56 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. Castles as fortified administrative centers and places of refuge for the local population during troubled times IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396","label":"The Crusader States in Twenty Images","description":"The built environment in the Eastern Mediterranean under crusader rule consisted of \nNew public and private buildings \nCovered and open markets\nHospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. \nUrban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making.\nCastles as fortified administrative centers and places of refuge for the local population during troubled times","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0","@type":"sc:Canvas","label":"A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3516.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":710,"height":784},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0"}],"description":"The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle.\nPotsherds and coin finds date the numerous graves to the short period between 1218 and 1291. 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Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region.","width":710,"height":784},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1","@type":"sc:Canvas","label":"Belvoir Castle, Israel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3515.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1"}],"description":"The Crusader castle of Belvoir is located on a hill of the Naphtali plateau, about 500 meters above the Jordan Valley and a few miles south of Lake Tiberias (the Sea of Galilee). It is surrounded by a moat, and built with an outer and inner fortress.\nThe first structure was modest and part of the estate of a certain Velos, a Frankish nobleman who lived in nearby Tiberias. Velos sold it to the Knights Hospitaller in 1168. It took five years and hundreds of workers to build Belvoir. The castle controlled the eastern entryway from Gilead into Kingdom of Jerusalem and the roads in the valley leading to Galilee.\nIn 1189, the castle was surrendered to Saladin.","width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3514.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2"}],"description":"Upon its foundation in 1142, the Kerak or Karak of Moab Castle became the stronghold of the Latin Lordship of Transjordan, which was part of the Latin Kingdom of Jerusalem. 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The donor of the icon appears kneeling and kissing the right red boot of the saint in a gesture of reverence. \nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Icon Collection","width":1416,"height":2000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5","@type":"sc:Canvas","label":"Saints Sergius and Bacchus on horseback","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3511.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":678,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5"}],"description":"Saints Sergius and Bacchus on horseback.\nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Egypt, Icon Collection\nWho were Saints Sergius and Bacchus?","width":678,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6","@type":"sc:Canvas","label":"The Siege of Acre, 1799","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3510.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":698,"height":698},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6"}],"description":"The Siege of Acre by Napoleon's army in May 1799. Scene from Napoleon's failed attempt to take the city of Acre from the Ottomans and British during his campaign in the Holy Land in 1799. \n\nFrom J. Jenkins, The Martial Achievements of Great Britain and Her Allies; from 1799 to 1815 (London: L. Harrison & J.C. 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Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270)\n Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background.","width":1067,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8","@type":"sc:Canvas","label":"Old City of Acre, UNESCO World Heritage Site","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3508.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":845,"height":335},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8"}],"description":"The Old City of Acre, UNESCO World Heritage Site. Why?\nTo find out more about the significance of Acre please visit \nhttps://whc.unesco.org/en/list/1042/","width":845,"height":335},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9","@type":"sc:Canvas","label":"Old city of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3507.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":500,"height":375},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9"}],"width":500,"height":375},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10","@type":"sc:Canvas","label":"City of Acre, Hall of the Knights","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3506.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11","@type":"sc:Canvas","label":"City of Acre, fragment of a crusader bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3505.