},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19","@type":"sc:Canvas","label":"Icon of the Virgin Nicopeia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3620.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":476,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19"}],"description":"Looted from the Monastery of Stoudios in Constantinople, this icon of the Virgin was brought to Venice by Enrico Dandolo. This transfer was seen by some Venetians as representative of the transference of God's favor and blessing from Constantinople to Venice. The icon was previously decorated with gems, but they were similarly looted.","metadata":[{"label":"Date","value":"12th century"},{"label":"Attributed to","value":"Luca Cancellari"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Location","value":"San Marco"}],"width":476,"height":600}]}]} IIIF Type Manifest UUID 3f1e1f59-79ed-49e9-b88f-3d1e2fe2890a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pastoral Staff Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 Description An account of the resource This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307} Display as IIIF? Yes UUID ed3ce1a6-b4f9-4b0f-9f4b-42bbfe2eb470 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e81088c545be317da3e1e71cf541869a.JPG db5f177faef7cfd6831619bc15a885d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Tuesday 4/6 IIIF Collection Metadata UUID d60b8706-a594-4e63-9f2f-05ed01406d75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penannular bracelet or manilla cast in copper alloy, Nigeria Subject The topic of the resource copper alloy, lost-wax cast, 3.5x11x9 cm Description An account of the resource Semi-circular terminals. Applied decoration in three bands around bracelet with globular beads at corners of each band. IIIF Item Metadata UUID bd464e18-b736-475d-b4ff-1597255e11ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Tuesday 2/9 IIIF Collection Metadata UUID c538caa8-bf0e-421d-aff2-a173c5c00242 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pentadrachm of Ptolemy I, Alexandria Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/168921 Subject The topic of the resource Pentadrachm of Ptolemy I, Alexandria, 305-285 BCE, gold, 17.85 g, Cambridge, Harvard Art Museums Description An account of the resource Obv.: Diademed head of Ptolemy r., border of dots Rev.: Eagle standing l. on thunderbolt; border of dots., monogram to l. IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/168921/canvas/canvas-18734407 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/168921/canvas/canvas-18734407","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/168921/annotation/anno-18734407","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/168921/canvas/canvas-18734407","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734407/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734407","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/168921/list/18734407","@type":"sc:AnnotationList"}],"width":1024} UUID d043dc70-8aa3-4481-8178-d440a93648d3 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/4c7524bfa7338c746c91b473fdc6d894.jpg bb1b651eff604a417eff11ddc7edeafd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, 4/5 (Burial) IIIF Collection Metadata UUID c2be0b27-50bf-4085-b570-fba3e2a42ec8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of Columbarium 2 at Vigna Codini Subject The topic of the resource by Lodovico Tuminello (1824-1907) Rome IIIF Item Metadata UUID aed8f344-30fa-46b2-9cc9-419177fb1c7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trebizond and Cilician Armenia in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413","label":"Trebizond and Cilician Armenia in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0","@type":"sc:Canvas","label":"Tancred and the Cilician Envoys","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3624.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2352,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0"}],"description":"From the French translation of William of Tyre's History of Deeds Done Beyond the Sea. Fol. 42","metadata":[{"label":"Date","value":"13th-14th century"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr. 9084"},{"label":"Location","value":"Paris"},{"label":"Place of Creation","value":"Acre"}],"width":2352,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1","@type":"sc:Canvas","label":"Amouda Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3625.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5184,"height":3456},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1"}],"description":"Formerly in the Armenian Kingdom of Cilicia, now in the Turkish Province of Osmaniye. This Castle was deeded by the Armenian King Leo I (confusingly, also called Leo II, and sometimes Levon I/II) to the Teutonic Knights in 1212, and was subsequently rebuilt in the 13th century.","metadata":[{"label":"Date","value":"13th century"}],"width":5184,"height":3456},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2","@type":"sc:Canvas","label":"Lampron Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3626.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":640,"height":464},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2"}],"description":"Image from Victor Langlois, \"Voyage dans la Cilicie et dans les montagnes du Taurus.\" Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades","metadata":[{"label":"Date","value":"1861"}],"width":640,"height":464},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3","@type":"sc:Canvas","label":"Coin of King Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3627.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1152,"height":583},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3"}],"description":"obv: King seated cross-legged on a throne adorned with lions. He holds a globus cruciger and fleur-de-lis. Armenian inscription: Hetoum King of the Armenians\n\nrev: Potent cross with four stars (or lines, depending on the type). Armenian inscription: Struck in the City of Sis","metadata":[{"label":"Date","value":"1226-70"},{"label":"Type","value":"Copper Tank"}],"width":1152,"height":583},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5","@type":"sc:Canvas","label":"Coin of Hetum I with Queen Zabel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3629.