48 10 972 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/580eba108658ba9d1899276a6863517b.jpg e89616fe81b451dbcf92fc45b6110e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Pilgrimage IIIF Collection Metadata UUID 1375d22e-3f8d-4feb-87cf-3ac78becea50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hexagonal pilgrim's jar with Jewish symbol (3) IIIF Item Metadata UUID 67455f87-557a-45de-ba5a-9895cbe2129c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/92826f33b4d0b3384f1754a802fe6100.jpg b4daf7055006860582239161db49f3f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Pilgrimage IIIF Collection Metadata UUID 1375d22e-3f8d-4feb-87cf-3ac78becea50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hexagonal pilgrim's jar with Jewish symbol (4) IIIF Item Metadata UUID 1a6223a9-8a12-4f91-b923-d0fbfe556642 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/18ad904aa8db3cdec8a27a51fd9a9026.jpg 012b3c5c2781c1b3c3746272e5846a00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Pilgrimage IIIF Collection Metadata UUID 1375d22e-3f8d-4feb-87cf-3ac78becea50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hexagonal pilgrim's jar with Jewish symbol (5) IIIF Item Metadata UUID 180aa114-86eb-4a6a-935a-c9876a5fb2fd https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/5868fa5c042caec87594cabcac2906e3.jpg 944914a86c0dd1901c04b6fef3a05783 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Pilgrimage IIIF Collection Metadata UUID 1375d22e-3f8d-4feb-87cf-3ac78becea50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hexagonal pilgrim's jar with Jewish symbol (6) IIIF Item Metadata UUID 8e66f807-96b7-4b7c-85a4-9fa8d03c0501 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/97f3578e1ad3aa9bce4aa4da27e0e297.jpg 1f930bfa2e9e5e010ec9eb5f6e79cb14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Pilgrimage IIIF Collection Metadata UUID 1375d22e-3f8d-4feb-87cf-3ac78becea50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hexagonal pilgrim's jar with Jewish symbol (7) IIIF Item Metadata UUID 206fcb42-c44d-413e-b239-36795698fd58 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp The full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800} Display as IIIF? Yes UUID 45712c54-2d64-4c5b-9091-8415b6d39c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Blood Relic, Bruges Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531} Display as IIIF? Yes UUID a038906f-c8c5-4053-b4e0-bf87f10c3d61 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Face of Genoa Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the “Santo Mandillo,” an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818} Display as IIIF? Yes UUID 8f6e9ffe-9145-4d46-a1b8-31763466cd36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Relics in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406","label":"The Crusades and Relics in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0","@type":"sc:Canvas","label":"Illustration from the Paris Gregory, fol. 440r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3577.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2419%2F3abcc2e7d184b94c8d58acea82f6d418.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3931,"height":5624},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3577.0"}],"description":"The \u201cParis Gregory\u201d was made for Emperor Basil I between 879 and 883, commissioned by the Patriarch Photios I in Constantinople. It contains the Homilies of Gregory of Nazianzus. This illustration shows, at top \u201cthe dream of Constantine\u201d, \u201cthe battle of the Milvian bridge\u201d in the center panel, and \u201cHelena discovering the True Cross\u201d at the bottom.\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b84522082/f94.planchecontact","metadata":[{"label":"Date","value":"c. 879-883"},{"label":"For","value":"Basil I"},{"label":"Commissioned By","value":"Photios I"},{"label":"Made In","value":"Constantinople"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Bnf grec 510"}],"width":3931,"height":5624},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1","@type":"sc:Canvas","label":"The skull relic of Saint Helena of Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3578.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2420%2Ff97c0962b6394fad02a0cdfc1f293bec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":790,"height":1073},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3578.1"}],"description":"Saint Helena, mother of the Emperor Constantine is famous for her supposed discovery of many of the relics of the passion. Herself sainted after death, this relic of her skull is held at Trier Cathedral. The portrait bust shows her holding some of the relics of the passion. Usually kept closed, the reliquary is opened once a year on the date usually associated with her death, August 18.","metadata":[{"label":"Date","value":"skull c. 293 (?)"},{"label":"Type","value":"Skull bone"},{"label":"Source","value":"Helena (?)"},{"label":"Repository","value":"Trier Cathedral, Trier, Germany"}],"width":790,"height":1073},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2","@type":"sc:Canvas","label":"Interior, Limburg Staurotheke","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3579.