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":921,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11"}],"width":921,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12","@type":"sc:Canvas","label":"City of Acre, Corbel bearing the cross of the Hospitallers","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3504.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":418,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12"}],"description":"Corbel bearing the cross of the Knights Hospitaller, Israel Museum Collections.","width":418,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13","@type":"sc:Canvas","label":"Krak des Chevaliers, Chapel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3503.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3456,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13"}],"description":"Krak des Chevaliers. Is this barrel vaulted space a chapel or a mosque? 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Title A name given to the resource Lady of Simpelveld Sarcophagus Subject The topic of the resource 160-180 CE Rijksmuseum van Oudheden, Leiden, the Netherlands IIIF Item Metadata UUID a353c1b9-85dd-4df1-a84d-c83bb3d95642 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/d779b432205ef4fb975ba52b5336060a.jpg 67a2c4996b12538fbf0ad81efa215c9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final Late Antiquity Mirador IIIF Collection Metadata UUID c6cea811-7e75-4e59-9625-790acc1758b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamp Handle with Dolphins Subject The topic of the resource a. Early Byzantine c. 4th-5th century b. 21.9 x 10.7 x 2.9 cm, copper alloy c. Metropolitan Museum of Art 63.185.1 Description An account of the resource A pair of dolphins use their tails to support the handle’s rectangular plaque. Their heads would have been attached to a now-lost base. Round flat hanging lamps, or polycandela, were lit by oil-filled glass vessels hung from the round holes in their designs. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamp with Christ Trampling the Beasts Subject The topic of the resource a. Probably Tunisia, c. 5th century b. 14.6 x 8.3 cm, molded earthenware c. Metropolitan Museum of Art 27.94.30 Description An account of the resource Small earthenware lamps, made from double molds, were the most commonly used source of light in North Africa during the early Byzantine period. A wick produced from plant fiber or linen fabric was placed in a reservoir filled with oil, generally castor or sesame oil, and illuminated. The disc of this lamp depicts the standing figure of Christ holding a cross-staff and treading underfoot the lion, the dragon, the asp, and the basilisk. He is nimbed and flanked by flying angels. The image is enclosed by a broad rim decorated with circles enclosing the christogram (monogram for Christ’s name), foliated lozenges, and chevrons. 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Armenian inscription: Struck in the City of Sis","metadata":[{"label":"Date","value":"1226-70"},{"label":"Type","value":"Copper Tank"}],"width":1152,"height":583},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5","@type":"sc:Canvas","label":"Coin of Hetum I with Queen Zabel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3629.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":963,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5"}],"description":"Obverse: Hetum and Queen Zabel standing near cross staff, with the Armenain text \"By God's will\" around it.\n\nReverse: Lion walking to the right, around it the Armenian text \"Hetum, King of the Armenians\".","metadata":[{"label":"Date","value":"c. 1226-70"},{"label":"Type","value":"Silver Tram"}],"width":963,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6","@type":"sc:Canvas","label":"Coin of Leo I (Levon I)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3630.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1296,"height":648},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6"}],"description":"King seated on throne ornamented with lions, holding cross and fleur-de-lis. Armenian inscription: \"+ Levon King of the Armenians\" / Two lions rampant back-to-back, each with heads reverted; patriarchal cross with two bars between them. \"+ By the will of God\"","metadata":[{"label":"Date","value":"c. 1198-1219"},{"label":"Type","value":"Silver Tram"}],"width":1296,"height":648},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7","@type":"sc:Canvas","label":"The Burial Church of the Armenian Kings, Anavarza/Anazarbus/Ain Zarba","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3631.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7"}],"description":"The city of Anazarbus is an ancient city that was first founded by the Assyrians. It was rebuilt and renamed by rulers throughout its history, including Roman Emperor Justin I, who rebuilt it after an earthquake in the 6th century and named it \u201cJustinianopolis.