57 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). 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X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. 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To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. 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The inscription on the obverse reads: +KE BO TANKPI+, and on the reverse: IC \u2013 XC \u2013 NI \u2013 KA","metadata":[{"label":"Date","value":"1101-1112"},{"label":"Type","value":"Antiochene Copper Type 4 (Tancred 2nd Type)"},{"label":"Material","value":"Copper"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1730,"height":1137},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6","@type":"sc:Canvas","label":"So-Called Crusader's Bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3466.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":681},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6"}],"description":"So-called Crusader's Bowl","metadata":[{"label":"Date","value":"11th century"},{"label":"Type","value":"Bowl"},{"label":"Material","value":"Metal"},{"label":"Place of Creation","value":"Egypt"},{"label":"Location","value":"Harvard Art Museums"},{"label":"Dimensions","value":"15.75 cm"}],"width":1024,"height":681},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7","@type":"sc:Canvas","label":"Crusader Imitation of a Dinar of al-Amir","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3465.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":478},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7"}],"description":"Crusader Imitation of a Dinar of al-Amir","width":1024,"height":478},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8","@type":"sc:Canvas","label":"The Combat between Tancred and Clorinda","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3464.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":733},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8"}],"description":"This 17th century drawing illustrates a scene from Torquato Tasso's epic poem, \"La Gerusalemme liberata\" (The Liberation of Jerusalem or Jerusalem Delivered). The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. It is a historical text detailing the political and military life of her father, Alexios I, including his interactions with the crusades. This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). Godfrey, known for his participation in the crusades, is third from the left with a dog at his feet.","metadata":[{"label":"Date","value":"13th century"},{"label":"Location","value":"City Hall, Cologne"},{"label":"Material","value":"Wood"}],"width":1500,"height":649},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11","@type":"sc:Canvas","label":"Detail of Godfrey and Charlemagne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3461.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":337,"height":524},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11"}],"description":"Here is a detail of Godfrey (at right, with his sword and dog) with another one of the Christian worthies, Charlemagne.","metadata":[{"label":"Date","value":"13th century"},{"label":"Material","value":"Wood"},{"label":"Location","value":"City Hall, Cologne"}],"width":337,"height":524},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12","@type":"sc:Canvas","label":"Map of the Holy Land","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3460.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1378},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12"}],"description":"This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris.\n\nYou can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448","metadata":[{"label":"Date","value":"c. 1240-53"},{"label":"Creator","value":"Matthew Paris"},{"label":"Format","value":"Manuscript"},{"label":"Place of Creation","value":"Saint Albans"},{"label":"Location","value":"Corpus Christi College, Cambridge"},{"label":"Label","value":"10.\tCambridge, Corpus Christi College, MS 026: Matthew Paris OSB"}],"width":1600,"height":1378},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13","@type":"sc:Canvas","label":"Reliquary of the True Cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3459.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2675,"height":3400},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13"}],"description":"The cross in this panel comes from the Latin Kingdom of Jerusalem, while the panel into which the cross has been set comes from the Rhine-Meuse region. The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lead Pilgrim Ampulla Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867} Display as IIIF? Yes UUID f0c068eb-fbf1-4be6-b422-91215e65063b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/25 IIIF Collection Metadata UUID 2c156ef1-671b-4193-8029-a58a138d789b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Light weight solidus (23 siliquae) of Maurice Tiberius, Constantinople Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/146011 Subject The topic of the resource Light weight solidus (23 siliquae) of Maurice Tiberius, Constantinople, 583-601 CE, gold, 4.21 g, Harvard Art Museums Description An account of the resource Obv.: Bust of Maurice Tiberius facing, in cuirass and helmet with plume, circlet in front and pendilia. Holds globe cruciger in r. hand. Over l. shoulder, fold of paludamentum. In field r., star. Rev.: Angel standing, facing. holding long staff with Chi-Ro in r. hand, and globe cruciger in l. In field r., star. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madaba Map Subject The topic of the resource Madaba Map, Early Byzantine, late. 6th century, floor mosaic, Madaba, Jordan, Church of Saint George. Description An account of the resource The Madaba Map is a floor mosaic that contains the oldest surviving cartographic depiction of the Holy Land. It dates to the 6th century and is found at the Church of Saint George in Madaba, Jordan. The presence and absence of various monuments has aided in a more precise dating of the map, which included the New Church of the Theotokos in Jerusalem, dedicated on November 20, 542, but does not have any buildings that date to after 570. The city was conquered by the Sasanian Empire in 614, and largely destroyed by an earthquake in 746. The mosaic was not rediscovered until 1884 during the construction of a new church on the site. The mosaic is located in the apse and originally measured 21 by 7 meters and contained over two million tesserae. In its modern form, it measures 16 x 5 meters. Source A related resource from which the described resource is derived https://web.archive.org/web/20170603031628/http://www.christusrex.org/www1/ofm/fai/FAImadmn.html Publisher An entity responsible for making the resource available Church of Saint George IIIF Item Metadata UUID 7eb22721-8314-465d-8de3-6092a271694e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. 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The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource From “Croniques abregies commençans au temps de Herode Antipas, persecuteur de la chrestienté, et finissant l'an de grace mil IIc et LXXVI” Full manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436} Display as IIIF? Yes UUID 29964678-1902-4ce1-991d-e15078b88e25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Commemoration, Remembrance, and Metaphor in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414","label":"Commemoration, Remembrance, and Metaphor in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0","@type":"sc:Canvas","label":"Home-Coming Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3644.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1750,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0"}],"description":"A knight of the German Order returning from thr crusade, after Karl Immermann\u2019s poem \u201cThe arrival of the crusader\u201d,1826","metadata":[{"label":"Date","value":"1835"},{"label":"Artist","value":"Karl Friedrich Lessing"},{"label":"Location","value":"Rheinisches Landesmuseum Bonn"}],"width":1750,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1","@type":"sc:Canvas","label":"Taking of Jerusalem by the Crusaders, 15th July 1099","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3645.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":918},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1"}],"metadata":[{"label":"Date","value":"1847"},{"label":"Artist","value":"\u00c9mile Signol"},{"label":"Location","value":"Ch\u00e2teau de Versailles"}],"width":1600,"height":918},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2","@type":"sc:Canvas","label":"Statue of Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3646.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2"}],"description":"This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin\u2019s death. 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. 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The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the Holy Land Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris. You can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12","@type":"sc:Canvas","label":"Map of the Holy Land","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3460.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1378},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12"}],"description":"This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris.\n\nYou can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448","metadata":[{"label":"Date","value":"c. 1240-53"},{"label":"Creator","value":"Matthew Paris"},{"label":"Format","value":"Manuscript"},{"label":"Place of Creation","value":"Saint Albans"},{"label":"Location","value":"Corpus Christi College, Cambridge"},{"label":"Label","value":"10.\tCambridge, Corpus Christi College, MS 026: Matthew Paris OSB"}],"width":1600,"height":1378} Display as IIIF? Yes UUID 03d7bdad-f7f3-4a25-97be-0f1c053064f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Constantinople to Venice: Loot and Relics in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410","label":"From Constantinople to Venice: Loot and Relics in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1","@type":"sc:Canvas","label":"Glass hanging-lamp","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3618.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1099,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1"}],"description":"The inscription along the outer rim of this glass lamp reads (in translation from the original Greek): \"Saint Panteleimon, protect thy servant, Zacharias, Archbishop of Iberia, Amen.\" Iberia, in this case, refers to Georgia.","metadata":[{"label":"Date","value":"11th century"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"glass, silver-gilt"},{"label":"Dimensions","value":"diam. 270 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1099,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3","@type":"sc:Canvas","label":"Reliquary of the Column of the Flagellation","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3616.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1097,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3"}],"description":"The fragment of the Column of the Flagellation contained within this reliquary is thought to have arrived in Venice from Constantinople in 1125 along with various other relics. The reliquary itself, however, was commissioned in 1375 by Michele Morosini (who would be elected doge in 1382). It was repaired and expanded in 1489. This is the largest and the heaviest reliquary in the treasury of San Marco.","metadata":[{"label":"Date","value":"1375 and 1489"},{"label":"Material","value":"Silver, partly gilt, granite"},{"label":"Place of Creation","value":"Venice"},{"label":"Dimensions","value":"670 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1097,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4","@type":"sc:Canvas","label":"Icon with lapis lazuli Crucifixion medallion","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3615.