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":963,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5"}],"description":"Obverse: Hetum and Queen Zabel standing near cross staff, with the Armenain text \"By God's will\" around it.\n\nReverse: Lion walking to the right, around it the Armenian text \"Hetum, King of the Armenians\".","metadata":[{"label":"Date","value":"c. 1226-70"},{"label":"Type","value":"Silver Tram"}],"width":963,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6","@type":"sc:Canvas","label":"Coin of Leo I (Levon I)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3630.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1296,"height":648},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6"}],"description":"King seated on throne ornamented with lions, holding cross and fleur-de-lis. Armenian inscription: \"+ Levon King of the Armenians\" / Two lions rampant back-to-back, each with heads reverted; patriarchal cross with two bars between them. \"+ By the will of God\"","metadata":[{"label":"Date","value":"c. 1198-1219"},{"label":"Type","value":"Silver Tram"}],"width":1296,"height":648},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7","@type":"sc:Canvas","label":"The Burial Church of the Armenian Kings, Anavarza/Anazarbus/Ain Zarba","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3631.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7"}],"description":"The city of Anazarbus is an ancient city that was first founded by the Assyrians. It was rebuilt and renamed by rulers throughout its history, including Roman Emperor Justin I, who rebuilt it after an earthquake in the 6th century and named it \u201cJustinianopolis.\u201d Likewise, the central castle has been built and rebuilt numerous times as it passed hands through different dynasties and empires including: the Roman Empire, the Byzantine Empire, the Abbasid Caliphate, the Crusaders, the Armenian Kingdom of Cilicia, the Mamluks, etc. The majority of the present fortress is of Armenian construction. The innermost keep (donjon) was built by the Crusaders after it was captured during the 1st crusade. In the 12th century, Thoros I, king of Lesser Armenia, made it his capital, and it reverted to its previous name, Anazarva. It is in modern day Kozan, in Turkey. Finally destroyed by the Mamluks in 1374.","metadata":[{"label":"Date","value":"12th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8","@type":"sc:Canvas","label":"Queen Keran, Leo II, and five of their children being blessed by Christ","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3632.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":760,"height":1047},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8"}],"description":"From the Queen Keran Gospels, this signed manuscript is one of seven examples that were signed by the illuminator, Toros Roslin, although there are additional, unsigned, manuscripts that have also been attributed to him.\n\nAdditional images here (in black and white and somewhat erratically organized: c.\thttps://www.loc.gov/resource/amedmonastery.00271074190-jo/?sp=1 )","metadata":[{"label":"Date","value":"1272"},{"label":"Patron","value":"Queen Keran"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Armenian Patriarchate Gulbenkian Library Calouste Gulbenkian Library, Armenian Cathedral of St. James"},{"label":"Shelfmark","value":"Ms. 2563"}],"width":760,"height":1047},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9","@type":"sc:Canvas","label":"The Last Judgment from the Toros Roslin Gospels fol. 109v","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3633.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1291,"height":1799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9"}],"description":"A second manuscript signed by Toros Roslin, with a total of 15 miniatures and 67 smaller illustrations. In the colophon, the manuscript is noted as being made for the nephew of Catholicos Constantine (1221-67), also named Toros, in 1262 at the scriptorium of Hromkla.\n\nSee: https://art.thewalters.org/detail/8115/toros-roslin-gospels-2/","metadata":[{"label":"Date","value":"1262"},{"label":"Patron","value":"Toros (not Roslin)"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Walters Art Museum"},{"label":"Shelfmark","value":"Walters MS W539"}],"width":1291,"height":1799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11","@type":"sc:Canvas","label":"Seal of David Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3635.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":978,"height":504},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11"}],"description":"Grandson of Andronikos I, and the brother of the first emperor of Trebizond, Alexios I Komnenos (1204-22), whom David helped take the throne. David was killed while defending Sinope from an attack by the Seljuqs in 1214. \n\nObverse: King David \u2018the prophet\u2019 holding a trefoil scepter in his right hand, an akakia in his left, inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3[\u03b9\u03bb]\u03b5[\u1f7a\u03c2] \u1f41 \u03c0\u03c1\u03bf\u03c6\u03ae\u03c4\u03b7\u03c2. (King David, the Prophet)\n\nReverse: A six-line inscription, made up of two twelve-syllable verses separated by decoration; cross above inscription, decoration below, line border. Inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u1fe6 \u1f00\u03c3\u03c6\u03b1\u03bb\u1f72\u03c2 \u03b3\u03c1\u03b1\u03c6\u1ff6\u03bd \u03ba\u03cd\u03c1\u03bf\u03c2 \u0394\u03b1(\u03b2\u1f76)\u03b4 \u039a\u03bf\u03bc\u03bd\u03b7\u03bd\u03bf\u1fe6 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03ba\u03b3\u03cc\u03bd\u03bf\u03c5 \u03b3\u03af\u03bd\u03bf\u03c5 (King David, be a secure guarantor of the documents of David Komnenos, descendant of kings.)","metadata":[{"label":"Date","value":"before c. 1214"},{"label":"Type","value":"Seal"},{"label":"Location","value":"Dumbarton Oaks"}],"width":978,"height":504},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12","@type":"sc:Canvas","label":"Coin of Emperor John II Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3636.