\u201d Likewise, the central castle has been built and rebuilt numerous times as it passed hands through different dynasties and empires including: the Roman Empire, the Byzantine Empire, the Abbasid Caliphate, the Crusaders, the Armenian Kingdom of Cilicia, the Mamluks, etc. The majority of the present fortress is of Armenian construction. The innermost keep (donjon) was built by the Crusaders after it was captured during the 1st crusade. In the 12th century, Thoros I, king of Lesser Armenia, made it his capital, and it reverted to its previous name, Anazarva. It is in modern day Kozan, in Turkey. Finally destroyed by the Mamluks in 1374.","metadata":[{"label":"Date","value":"12th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8","@type":"sc:Canvas","label":"Queen Keran, Leo II, and five of their children being blessed by Christ","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3632.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":760,"height":1047},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8"}],"description":"From the Queen Keran Gospels, this signed manuscript is one of seven examples that were signed by the illuminator, Toros Roslin, although there are additional, unsigned, manuscripts that have also been attributed to him.\n\nAdditional images here (in black and white and somewhat erratically organized: c.\thttps://www.loc.gov/resource/amedmonastery.00271074190-jo/?sp=1 )","metadata":[{"label":"Date","value":"1272"},{"label":"Patron","value":"Queen Keran"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Armenian Patriarchate Gulbenkian Library Calouste Gulbenkian Library, Armenian Cathedral of St. James"},{"label":"Shelfmark","value":"Ms. 2563"}],"width":760,"height":1047},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9","@type":"sc:Canvas","label":"The Last Judgment from the Toros Roslin Gospels fol. 109v","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3633.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1291,"height":1799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9"}],"description":"A second manuscript signed by Toros Roslin, with a total of 15 miniatures and 67 smaller illustrations. In the colophon, the manuscript is noted as being made for the nephew of Catholicos Constantine (1221-67), also named Toros, in 1262 at the scriptorium of Hromkla.\n\nSee: https://art.thewalters.org/detail/8115/toros-roslin-gospels-2/","metadata":[{"label":"Date","value":"1262"},{"label":"Patron","value":"Toros (not Roslin)"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Walters Art Museum"},{"label":"Shelfmark","value":"Walters MS W539"}],"width":1291,"height":1799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11","@type":"sc:Canvas","label":"Seal of David Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3635.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":978,"height":504},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11"}],"description":"Grandson of Andronikos I, and the brother of the first emperor of Trebizond, Alexios I Komnenos (1204-22), whom David helped take the throne. David was killed while defending Sinope from an attack by the Seljuqs in 1214. \n\nObverse: King David \u2018the prophet\u2019 holding a trefoil scepter in his right hand, an akakia in his left, inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3[\u03b9\u03bb]\u03b5[\u1f7a\u03c2] \u1f41 \u03c0\u03c1\u03bf\u03c6\u03ae\u03c4\u03b7\u03c2. (King David, the Prophet)\n\nReverse: A six-line inscription, made up of two twelve-syllable verses separated by decoration; cross above inscription, decoration below, line border. Inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u1fe6 \u1f00\u03c3\u03c6\u03b1\u03bb\u1f72\u03c2 \u03b3\u03c1\u03b1\u03c6\u1ff6\u03bd \u03ba\u03cd\u03c1\u03bf\u03c2 \u0394\u03b1(\u03b2\u1f76)\u03b4 \u039a\u03bf\u03bc\u03bd\u03b7\u03bd\u03bf\u1fe6 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03ba\u03b3\u03cc\u03bd\u03bf\u03c5 \u03b3\u03af\u03bd\u03bf\u03c5 (King David, be a secure guarantor of the documents of David Komnenos, descendant of kings.)","metadata":[{"label":"Date","value":"before c. 1214"},{"label":"Type","value":"Seal"},{"label":"Location","value":"Dumbarton Oaks"}],"width":978,"height":504},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12","@type":"sc:Canvas","label":"Coin of Emperor John II Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3636.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1920,"height":1242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12"}],"description":"Obverse: St. Eugenius standing, holding cross. Inscription: O AGi EVGENI (St. Eugenius)\n\nReverse: John Standing, holding labarum-headed scepter, Manus Dei at upper right. Inscription: I\u03c9 \u039f \u039a\u039f\u039c\u039d\u039fC (John Komnenos)","metadata":[{"label":"Date","value":"c. 1280-97"},{"label":"Type","value":"Silver asper"},{"label":"Location","value":"Hermitage Museum"}],"width":1920,"height":1242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13","@type":"sc:Canvas","label":"Coin of Basil Megas Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3637.