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2421%2Fdbad23c9db29f5804d10082851fade32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":715,"height":1030},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3579.2"}],"description":"Interior of the Limburg Staurotheke. Staurotheke comes from the Greek meaning \u201ccontainer of the cross.\u201d This reliquary was made in Constantinople in the 10th century. It currently resides in Limburg in Germany. The large cross at the center of the reliquary is not, in fact, the relic of the True Cross, but is, itself, a reliquary. Made out of sycamore, it was constructed before the outer container, and holds seven pieces of purported to be from the True Cross. The reliquary itself is sumptuously decorated in enamels, gemstones, pearls, and gold. Two Byzantine emperors, Constantine VII Porphyrogennetos and his son Romanos II are mentioned in an inscription, which allows the cross portion of the reliquary to be dated to sometime between 945 and 959. Additional compartments contain other fragmentary relics: the swaddling clothes of the infant Jesus, the holy sponge, the Crown of Thorns, the sweet within which Jesus\u2019 body was wrapped, the towel used to wash the feet of the Apostles at the Last Supper, the purple garment worn by Christ at his crucifixion, two different belts of the Virgin Mary, the Virgin\u2019s maphorion, and hair from the head of John the Baptist. The outer section of the reliquary includes an inscription that names Basil Lekapenos, a eunuch and powerful figure in the imperial court, as the commissioner for the larger container, and was most likely made between 963 and 985.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Sycamore wood, enamel,gemstones, pearls, gold, additional relics of various materials"},{"label":"Made for","value":"Constantinve VII Porphyrogennetos/Romanos II AND Basil lekapenos"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Location","value":"Limburg, Germany"}],"width":715,"height":1030},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3","@type":"sc:Canvas","label":"True Cross Relic, Santo Toribio de Li\u00e9bana","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3580.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2422%2Fc2f30fdc05d4352db446eb425c2631fe.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":1600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3580.3"}],"description":"The Roman Catholic Church holds that this section of the cross (vertical bar measuring 63.5 cm long; cross bar measuring 39.3 cm, with a thickness of 38 mm) is the largest relic of the True Cross. As with all other accepted relics of the True Cross, this section is said to come from the Cross found by Helena in the 4th century. According to tradition, it was brought to Spain my Saint Turibius of Astorga in the 5th century. The silver gilt cross into which the relic has been embedded was made in 1679. According to a study done in 1958, the relic is a Mediterranean Cyprus wood (Cupressus sempervirens), which is common in Israel, and could be more than 2,000 years old.","metadata":[{"label":"Date","value":"c. 33 CE ? and 1679"},{"label":"Type","value":"Relic of the True Cross"},{"label":"Location","value":"Santo Toribio de Li\u00e9bana, Cantabria, Spain"},{"label":"Dimensions","value":"63.5 cm x 39.3 cm x 38 mm"},{"label":"Material","value":"Wood, silver gilt"}],"width":1200,"height":1600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3539.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3539.4"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5","@type":"sc:Canvas","label":"Reliquary of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3581.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2423%2Fd0a91a5bf205d28749bf100e904d6112.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1452,"height":2380},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3581.5"}],"description":"Reliquary of the Crown of Thorns, 1862, designed by Eug\u00e8ne Viollet-le-Duc, Notre Dame Cathedral, Paris.","width":1452,"height":2380},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7","@type":"sc:Canvas","label":"Icon Showing the Image of Edessa (Mandylion)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3583.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2425%2Faf89be8bcc6433df721f1ad524e67990.