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1850,"height":2550},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4"}],"description":"This icon is made up of several previously unrelated elements of Byzantine artistry, all set within a Venetian filigree panel. The central lapis medallion represents one of just a few examples of Byzantine hard-stone that has been inlaid with gold. The text reads \"behold thy son\" and \"behold thy mother.\" The earliest possible mention of this icon comes from the 1325 inventory.","metadata":[{"label":"Date","value":"Medallion: 11th-12th century; Enamel: 9th-12th century; Filigree panel: 13th century"},{"label":"Place of Creation","value":"Byzantium and Venice"},{"label":"Material","value":"Lapis lazuli, gold, silver-gilt, enamel, glass"},{"label":"Dimensions","value":"420 mm x 314 mm x 240 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1850,"height":2550},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6","@type":"sc:Canvas","label":"Ewer of the caliph al-Aziz Billah","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3613.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":392,"height":608},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6"}],"description":"This Egyptian Fatimid rock-crystal ewer features carved reliefs of arabesques and palmettes, seated lions, and additional foliate motifs. A Kufic inscription reads \"The blessing of God on the imam al-Aziz bi'llah.\" The gold mount is much later, and has possibly been replaced several times.","metadata":[{"label":"Date","value":"c. 975-96 (metalwork: 16th century and later)"},{"label":"Culture","value":"Fatimid"},{"label":"Material","value":"rock-crystal, gold, enamel"},{"label":"Dimensions","value":"230 mm x 125 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":392,"height":608},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7","@type":"sc:Canvas","label":"Turquoise glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3612.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1348,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7"}],"description":"The opaque turquoise glass bowl features images of running, stylized hares in each of the five panels. The five enamel plaques have been identified as Byzantine, but were most likely made for another purpose. Three are decorated with a rosette pattern and the other two have a design of crosses beneath silver-gilt panels. The filigree plaques are of Western European origin, and were maybe added after the bowl arrived in Venice (15th century?).","metadata":[{"label":"Date","value":"Glass: 9th-10th century; enamel: 11th century; other metal: late 10th and 15th (?) century"},{"label":"Place of Creation","value":"glass: Iran or Iraq; enamel: Byzantine"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"60 mm, diam: 186 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1348,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8","@type":"sc:Canvas","label":"Seat of St Mark (Sedia di San Marco)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3608.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1103,"height":1327},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8"}],"description":"This throne-reliquary is decorated in relief on all sides and includes depictions of the symbols of the Evangelists, as well as the Lamb of God, two nimbed figures flanking a cross, and what has been identified as the Tree of Life.","metadata":[{"label":"Date","value":"6th century"},{"label":"Place of Creation","value":"Alexandria (?)"},{"label":"Material","value":"Alabaster"},{"label":"Dimensions","value":"1470 mm x 550 mm x 530 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1103,"height":1327},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9","@type":"sc:Canvas","label":"\"Grotto of the Virgin\" with the votive crown of Leo the Wise","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3609.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1227,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9"}],"description":"This item is made up of three distinct parts from three separate time periods. The rock crystal edifice, the votive crown, and the figure of the Virgin Mary. They have been united as unit since at least the inventory of 1325. The rock-crystal \"grotto\" is most likely a classical work. The votive crown of the Byzantine emperor Leo the Wise would have originally had fourteen enamel medallions: one with a portrait of Leo himself, seven with the images of apostles and evangelists, and six that are now lost. The figurine of the Virigin orans was probably made in 13th century Venice.","metadata":[{"label":"Date","value":"stonework: 4th-5th century; crown: late 9th-early 10th century; figure of the Virgin: 13th century"},{"label":"Material","value":"rock-crystal, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls"},{"label":"Dimensions","value":"130 mm, 35 mm (figure: 90mm in height)"},{"label":"Location","value":"Treasury of San Marco"}],"width":1227,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11","@type":"sc:Canvas","label":"Gilded and painted glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3611.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":2024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11"}],"description":"This object is often discussed and debated by scholars, and is one of the most famous items brought to Venice after the sack of Constantinople in 1204. The seven medallions show figures from mythology, and both the interior of the rim and the exterior of the bowl's base are decorated with pseudo-Kufic inscriptions.","metadata":[{"label":"Date","value":"probably 10th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, gilded and painted, silver-gilt, stone"},{"label":"Dimensions","value":"170 mm, diam 170 mm, width 330 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":3000,"height":2024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13","@type":"sc:Canvas","label":"Reliquary of the arm of St. George","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3605.