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1920,"height":1242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12"}],"description":"Obverse: St. Eugenius standing, holding cross. Inscription: O AGi EVGENI (St. Eugenius)\n\nReverse: John Standing, holding labarum-headed scepter, Manus Dei at upper right. Inscription: I\u03c9 \u039f \u039a\u039f\u039c\u039d\u039fC (John Komnenos)","metadata":[{"label":"Date","value":"c. 1280-97"},{"label":"Type","value":"Silver asper"},{"label":"Location","value":"Hermitage Museum"}],"width":1920,"height":1242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13","@type":"sc:Canvas","label":"Coin of Basil Megas Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3637.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":927,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13"}],"description":"Obverse: St. Eugenius on horseback, holding cross, inscription: A / EV-N (St. Eugenius, heavily abbreviated)\n\nReverse: Basil on horseback, holding three-pronged scepter. Inscriptiion: BA / M (Basil Megas)","metadata":[{"label":"Date","value":"c. 1332-40"},{"label":"Type","value":"Silver Asper"}],"width":927,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14","@type":"sc:Canvas","label":"Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3638.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14"}],"description":"Built in Trebizond during the reign of Manuel I between 1238 and 1263, there is carved graffiti in the apses dating to 1291 and 1293. The church was converted into a mosque after the conquest Mehmed II in 1461, however some scholars suggest that the conversation did not take place until over a century later in 1584, due to the church\u2019s location outside of the city walls. The monastery attached to the church was still in use by Greek Orthodox monks in 1701. Apparently used as a cholera hospital in the 19th century, the first archeological examination was during the Russian occupation in World War I, by Fyodor Uspensky and others. By the 1950s, it was once again a mosque, however in 1964, it was turned into a museum, and the surviving (previously whitewashed) frescoes were uncovered). These frescoes are thought to account for only 1/6th of the original decoration, but all are considered to be original, completed just after construction. In 2013, the Hagia Sophia was converted back into a mosque, despite a local judge ruling this to be illegal. The frescoes and opus sectile floor were covered by immovable curtains and carpets until 2018, when the building was closed for renovation. In 2020, the ministry of religious affairs fulfilled the promise to make the frescoes visible outside of prayer time, and a glass covering was placed over the opus sectile floor.","width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15","@type":"sc:Canvas","label":"Four Evangelists' Fresco, Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3639.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15"}],"metadata":[{"label":"Date","value":"13th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16","@type":"sc:Canvas","label":"Imagined reconstruction of the Opus Sectile floor at Hagia Sophia, Trabzon by Charles Texier","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3640.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1104,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16"}],"description":"Texier was a French historian, architect, and archaeologist. He published numerous works following his travels throughout Asia Minor and the Middle East covering topics ranging from geography and geology, to art and architecture.","metadata":[{"label":"Date","value":"1864"},{"label":"Artist","value":"Charles Texier"}],"width":1104,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19","@type":"sc:Canvas","label":"Cassone with painted front panel depicting the Conquest of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3643.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2628},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19"}],"description":"Attributed to the workshop of Apolloni di Giovanni di Tomaso, Italian, said to come from the Palazzo Strozzi. The front panel depicts a battle at the city of Trebizond, Constantinople is at the upper left. The battle shows the fall of Trebizond to the Ottomans in 1471, but, strangely, the ruler beneath the canopy is identified as Tamerlane (Timur) in a small, faint inscription to the right of his head, who defeated the Ottoman sultan in 1402, and died three years later in 1405. This bizarre anachronism has not been explained.","metadata":[{"label":"Date","value":"After c. 1461"},{"label":"Type","value":"Cassone"},{"label":"Creator","value":"Attributed to the workshop of Apolloni di Giovanni di Tomaso"},{"label":"Dimensions","value":"100.3 x 195.6 x 83.5 cm; painted surface: 38.7 x 125.7 cm"},{"label":"Material","value":"Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3859,"height":2628}]}]} IIIF Type Manifest UUID 7a8fa0b8-66e0-4b5d-b2f8-b88aac59844c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photograph of murals, Panagia Theoskepastos Monastery Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 Description An account of the resource The original murals on the front of the Panagia Theoskepastos Monastery (“Panagia the God-guarded”) or the Kızlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current façade no longer bears these frescoes. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396} Display as IIIF? Yes UUID 38d40eef-5e30-47d0-8cc5-b982489004e1