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1207,"height":1651},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3583.7"}],"description":"The Image of Edessa or the Mandylion (see image top right), is a relic of a cloth onto which the face of Christ had been imprinted. Not to be confused with other, similar, relics (such as the Veronica veil or the Shroud of Turin), the story of the Mandylion was first recorded in the 4th century. The traditional story relates that ailing King Abgar of Edessa wrote to ask Jesus to come to Edessa to heal him. Jesus declined to visit, but instead sent a disciple and the Mandylion. The image eventually came to reside in the Imperial Treasury in Constantinople in the 10th century, and was lost in 1204 during the Fourth Crusade. According to some reports, it perhaps reappeared among the relics at Sainte-Chapelle in Paris, however, this relic was also lost during the French Revolution.","metadata":[{"label":"Date","value":"c. 10th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"Encaustic on wood"},{"label":"Location","value":"Saint Catherine's Monastery, Mount Sinai"}],"width":1207,"height":1651},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8","@type":"sc:Canvas","label":"Shroud of Turin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3584.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2426%2F5147405e5fd374b5f3b8ce079f44bcbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":613,"height":2325},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3584.8"}],"description":"A linen cloth said to bear the image of Christ in the negative. It is claimed to be the cloth in which Christ was wrapped after his death. Measuring at 4.4 x 1.1 meters, the shroud features the front and back impression of a man\u2019s body in a darker brown tone. The earliest mention of the shroud is in 1354.","metadata":[{"label":"Date","value":"c. 33 CE (?)"},{"label":"Type","value":"Burial shroud (?)"},{"label":"Material","value":"Linen and bodily fluids (?)"},{"label":"Location","value":"Cathedral of Saint John the Baptist, Turin, Italy"},{"label":"Dimensions","value":"4.4 x 1.1 m"}],"width":613,"height":2325},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9","@type":"sc:Canvas","label":"Holy Face of Genoa","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3585.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2427%2F4f1a834a71d82ca1e2fcaec1659c7590.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":818},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3585.9"}],"description":"This icon/image/likeness of Christ is held at the Church of St Bartholomew of the Armenians in Genoa, Italy. It was given to the doge of Genoa in the 14th century by Byzantine Emperor John V Palaiologos. The outer frame has been dated to the 14th century, and the image itself is apparently made on a cloth that had subsequently been affixed to a piece of wood. In Genoa, it is sometimes called the \u201cSanto Mandillo,\u201d an obvious reference to the Greek mandylion. It is believed by some to be the actual image of Edessa, thereby contradicting the reports that the relic disappeared from Constantinople in the Fourth Crusade, or that it reappeared in Paris.","metadata":[{"label":"Date","value":"> 14th century"},{"label":"Type","value":"Icon, \"true likeness\""},{"label":"Material","value":"Cloth on wood, gold frame"},{"label":"Creator","value":"Jesus (?)"},{"label":"Location","value":"Church of St. Bartholomew of the Armenians, Genoa, Italy"}],"width":600,"height":818},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10","@type":"sc:Canvas","label":"Holy Blood Relic, Bruges","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3586.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2428%2F78588f56e702647b61c26a1874c689c9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":531},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3586.10"}],"description":"According to legend, the relic was brought to Bruges by Thierry of Alsace following the Second Crusade in the 12th century, this reliquary is said to contain a piece of cloth soaked with the blood of Jesus. Thierry may have been presented the relic by his brother in law, Baldwin III of Jerusalem, as a reward for service. It is more likely, however, that the relic came to Bruges after the sack of Constantinople in 1204. The rock crystal phial dates to either the 11th or 12th century and was probably first used as a perfume bottle in Constantinople before being used as a reliquary.","metadata":[{"label":"Date","value":"c. 33 CE ? and 11th-12th century"},{"label":"Type","value":"Blood relic, phial, glass reliquary"},{"label":"Material","value":"Cloth, blood (?), glass, rock crystal"},{"label":"Location","value":"The Basilica of the Holy Blood"},{"label":"Place of Creation","value":"Constantinople"}],"width":800,"height":531},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11","@type":"sc:Canvas","label":"Illustration of the process of the Holy Blood to Westminster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3587.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2429%2F3e65e4b831cf763b0c5d074ccc31bb60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3937,"height":1772},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3587.11"}],"description":"Fol. 216r, from Matthew Paris' Chronica maiora II. \n\nThis miniature shows Henry III of England carrying the Relic of the Holy Blood at Westminster Abbey in 1247. This relic of the blood of Christ was sent from the Latin Patriarch of Jerusalem, Robert of Nantes, to King Henry, and was paraded through the streets of London before its eventual placement in Westminster. Despite Henry\u2019s attempts to stir up pilgrimage interest in the relic, it did not gain any particular popularity.