50 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration from the Paris Gregory, fol. 440r Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource The “Paris Gregory” was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top “the dream of Constantine”, “the battle of the Milvian bridge” in the center panel, and “Helena discovering the True Cross” at the bottom. Full manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624} Display as IIIF? Yes UUID cd8e375b-834b-496b-ac78-d7c06c7622fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration of the Discovery of the Holy Lance Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource Fol. 67v from Passages d'outremer de Sébastien Mamerot. June 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369} Display as IIIF? Yes UUID 508788b1-a7f2-435e-9c42-c7bc6928900c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration of the process of the Holy Blood to Westminster Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource Fol. 216r, from Matthew Paris' Chronica maiora II. This miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry’s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity. Full manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772} Display as IIIF? Yes UUID 28180024-b9eb-4f4c-a874-21761505cd46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). View the manuscript in full here: http://www.bl.uk/manuscripts/Viewer.aspx?ref=yates_thompson_ms_12_fs001ar","metadata":[{"label":"Date","value":"between 1232 and 1261"},{"label":"Type","value":"Manuscript"},{"label":"Text","value":"Histoire d'Outremer, continued to 1232"},{"label":"Author","value":"William of Tyre"},{"label":"Location","value":"The British Library"},{"label":"Label","value":"Yates Thompson 12"}],"width":1428,"height":1351},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3471.1","@type":"sc:Canvas","label":"Coin of Baldwin III","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3471.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2319%2F9a7213333407e94ec5456768a0183b5b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2319%2F9a7213333407e94ec5456768a0183b5b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1600,"height":1136},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3471.1"}],"description":"This coin of Baldwin III shows a cross on the obverse and the Tower of David on the reverse. The inscription on the obverse reads: BALDVINVS REX. X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. You might recognize this image from the course canvas site! Balian of Ibelin (right) offers Saladin (left, on horseback) the keys to the city. This image is from fol. 144r in volume 2. To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. It was constructed by the Knights Hospitaller in the 12th century, and was near to the site of the Battle of Belvoir Castle fought between Baldwin IV and Saladin in 1182","metadata":[{"label":"Date","value":"1168"},{"label":"Type","value":"Fortress"},{"label":"Patrons","value":"Knights Hospitaller"},{"label":"Location","value":"Israel"}],"width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4","@type":"sc:Canvas","label":"Billon Denier of Amaury I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3468.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":496},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4"}],"description":"One side of this coin shows a depiction of the Holy Sepulcher in Jerusalem and the other a cross. The inscription reads: AMALRICVS REX (o); DE IERVSALEM (r)","metadata":[{"label":"Date","value":"1163-74"},{"label":"Material","value":"Billon"}],"width":1000,"height":496},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3467.5","@type":"sc:Canvas","label":"Coin of Tancred","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3467.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2315%2Fb7024cf7849705809441cfba8cd6dbb5.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2315%2Fb7024cf7849705809441cfba8cd6dbb5.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1730,"height":1137},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3467.5"}],"description":"This coin featuring Tancred, shows on the obverse Tancred wearing a turban and holding a sword in his right hand, and on the reverse a cross pommetee, with a fleuronnee at the base. The inscription on the obverse reads: +KE BO TANKPI+, and on the reverse: IC \u2013 XC \u2013 NI \u2013 KA","metadata":[{"label":"Date","value":"1101-1112"},{"label":"Type","value":"Antiochene Copper Type 4 (Tancred 2nd Type)"},{"label":"Material","value":"Copper"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1730,"height":1137},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6","@type":"sc:Canvas","label":"So-Called Crusader's Bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3466.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":681},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6"}],"description":"So-called Crusader's Bowl","metadata":[{"label":"Date","value":"11th century"},{"label":"Type","value":"Bowl"},{"label":"Material","value":"Metal"},{"label":"Place of Creation","value":"Egypt"},{"label":"Location","value":"Harvard Art Museums"},{"label":"Dimensions","value":"15.75 cm"}],"width":1024,"height":681},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7","@type":"sc:Canvas","label":"Crusader Imitation of a Dinar of al-Amir","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3465.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":478},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7"}],"description":"Crusader Imitation of a Dinar of al-Amir","width":1024,"height":478},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8","@type":"sc:Canvas","label":"The Combat between Tancred and Clorinda","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3464.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":733},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8"}],"description":"This 17th century drawing illustrates a scene from Torquato Tasso's epic poem, \"La Gerusalemme liberata\" (The Liberation of Jerusalem or Jerusalem Delivered). The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. It is a historical text detailing the political and military life of her father, Alexios I, including his interactions with the crusades. This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illustration of the Tomb of Baldwin V Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like. 