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":927,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13"}],"description":"Obverse: St. Eugenius on horseback, holding cross, inscription: A / EV-N (St. Eugenius, heavily abbreviated)\n\nReverse: Basil on horseback, holding three-pronged scepter. Inscriptiion: BA / M (Basil Megas)","metadata":[{"label":"Date","value":"c. 1332-40"},{"label":"Type","value":"Silver Asper"}],"width":927,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14","@type":"sc:Canvas","label":"Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3638.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14"}],"description":"Built in Trebizond during the reign of Manuel I between 1238 and 1263, there is carved graffiti in the apses dating to 1291 and 1293. The church was converted into a mosque after the conquest Mehmed II in 1461, however some scholars suggest that the conversation did not take place until over a century later in 1584, due to the church\u2019s location outside of the city walls. The monastery attached to the church was still in use by Greek Orthodox monks in 1701. Apparently used as a cholera hospital in the 19th century, the first archeological examination was during the Russian occupation in World War I, by Fyodor Uspensky and others. By the 1950s, it was once again a mosque, however in 1964, it was turned into a museum, and the surviving (previously whitewashed) frescoes were uncovered). These frescoes are thought to account for only 1/6th of the original decoration, but all are considered to be original, completed just after construction. In 2013, the Hagia Sophia was converted back into a mosque, despite a local judge ruling this to be illegal. The frescoes and opus sectile floor were covered by immovable curtains and carpets until 2018, when the building was closed for renovation. In 2020, the ministry of religious affairs fulfilled the promise to make the frescoes visible outside of prayer time, and a glass covering was placed over the opus sectile floor.","width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15","@type":"sc:Canvas","label":"Four Evangelists' Fresco, Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3639.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15"}],"metadata":[{"label":"Date","value":"13th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16","@type":"sc:Canvas","label":"Imagined reconstruction of the Opus Sectile floor at Hagia Sophia, Trabzon by Charles Texier","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3640.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1104,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16"}],"description":"Texier was a French historian, architect, and archaeologist. He published numerous works following his travels throughout Asia Minor and the Middle East covering topics ranging from geography and geology, to art and architecture.","metadata":[{"label":"Date","value":"1864"},{"label":"Artist","value":"Charles Texier"}],"width":1104,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19","@type":"sc:Canvas","label":"Cassone with painted front panel depicting the Conquest of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3643.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2628},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19"}],"description":"Attributed to the workshop of Apolloni di Giovanni di Tomaso, Italian, said to come from the Palazzo Strozzi. The front panel depicts a battle at the city of Trebizond, Constantinople is at the upper left. The battle shows the fall of Trebizond to the Ottomans in 1471, but, strangely, the ruler beneath the canopy is identified as Tamerlane (Timur) in a small, faint inscription to the right of his head, who defeated the Ottoman sultan in 1402, and died three years later in 1405. This bizarre anachronism has not been explained.","metadata":[{"label":"Date","value":"After c. 1461"},{"label":"Type","value":"Cassone"},{"label":"Creator","value":"Attributed to the workshop of Apolloni di Giovanni di Tomaso"},{"label":"Dimensions","value":"100.3 x 195.6 x 83.5 cm; painted surface: 38.7 x 125.7 cm"},{"label":"Material","value":"Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3859,"height":2628}]}]} IIIF Type Manifest UUID 7a8fa0b8-66e0-4b5d-b2f8-b88aac59844c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lampron Castle Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 Description An account of the resource Image from Victor Langlois, "Voyage dans la Cilicie et dans les montagnes du Taurus." Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2","@type":"sc:Canvas","label":"Lampron Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3626.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":640,"height":464},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2"}],"description":"Image from Victor Langlois, \"Voyage dans la Cilicie et dans les montagnes du Taurus.\" Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades","metadata":[{"label":"Date","value":"1861"}],"width":640,"height":464} Display as IIIF? Yes UUID 9a6716ba-111c-4755-bfbe-6e74a5a8dd72 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/33bf19667e02dbf115283880f97d8cd7.JPG fd6f8b233366bc145c6d98bea0844b6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final Late Antiquity Mirador IIIF Collection Metadata UUID c6cea811-7e75-4e59-9625-790acc1758b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lampstand or Candlestick Subject The topic of the resource a. Early Byzantine c. 602-610 (stamps of Phocas) b. 21.2 cm, silver c. Dumbarton Oaks BZ.1938.83 Description An account of the resource Excavated in Antioch in a fragmentary state and restored, this lampstand or candlestick rests upon three feet, which support a flaring base of petal-shaped aprons. Above, a baluster topped with a disk ends with a four-sided spike known as a pricket. This would have fit into the four-sided sleeve in the base of a metal oil-lamp, known from numerous extant examples in bronze. Alternatively, it might have been used to stabilize a candle, a source of domestic lighting just coming into use in seventh-century Byzantium. Comfortably grasped about the baluster and carried, the stand is portable and would have allowed the source of light to be moved easily from place to place. Its size suggests that it was meant to be placed on a table or in a niche. Impressed on the underside of the base are traces of five control stamps, with which many Byzantine silver objects were marked between the late-fifth and mid-seventh centuries. This system of stamps may have been reserved for objects of high silver content, as the state attempted to control the trade of precious metals, or, the state may have mass-produced these objects in imperial workshops, stamping them during production to authorize their sale. Typically applied before an object was fully finished, stamps often provide the only information regarding date and place of origin. One of the stamps on this stand bears a partial inscription referring to the city of Antioch; a more complete inscription designating the city also appears on a similarly-stamped silver lamp in the Walters Art Museum in Baltimore. Thus, this stand was likely created in Antioch during the reign of Emperor Phocas (602-610), whose partial monogram appears beside one of the control stamps. Additionally, two very similar stands are now in the British Museum and the Byzantine Museum in Athens, dated to the mid-sixth and early seventh centuries, respectively, which were stamped in Constantinople. The close resemblance in size, shape and weight among these three objects, despite their different sites of manufacture, suggests some form of standardized, state-controlled production. - S. Zwirn IIIF Item Metadata UUID 2b9c521c-957b-4894-9efb-13c2bc65ac62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 Supplement IIIF Collection Metadata UUID 498b0279-20b9-4df5-a515-e511ae8b36bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Landscape with Figures, Templum Vestas, Rome Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/198320 Subject The topic of the resource John Singer Sargent, Landscape with Figures, Templum Vestas, Rome, 1869, Watercolor over graphite on off-white wove paper, 15.2 x 24.2 cm (6 x 9 1/2 in.), Harvard Art Museums IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/198320/canvas/canvas-17916574 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/198320/canvas/canvas-17916574","@type":"sc:Canvas","height":641,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/198320/annotation/anno-17916574","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/198320/canvas/canvas-17916574","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/17916574/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":641,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/17916574","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"recto","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/198320/list/17916574","@type":"sc:AnnotationList"}],"width":1024} UUID b906dfac-106f-4ac7-86cd-36aed97d14d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trebizond and Cilician Armenia in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413","label":"Trebizond and Cilician Armenia in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0","@type":"sc:Canvas","label":"Tancred and the Cilician Envoys","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3624.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2352,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0"}],"description":"From the French translation of William of Tyre's History of Deeds Done Beyond the Sea. Fol. 42","metadata":[{"label":"Date","value":"13th-14th century"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr. 9084"},{"label":"Location","value":"Paris"},{"label":"Place of Creation","value":"Acre"}],"width":2352,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1","@type":"sc:Canvas","label":"Amouda Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3625.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5184,"height":3456},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1"}],"description":"Formerly in the Armenian Kingdom of Cilicia, now in the Turkish Province of Osmaniye. This Castle was deeded by the Armenian King Leo I (confusingly, also called Leo II, and sometimes Levon I/II) to the Teutonic Knights in 1212, and was subsequently rebuilt in the 13th century.","metadata":[{"label":"Date","value":"13th century"}],"width":5184,"height":3456},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2","@type":"sc:Canvas","label":"Lampron Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3626.