4 10 972 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a8a469e96178fbffef9becaa4caab6db.jpg ab460c54d3bf3c8f003018746f21e504 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Icon of Christ and Abbot Mena Subject The topic of the resource Icon of Christ and Abbot Mena, 8th century, Coptic, Bawit (Egypt), paint on sycamore fig wood, 57 x 57 cm, Paris, The Louvre. Description An account of the resource Museum information: “This exceptional painting on wood comes from the monastery of Bawit in Middle Egypt. Dated to the 8th century, it represents Christ (easily recognizable by his halo with a cross) and Abbot Mena, the superior of the monastery at the time. The abbot holds a scroll in his left hand; this may have contained the rules of his monastery.” Text (in translation): At left, beside Abbot Mena: “"Apa Mena superior” At right, beside Christ: “Savior” Source A related resource from which the described resource is derived https://www.louvre.fr/en/oeuvre-notices/christ-and-abbot-mena Publisher An entity responsible for making the resource available Musée du Louvre. E 11565 IIIF Item Metadata UUID 4bca7011-eb3c-4adc-aef0-75107002d458 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/34587d8474c62c447326bd31173364f3.jpg 36d1cc501e05d9c20ffa3c18be7ae59b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fountain of the Aqua Julia Subject The topic of the resource Giovanni Battista Piranesi, The Fountain of the Aqua Julia (Fontana dell’Acqua Giulia) from Vedute di Roma, 18th century, Italian, print, image: 38.1 x 60 cm; plate: 40.1 x 60.7 cm; sheet: 54.2 x 79.1 cm; Cambridge, MA, Harvard Art Museums. Source A related resource from which the described resource is derived https://hvrd.art/o/237595 Publisher An entity responsible for making the resource available Harvard Art Museums. 2008.312.34 IIIF Item Metadata UUID 1566f77b-d16f-4956-aa1e-99c676f472a0 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/5bce6edab7c707e2fbae4e70ae152270.jpg 64dced6b1a36c123c9b59df38afc8fcd https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/559a2d4aaec66e4104bf80d2c6d1026c.png 87f4eaf7e5da354a43dbdccab71f0869 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/416e4e7040da1bc9cf2777cfb02d9688.png 03654a11436df6a8f52b942e8eba057c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6049b6d21690cb42df9d678ad85e04ae.png eacb866bdf21fa28f38ccb0a7ee63175 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/606f3b6765f3bf2fc0a19798c142c954.png ae8fd031986e74a480fda5a4e0925676 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Panels from a Casket Subject The topic of the resource Four Panels from a Casket, c. 420-30, Roman, Rome, ivory, 75 mm x 98 mm (single panel), London, The British Museum. Description An account of the resource The four panels depict episodes from Passion and Resurrection of Christ. Top left: (these vignettes are meant to be read separately) the Judgement and Denial of St. Peter, at left, Pontius Pilate is shown seated, washing his hands in a basin with an attendant pouring water. At middle, Christ carries his cross, compelled by a soldier. At right, St. Peter is seated, behind him, a rooster crows (for the Denial of Peter: the Gospel of Matthew 26:33-35, the Gospel of Mark 14:29-31, the Gospel of Luke 22:33-34 and the Gospel of John 18:15-27), and a female figure points in accusation. Top right: the Crucifixion with the death of Judas at left, below his feet is the purse of silver, which he received as payment for his betrayal. Christ is surrounded by his mother Mary and St. John to the left, and the solider Longinus to the right, who is piercing Christ’s side with a spear. Bottom left: the Maries at the tomb. Christ’s Sepulchre is shown centrally with open doors, through which part of a carved sarcophagus can be seen. One door is decorated with the scene of the Raising of Lazarus and a seated depiction of the Virgin Mary. At left and right of the tomb are sleeping soldiers. Bottom right: The Incredulity of Thomas (see: John 20:24–29). Christ, at center, is shown young and beardless, with a nimbus. At the right Thomas reaches his right index finger towards Christ’s wound. Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/H_1856-0623-7 Publisher An entity responsible for making the resource available The British Museum. 