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image1.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3237.1 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3237.1","@type":"sc:Canvas","label":"image1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/annotation/3237.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2161%2F788e9d7f3c42170edbff45a886cd459e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2161%2F788e9d7f3c42170edbff45a886cd459e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4288,"height":2848},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3237.1"}],"width":4288,"height":2848} Display as IIIF? Yes UUID ba391c30-c8ec-4dc0-85d8-6ee531d4fc76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image10.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3240.4 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3240.4","@type":"sc:Canvas","label":"image10.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/annotation/3240.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2164%2Fd8c4480c15a5c25bc77334dbeb770fb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2164%2Fd8c4480c15a5c25bc77334dbeb770fb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2848,"height":4288},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3240.4"}],"width":2848,"height":4288} Display as IIIF? Yes UUID 55ce625f-e823-45fd-9704-40563f46ab90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image11.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3241.5 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3241.5","@type":"sc:Canvas","label":"image11.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/annotation/3241.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2165%2Fc0f65d64b223bf76b28c85f189c077e1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2165%2Fc0f65d64b223bf76b28c85f189c077e1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4288,"height":2848},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3241.5"}],"width":4288,"height":2848} Display as IIIF? Yes UUID a8e11068-ffc4-40fa-a402-a957829d97a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image12.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3242.6 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3242.6","@type":"sc:Canvas","label":"image12.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/annotation/3242.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2166%2Ffbd3686691f4ca7e7ef95c4d6531dcbc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2166%2Ffbd3686691f4ca7e7ef95c4d6531dcbc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2848,"height":4288},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3242.6"}],"width":2848,"height":4288} Display as IIIF? Yes UUID 12e4f35d-8a67-4257-ae02-a16d94376456 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Naumburg Plaster Cast Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331","label":"Naumburg Plaster Cast","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3243.0","@type":"sc:Canvas","label":"image15.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/annotation/3243.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2167%2Fb2c3cf4ef0dde1da4f1cd956b640a026.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2167%2Fb2c3cf4ef0dde1da4f1cd956b640a026.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4288,"height":2848},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3243.0"}],"width":4288,"height":2848},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3245.1","@type":"sc:Canvas","label":"image19.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/annotation/3245.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2169%2F28b34a8007836b647dda498f40e7b935.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2169%2F28b34a8007836b647dda498f40e7b935.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4288,"height":2848},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3245.1"}],"width":4288,"height":2848},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3259.2","@type":"sc:Canvas","label":"image14.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/annotation/3259.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2183%2Fe94909df84971bd37188d472ec9ee7d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2183%2Fe94909df84971bd37188d472ec9ee7d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2848,"height":4288},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3259.2"}],"width":2848,"height":4288}]}]} IIIF Type Manifest UUID 905eca6a-a1f6-4674-843e-c070cd1699eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image14.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3259.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3259.2","@type":"sc:Canvas","label":"image14.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/annotation/3259.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2183%2Fe94909df84971bd37188d472ec9ee7d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2183%2Fe94909df84971bd37188d472ec9ee7d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2848,"height":4288},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/331/canvas/3259.2"}],"width":2848,"height":4288} Display as IIIF? Yes UUID 16002bf0-76ef-4050-bc0f-c838b2c810bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adolphus Busch Hall Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330","label":"Adolphus Busch Hall","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/sequence/1","@type":"sc:Sequence","label":"Default 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource image15.jpg Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3243.7 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3243.7","@type":"sc:Canvas","label":"image15.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/annotation/3243.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2167%2Fb2c3cf4ef0dde1da4f1cd956b640a026.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2167%2Fb2c3cf4ef0dde1da4f1cd956b640a026.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4288,"height":2848},"on":"https://media-management-api.tlt.harvard.edu/api/iiifmanifest/330/canvas/3243.7"}],"width":4288,"height":2848} Display as IIIF? Yes UUID 598799fd-3630-49b5-9d8a-61e43c43861e