\n\nFull manuscript: https://iiif.biblissima.fr/collections/manifest/56762ec3f3592aa3e75be9d97cccd68baab69184","metadata":[{"label":"Date","value":"c. 13th century"},{"label":"Type","value":"Manuscript"},{"label":"Repository","value":"Corpus Christi College, Cambridge"},{"label":"Shelfmark","value":"MS 016 II"}],"width":3937,"height":1772},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12","@type":"sc:Canvas","label":"Stained glass windows, Sainte-Chapelle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3588.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2430%2F22eb1517de127e6873029ec882faa9d9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5904,"height":3936},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3588.12"}],"description":"The Sainte-Chapelle in Paris is perhaps best known for its stained glass windows, which illustrate scenes from both the Old and New Testaments. The Gothic chapel was commissioned by Saint Louis IX, King of France in order to house the collection of relics that he obtained from the Latin Emperor Baldwin II. The relics arrived in Paris in August of 1239, and the chapel itself was consecrated on April 26, 1248.","width":5904,"height":3936},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13","@type":"sc:Canvas","label":"Engraving of Saint Louis, King of France","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3589.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2431%2F7caf3454624c8a520133ea9c12add9ac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2183,"height":2827},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3589.13"}],"description":"Louis IX taken prisoner at the Battle of Fariskur (April 6, 1250) during the Seventh Crusade. He was ransomed for 400,000 dinars and pledged to never return to Egypt and to surrender Damietta to the Egyptians. On May 8, 1250, he left to Acre with his brothers and some 12,000 prisoners of war.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Engraving"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2183,"height":2827},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14","@type":"sc:Canvas","label":"Reliquary of Saint Louis","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3590.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2432%2F4d478dc35d8f993f9863fe2afb27830a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":898,"height":920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3590.14"}],"description":"This reliquary at the Basilica of Saint Dominic in Bologna, Italy contains the relics of Saint Louis. A man of extreme piety, he was canonized by Pope Boniface VIII in 1297, less than thirty years after his death (in August 1270, of dysentery while crusading in Tunis). Almost immediately following his death, his bones and organs were preserved and processed on a long journey across Sicily, Italy, and France, and relics were dispersed by members of his own family, including his younger brother.","metadata":[{"label":"Location","value":"Basilica of Saint Dominic, Bologna, Italy"}],"width":898,"height":920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15","@type":"sc:Canvas","label":"Iron Crown of Lombardy","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3591.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2433%2Fa49fa6c3250546b01fae029066e69f52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1890,"height":1154},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3591.15"}],"description":"Both reliquary and regalia for the coronation of the Holy Roman Emperors as kings of Italy, the crown is now kept at the Cathedral of Monza near Milan. Dating to the 4th or 5th century, the crown is made of gold and gemstones around a band that, according to tradition, is made out of iron from on of the nails used to affix Christ to the True Cross. The inner band measures at only 1 cm wide. Given the small size of the crown, it was perhaps used only as a votive crown or as an armlet. Some scholars suggest, however, that its current size is smaller due to the loss of two segments. The crown is said to have been forged by Helena for her son Constantine, and was eventually passed to Theodelinda, a Lombard princess, who donated it to the church at Monza in 628. The crown can be dated to two separate working periods: the earlier to the 4th-5th century and the later to the 8th or 9th. Apparently 34 coronations from the 9th to the 17th centuries made use of the crown, beginning with Charlemagne. In 1805, Napoleon Bonaparte, placed the iron crown on his head when he had himself crowed as King of Italy in Milan. The last time it was used was in 1838 by Emperor Ferdinand I. According to analysis, the \u201ciron band\u201d is actually 99% silver.","metadata":[{"label":"Date","value":"c. 4th-5th century; c. 8th-9th century"},{"label":"Type","value":"Crown and reliquary"},{"label":"Repository","value":"Cathedral of Monza, Italy"}],"width":1890,"height":1154},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16","@type":"sc:Canvas","label":"Tapestry of the Arma Christi","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3592.