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":640,"height":464},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2"}],"description":"Image from Victor Langlois, \"Voyage dans la Cilicie et dans les montagnes du Taurus.\" Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades","metadata":[{"label":"Date","value":"1861"}],"width":640,"height":464},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3","@type":"sc:Canvas","label":"Coin of King Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3627.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1152,"height":583},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3"}],"description":"obv: King seated cross-legged on a throne adorned with lions. He holds a globus cruciger and fleur-de-lis. Armenian inscription: Hetoum King of the Armenians\n\nrev: Potent cross with four stars (or lines, depending on the type). Armenian inscription: Struck in the City of Sis","metadata":[{"label":"Date","value":"1226-70"},{"label":"Type","value":"Copper Tank"}],"width":1152,"height":583},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5","@type":"sc:Canvas","label":"Coin of Hetum I with Queen Zabel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3629.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":963,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5"}],"description":"Obverse: Hetum and Queen Zabel standing near cross staff, with the Armenain text \"By God's will\" around it.\n\nReverse: Lion walking to the right, around it the Armenian text \"Hetum, King of the Armenians\".","metadata":[{"label":"Date","value":"c. 1226-70"},{"label":"Type","value":"Silver Tram"}],"width":963,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6","@type":"sc:Canvas","label":"Coin of Leo I (Levon I)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3630.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1296,"height":648},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6"}],"description":"King seated on throne ornamented with lions, holding cross and fleur-de-lis. Armenian inscription: \"+ Levon King of the Armenians\" / Two lions rampant back-to-back, each with heads reverted; patriarchal cross with two bars between them. \"+ By the will of God\"","metadata":[{"label":"Date","value":"c. 1198-1219"},{"label":"Type","value":"Silver Tram"}],"width":1296,"height":648},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7","@type":"sc:Canvas","label":"The Burial Church of the Armenian Kings, Anavarza/Anazarbus/Ain Zarba","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3631.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7"}],"description":"The city of Anazarbus is an ancient city that was first founded by the Assyrians. It was rebuilt and renamed by rulers throughout its history, including Roman Emperor Justin I, who rebuilt it after an earthquake in the 6th century and named it \u201cJustinianopolis.\u201d Likewise, the central castle has been built and rebuilt numerous times as it passed hands through different dynasties and empires including: the Roman Empire, the Byzantine Empire, the Abbasid Caliphate, the Crusaders, the Armenian Kingdom of Cilicia, the Mamluks, etc. The majority of the present fortress is of Armenian construction. The innermost keep (donjon) was built by the Crusaders after it was captured during the 1st crusade. In the 12th century, Thoros I, king of Lesser Armenia, made it his capital, and it reverted to its previous name, Anazarva. It is in modern day Kozan, in Turkey. Finally destroyed by the Mamluks in 1374.","metadata":[{"label":"Date","value":"12th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8","@type":"sc:Canvas","label":"Queen Keran, Leo II, and five of their children being blessed by Christ","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3632.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":760,"height":1047},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8"}],"description":"From the Queen Keran Gospels, this signed manuscript is one of seven examples that were signed by the illuminator, Toros Roslin, although there are additional, unsigned, manuscripts that have also been attributed to him.\n\nAdditional images here (in black and white and somewhat erratically organized: c.\thttps://www.loc.gov/resource/amedmonastery.00271074190-jo/?sp=1 )","metadata":[{"label":"Date","value":"1272"},{"label":"Patron","value":"Queen Keran"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Armenian Patriarchate Gulbenkian Library Calouste Gulbenkian Library, Armenian Cathedral of St. James"},{"label":"Shelfmark","value":"Ms. 2563"}],"width":760,"height":1047},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9","@type":"sc:Canvas","label":"The Last Judgment from the Toros Roslin Gospels fol. 109v","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3633.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1291,"height":1799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9"}],"description":"A second manuscript signed by Toros Roslin, with a total of 15 miniatures and 67 smaller illustrations. In the colophon, the manuscript is noted as being made for the nephew of Catholicos Constantine (1221-67), also named Toros, in 1262 at the scriptorium of Hromkla.