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":450,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13"}],"metadata":[{"label":"Date","value":"14th century; interior casing pre: 1204"},{"label":"Location","value":"Treasury of San Marco"}],"width":450,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14","@type":"sc:Canvas","label":"Icon with full-length figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3604.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14"}],"description":"Made in Constantinople in the late 11th to early 12th century, this icon first appears in the inventory of San Marco in 1325, but most likely came to Venice after the sack of Constantinople in 1204. The figure of Michael is identified by the roundels on either side of his head. Additional enamel panels and medallions depict (at top) St Peter, Christ, and St Menas, as well as pairs of military saints along either side.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"silver-gilt, gold cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"460 mm x 350 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15","@type":"sc:Canvas","label":"St Mark's Basilica","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3600.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4574,"height":3066},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15"}],"metadata":[{"label":"Consecrated","value":"1117"},{"label":"Location","value":"Venice, Italy"}],"width":4574,"height":3066},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16","@type":"sc:Canvas","label":"The Tetrarchs","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3601.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2048,"height":3072},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16"}],"description":"This porphyry statue depicting the four Tetrarchs (Diocletian, Maximian, Galerius, and Constantius I), was originally designed as two separate sculptures that should show an Augustus and a Caesar. It most likely originally decorated the Philadelphion in Constantinople and arrived in Venice soon after the sack of Constantinople in 1204.","metadata":[{"label":"Date","value":"c. 300 AD"},{"label":"Material","value":"Porphyry"},{"label":"Location","value":"Exterior, San Marco (missing foot: Istanbul)"}],"width":2048,"height":3072},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17","@type":"sc:Canvas","label":"Glass situla with Dionysiac scene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3602.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":937,"height":1191},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17"}],"description":"This dark puple-blue glass bucket shows images of Dionysiac scenes. Scholars have debated the date of its creation, offering a range from the 4th century to the 6th or 7th, and with a Byzantine origin for these later dates.","metadata":[{"label":"Date","value":"4th century"},{"label":"Place of Creation","value":"Rome or Alexandria"},{"label":"Material","value":"glass, silvered bronze"},{"label":"Dimensions","value":"203 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":937,"height":1191},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18","@type":"sc:Canvas","label":"Mosaic of the translation of the body of St Mark","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3603.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5684,"height":3987},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18"}],"description":"This mosaic is in the arch above the Door of Sant'Alipio, the left-most door on the west side of San Marco. It shows the translation of the body of the deceased saint.","metadata":[{"label":"Date","value":"1260-70"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"San Marco, Venice"}],"width":5684,"height":3987},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19","@type":"sc:Canvas","label":"Icon of the Virgin Nicopeia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3620.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":476,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19"}],"description":"Looted from the Monastery of Stoudios in Constantinople, this icon of the Virgin was brought to Venice by Enrico Dandolo. This transfer was seen by some Venetians as representative of the transference of God's favor and blessing from Constantinople to Venice. The icon was previously decorated with gems, but they were similarly looted.","metadata":[{"label":"Date","value":"12th century"},{"label":"Attributed to","value":"Luca Cancellari"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Location","value":"San Marco"}],"width":476,"height":600}]}]} IIIF Type Manifest UUID 3f1e1f59-79ed-49e9-b88f-3d1e2fe2890a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marble ciborium with Greek inscription Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 Description An account of the resource Cut from a single block of marble, an inscription reads: "In fulfillment of a vow and for the salvation of the most glorious Anastasia." The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180} Display as IIIF? Yes UUID 17d5c55d-7e0e-4778-84fb-2bed9a5a4a0e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a1e520b1da219c85a829a55982d450c8.png b85da11e8cd905001a3c2149432bcf4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 4 IIIF Collection Metadata UUID d99c41a6-1cd6-469b-ac81-f0f952ce8594 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marble Epitaph from the Necropolis of ancient Tarraco Description An account of the resource 393 CE IIIF Item Metadata UUID 77187d7e-e3f1-4e16-a763-d4d984697ab6