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2434%2Fd11090f019ba8d78e88c9065fc7abe32.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3592.16"}],"description":"The Arma Christi are the instruments of the Passion: the objects associated with Christ\u2019s passion. The exact number of objects is flexible, and appears frequently as a theme in Christian Art. Some of these arms include the best known relics of the passion, the True Cross, the Crown of Thorns, the column where Jesus was whipped and the whip itself, the Holy Sponge, the Holy Lance, the nails with which he was attached to the Cross, the Veronica Veil, among numerous others such as the Holy Grail, the dice the soldiers used to cast lots, the rooster that crowed after Peter denied Christ three times, the ladder used to remove Christ\u2019s body from the Cross, and so on.","metadata":[{"label":"Date","value":"c. 1475-1550"},{"label":"Type","value":"Tapestry"},{"label":"Material","value":"warp: wool; weft: wool, silk, silver, gilt"},{"label":"Place of Creation","value":"Southern Netherlands"},{"label":"Dimensions","value":"112.4 x 210.8 cm"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":4000,"height":2242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17","@type":"sc:Canvas","label":"Illustration of the Discovery of the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3593.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2435%2F1e536c15b3c527058648c094a718a541.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1369},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3593.17"}],"description":"Fol. 67v from Passages d'outremer de S\u00e9bastien Mamerot.\n\nJune 10, 1098, Peter Bartholomew, a priest from Southern France, claimed that Saint Andrew had come to him in visions and told him where to find the Holy Lance within the city. Despite a relic of the Holy Lance having been seen by Bishop Adhemar Le Puy in Constantinople, several others believed Peter (including William, Bishop of Orange and Raymond of Aguilers), and they began to dig in the cathedral of St. Peter. Eventually, Peter reached into the pit and drew out the point of a spear. Despite skepticism, the discovery of the Lance is credited with boosting the morale of the crusaders.","metadata":[{"label":"Date","value":"c. 1474"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Louis de Laval"},{"label":"Made by","value":"Jean Colombe"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr 5594"}],"width":1024,"height":1369},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18","@type":"sc:Canvas","label":"The head of John the Baptist, Amiens","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3594.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2436%2Fbce8c745f6cac565c5aeef5585e8e212.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":778},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3594.18"}],"description":"The cathedral in Amiens, France was built between 1220 and 1270 in the High Gothic style. It was originally built in order to house the relic of the head of John the Baptist, which arrived on December 17, 1206 after having been looted during the sack of Constantinople. The original reliquary made in the early 13th century has been lost and was replaced in the 19th century by a replica.","metadata":[{"label":"Date","value":"c. 36 CE; 19th century"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"Amiens Cathedral, France"}],"width":1200,"height":778},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19","@type":"sc:Canvas","label":"Head of John the Baptist, San Silvestro in Capite","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3595.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2437%2Fc838573e97317333c11f9239322cd301.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1728,"height":2304},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3595.19"}],"description":"Another head of John the Baptist is held at San Silvestro in Rome. Additional head relics can be found at a shrine at the Umayyad Mosque in Damascus (Great Mosque of Damascus) and the Residenz Museum in Munich. This head of John the Baptist first arrived at the church in the 13th century, after previously being held at the Roman church of Santa Maria in San Giovannino (now demolished). The earliest record of the relic at the latter church is from 1140, however tradition dictates that the head was brought to Rome by Greek monks in the 8th century. Some scholars suggest that this relic actually belongs to another figure named John, but has since been re-associated with John the Baptist.","metadata":[{"label":"Date","value":"c. 36 CE"},{"label":"Material","value":"Skull bone"},{"label":"Location","value":"San Silvestro in Capite, Rome"}],"width":1728,"height":2304}]}]} IIIF Type Manifest UUID c83798f7-ad29-4eee-b6c5-f0c58bd1fc08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holy Thorn Reliquary Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406 Description An account of the resource Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6","@type":"sc:Canvas","label":"Holy Thorn Reliquary","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/annotation/3582.