\n\nSee: https://art.thewalters.org/detail/8115/toros-roslin-gospels-2/","metadata":[{"label":"Date","value":"1262"},{"label":"Patron","value":"Toros (not Roslin)"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Walters Art Museum"},{"label":"Shelfmark","value":"Walters MS W539"}],"width":1291,"height":1799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11","@type":"sc:Canvas","label":"Seal of David Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3635.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":978,"height":504},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11"}],"description":"Grandson of Andronikos I, and the brother of the first emperor of Trebizond, Alexios I Komnenos (1204-22), whom David helped take the throne. David was killed while defending Sinope from an attack by the Seljuqs in 1214. \n\nObverse: King David \u2018the prophet\u2019 holding a trefoil scepter in his right hand, an akakia in his left, inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3[\u03b9\u03bb]\u03b5[\u1f7a\u03c2] \u1f41 \u03c0\u03c1\u03bf\u03c6\u03ae\u03c4\u03b7\u03c2. (King David, the Prophet)\n\nReverse: A six-line inscription, made up of two twelve-syllable verses separated by decoration; cross above inscription, decoration below, line border. Inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u1fe6 \u1f00\u03c3\u03c6\u03b1\u03bb\u1f72\u03c2 \u03b3\u03c1\u03b1\u03c6\u1ff6\u03bd \u03ba\u03cd\u03c1\u03bf\u03c2 \u0394\u03b1(\u03b2\u1f76)\u03b4 \u039a\u03bf\u03bc\u03bd\u03b7\u03bd\u03bf\u1fe6 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03ba\u03b3\u03cc\u03bd\u03bf\u03c5 \u03b3\u03af\u03bd\u03bf\u03c5 (King David, be a secure guarantor of the documents of David Komnenos, descendant of kings.)","metadata":[{"label":"Date","value":"before c. 1214"},{"label":"Type","value":"Seal"},{"label":"Location","value":"Dumbarton Oaks"}],"width":978,"height":504},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12","@type":"sc:Canvas","label":"Coin of Emperor John II Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3636.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1920,"height":1242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12"}],"description":"Obverse: St. Eugenius standing, holding cross. Inscription: O AGi EVGENI (St. Eugenius)\n\nReverse: John Standing, holding labarum-headed scepter, Manus Dei at upper right. Inscription: I\u03c9 \u039f \u039a\u039f\u039c\u039d\u039fC (John Komnenos)","metadata":[{"label":"Date","value":"c. 1280-97"},{"label":"Type","value":"Silver asper"},{"label":"Location","value":"Hermitage Museum"}],"width":1920,"height":1242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13","@type":"sc:Canvas","label":"Coin of Basil Megas Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3637.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":927,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13"}],"description":"Obverse: St. Eugenius on horseback, holding cross, inscription: A / EV-N (St. Eugenius, heavily abbreviated)\n\nReverse: Basil on horseback, holding three-pronged scepter. Inscriptiion: BA / M (Basil Megas)","metadata":[{"label":"Date","value":"c. 1332-40"},{"label":"Type","value":"Silver Asper"}],"width":927,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14","@type":"sc:Canvas","label":"Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3638.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14"}],"description":"Built in Trebizond during the reign of Manuel I between 1238 and 1263, there is carved graffiti in the apses dating to 1291 and 1293. The church was converted into a mosque after the conquest Mehmed II in 1461, however some scholars suggest that the conversation did not take place until over a century later in 1584, due to the church\u2019s location outside of the city walls. The monastery attached to the church was still in use by Greek Orthodox monks in 1701. Apparently used as a cholera hospital in the 19th century, the first archeological examination was during the Russian occupation in World War I, by Fyodor Uspensky and others. By the 1950s, it was once again a mosque, however in 1964, it was turned into a museum, and the surviving (previously whitewashed) frescoes were uncovered). These frescoes are thought to account for only 1/6th of the original decoration, but all are considered to be original, completed just after construction. In 2013, the Hagia Sophia was converted back into a mosque, despite a local judge ruling this to be illegal. The frescoes and opus sectile floor were covered by immovable curtains and carpets until 2018, when the building was closed for renovation. In 2020, the ministry of religious affairs fulfilled the promise to make the frescoes visible outside of prayer time, and a glass covering was placed over the opus sectile floor.","width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15","@type":"sc:Canvas","label":"Four Evangelists' Fresco, Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3639.