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2424%2F4c7d5af6754c7fcbc57db44ce6080d49.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2138,"height":4218},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/406/canvas/3582.6"}],"description":"Made in Paris circa 1390 for John, Duke of Berry, the reliquary is currently held in the collection of the British Museum. Made of gold, rock crystal, enamel, pearls, sapphires, and rubies, and decorated with intricately carved figures, is represents a type of luxury object popular in the French royal court in the early 15th century. The scenes on the reliquary show the Last Judgement and the seated Trinity and contains a single thorn from the Crown of Thorns. The reliquary passed through numerous hands, including the Holy Roman Emperor Charles V, and is also known due to its involvement in a forgery scandal in the 1860s.","metadata":[{"label":"Date","value":"c. 33 CE? and c. 1390"},{"label":"Made for","value":"John, Duke of Berry"},{"label":"Material","value":"Gold, rock crystal, enamel, pearls, sapphires, rubies, one thorn"},{"label":"Location","value":"The British Museum"}],"width":2138,"height":4218} Display as IIIF? Yes UUID 348ae648-15cc-4ca0-a505-8248fea37778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Commemoration, Remembrance, and Metaphor in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414","label":"Commemoration, Remembrance, and Metaphor in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0","@type":"sc:Canvas","label":"Home-Coming Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3644.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1750,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0"}],"description":"A knight of the German Order returning from thr crusade, after Karl Immermann\u2019s poem \u201cThe arrival of the crusader\u201d,1826","metadata":[{"label":"Date","value":"1835"},{"label":"Artist","value":"Karl Friedrich Lessing"},{"label":"Location","value":"Rheinisches Landesmuseum Bonn"}],"width":1750,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1","@type":"sc:Canvas","label":"Taking of Jerusalem by the Crusaders, 15th July 1099","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3645.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":918},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1"}],"metadata":[{"label":"Date","value":"1847"},{"label":"Artist","value":"\u00c9mile Signol"},{"label":"Location","value":"Ch\u00e2teau de Versailles"}],"width":1600,"height":918},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2","@type":"sc:Canvas","label":"Statue of Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3646.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2"}],"description":"This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin\u2019s death. It depicts his victory at the Battle of Hittin. Saladin is shown on horseback with two swordsmen, with the captured Renaud de Chatillon and Guy de Lusignan walking behind.","metadata":[{"label":"Date","value":"1993"},{"label":"Artist","value":"Abdallah al-Sayed"},{"label":"Location","value":"Damascus, Syria"}],"width":800,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3","@type":"sc:Canvas","label":"Egyptian Postage Stamp showing Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3647.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1028,"height":1018},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3"}],"description":"This stamp from 1993 depicts Saladin and marks the 800th anniversary of his death.","metadata":[{"label":"Date","value":"1993"},{"label":"Place","value":"Egypt"}],"width":1028,"height":1018},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4","@type":"sc:Canvas","label":"Entry of the Crusaders in Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3648.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4"}],"description":"This painting by Delacrois was commissioned by Louis-Philippe, the last king of France. It shows a scene from the Fourth Crusade, wherein the Crusaders decide to sack the city of Constantinople instead of continuing on to invade the Muslin East and Jerusalem. Baldwin I is shown leading the procession through the streets of Constantinople, while desperate locals crowd around. The painting was poorly received at the 1841 Salon.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3649.5","@type":"sc:Canvas","label":"The Departure of the Crusaders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3649.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2489%2Fabd5bd231fe8776cf72ff39fdc537233.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2489%2Fabd5bd231fe8776cf72ff39fdc537233.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":1904},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3649.5"}],"metadata":[{"label":"Date","value":"1863"},{"label":"Artist","value":"Victor Nehlig"},{"label":"Location","value":"Smithsonian American Art 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