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15"}],"metadata":[{"label":"Date","value":"13th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16","@type":"sc:Canvas","label":"Imagined reconstruction of the Opus Sectile floor at Hagia Sophia, Trabzon by Charles Texier","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3640.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1104,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16"}],"description":"Texier was a French historian, architect, and archaeologist. He published numerous works following his travels throughout Asia Minor and the Middle East covering topics ranging from geography and geology, to art and architecture.","metadata":[{"label":"Date","value":"1864"},{"label":"Artist","value":"Charles Texier"}],"width":1104,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19","@type":"sc:Canvas","label":"Cassone with painted front panel depicting the Conquest of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3643.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2628},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19"}],"description":"Attributed to the workshop of Apolloni di Giovanni di Tomaso, Italian, said to come from the Palazzo Strozzi. The front panel depicts a battle at the city of Trebizond, Constantinople is at the upper left. The battle shows the fall of Trebizond to the Ottomans in 1471, but, strangely, the ruler beneath the canopy is identified as Tamerlane (Timur) in a small, faint inscription to the right of his head, who defeated the Ottoman sultan in 1402, and died three years later in 1405. This bizarre anachronism has not been explained.","metadata":[{"label":"Date","value":"After c. 1461"},{"label":"Type","value":"Cassone"},{"label":"Creator","value":"Attributed to the workshop of Apolloni di Giovanni di Tomaso"},{"label":"Dimensions","value":"100.3 x 195.6 x 83.5 cm; painted surface: 38.7 x 125.7 cm"},{"label":"Material","value":"Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3859,"height":2628}]}]} IIIF Type Manifest UUID 7a8fa0b8-66e0-4b5d-b2f8-b88aac59844c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Langlois' drawing of a coin of Hetum I Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385} Display as IIIF? Yes UUID 5acaa66f-0785-40a7-881c-04f0edb08dbf https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7cdde877eb7ba211efc1c6eb1222483e.png 5dd6e94cf02567ee71e027648383239e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final Late Antiquity Mirador IIIF Collection Metadata UUID c6cea811-7e75-4e59-9625-790acc1758b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lanx Subject The topic of the resource a. El Jem, Tunisia c. 350-400 b. 6.5 x 9 cm c. The British Museum 2002,1029.17 Description An account of the resource Rim -sherd from the border of an African Red Slip Ware pottery lanx (large rectangular dish), showing the life of Achilles. Women spinning thread and musician (piper). IIIF Item Metadata UUID b414fb7e-ce38-40da-828f-e0a704151c93 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/36b6c7a71021cbd1cabb64b217e55ca2.jpg b04ceee823c49b92897e25dc3c697752 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laocoön and His Sons, Vatican Vergil Subject The topic of the resource Fol. 18v, MSCod. Vat. Lat. 3225, “The Death of Laocoön” from the Vatican Vergil (Vergilius Vaticanus), c. 400 CE, Roman, Vatican, Biblioteca Apostolica. Description An account of the resource The Vatican Vergil, which contains fragments of Vergil’s Aeneid and Georgics, is one of three surviving illustrated manuscripts of classical literature along with the Vergilius Romanus and the Ambrosian Iliad. Today, the Vatican Vergil consists of 76 leaves with 50 illustrations, but could have originally had about 440 leaves and 280 illustrations. Scholars have identified three different painters, whose artistic quirks and styles are evident throughout their respective work throughout the codex. Conversely, it is thought that almost all of the text (written in capitals with no spaces between words), was written by a single scribe. Text (Aeneid, Book II, lines 191-198): “…[(quod di prius omen in ipsum] convertant!) Priami imperio Phrygibusque futurum; sin manibus vestris vestram ascendisset in urbem, ultro Asiam magno Pelopea ad moenia bello venturam, et nostros ea fata manere nepotes.' Talibus insidiis periurique arte Sinonis credita res, captique dolis lacrimisque coactis quos neque Tydides nec Larisaeus Achilles, non anni domuere decem, non mille carinae." “…[(may the gods first turn that prediction on] themselves!) would come to Priam and the Trojans: yet if it ascended into your citadel, dragged by your hands, Asia would come to the very walls of Pelops, in mighty war, and a like fate would await our children. Through these tricks and the skill of perjured Sinon, the thing was credited, and we were trapped, by his wiliness, and false tears, we, who were not conquered by Diomede, or Larissan Achilles, nor by the ten years of war, nor those thousand ships. -Trans. A. S. Kline Source A related resource from which the described resource is derived https://digi.vatlib.it/view/MSS_Vat.lat.3225 IIIF Item Metadata UUID 37e59c3c-2c28-4a8e-b920-dbb96e1e8d08