1856,0623.4 1856,0623.5 1856,0623.6 1856,0623.7 IIIF Item Metadata UUID 39758c04-ac74-4c75-90c4-17fa311308dd https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0ebe137c6c9f3d5a106dd7250e65b478.JPG cdda5c3072a4755bf5c3820fa3d1a4bc https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7da4f4d34bf4646bf770c220918929bf.JPG 72a4cd6aafb71c2dcac80eaca7826029 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a3bd5acb4a0dbe082b05027a429bf019.JPG 4956eeb0eb478544207d7b7aa95bc4e0 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1f6eaf873dd72a234efbb647f4cf6648.JPG 77a0e02b89dec6094c34822c517e0cb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Circular Pendant with Double Solidus of Constantine I Subject The topic of the resource Circular Pendant with Double Solidus of Constantine I, Medallion: 324, Pendant: c. 370-90, Early Byzantine, gold, 9.6 cm x 8.5 cm, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Description: “The consummate skill used to create this pendant places it among the most highly accomplished examples of gold jewelry from the early Byzantine period. The elaborate frame around the imperial medallion combines two techniques: chisel cutting of sheet gold masterfully worked to create lacelike tendrils, scrolls, and geometric designs; and hollow, three-dimensional heads formed by working the gold from both the interior and the exterior. The contrast of flat, silhouette patterns and heads in the round produces a dynamic counterpoint rarely seen in jewelry of this period. The medallion shows the emperor Constantine wearing a crown of rays—an attribute of Apollo—while his sons Crispus and Constantine II are in consular robes on the reverse, co-celebrating their third consulate in 324. A similarly designed, although hexagonal, pendant at Dumbarton Oaks contains a medallion celebrating the second consulate in 321 of these same imperial sons. In mint condition, these medallions were never put into circulation; they were framed so that both sides are visible, allowing all the imperial portraits to be seen. Despite their different shapes, the shared techniques, style, and decorative schemes confirm that these pendants were made as part of a set. Three additional pendants belong to this set judged by medallion type, techniques, designs, and superb execution: a circular pendant (Musée du Louvre, Paris); a hexagonal pendant (British Museum, London); and a slightly larger octagonal pendant (Cleveland Museum of Art). This latter pendant must have been the center piece of the most resplendent suite of gold jewelry to survive from early Byzantium. The pendant and its companion pieces may have been an award from an emperor to an outstanding general or high ranking official, although their exact function is not certain. The key to interpreting their historical and political significance, including the identification and meaning of the busts, has yet to be discovered.” -S. Zwirn Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/27048 Publisher An entity responsible for making the resource available Dumbarton Oaks. BZ.1970.37.1&2 IIIF Item Metadata UUID ab01d10e-5f66-4e1c-b569-cd280d896986 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7ae9fa11fc8f349513ca70bd656bf163.jpg 0de3104740b5559ef7a19ceb83798abf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanging with Hestia Polyolbus Subject The topic of the resource Hanging with Hestia Polyolbus, Early Byzantine, c. 6th century, 138 x 114.5 cm, wool, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Description: "This tapestry excited scholarly interest immediately after the Blisses acquired it in 1929. They lent it in 1931 to the first major exhibition of Byzantine art in Paris where, according to Royall Tyler, the French art historian Paul Alfassa “proclaimed that it beat all of the Gothic tapestries in the world into a cocked hat.” Within ten years it had been published as many times. Hestia Polyolbos (Hestia, full of blessing) distributes blessings from her throne, assisted by six winged genii, each carrying a disc naming a blessing; euphrosyne (“mirth”), euochia ( “good cheer”), prokope (“prosperity”), ploutos ( “wealth”), eulogia (“blessing”), and arete (“virtue”). Two other regal figures frame the group, one labeled phos (“light”). Hestia, the Greek noun for hearth, is also the name of the goddess of the household hearth. Our knowledge of her cult is vague, partly because she was venerated, not at a few localized shrines, but wherever fires were found. It may be for this reason that hymns give her a universal character as the center of the world and the house of the gods. Hestia’s removal from any narrative context, when combined with her frontal pose and the laudatory epithet Polyolbos, suggests that this image was a focus for worship, one that deviated from the Greek tradition of cult statues. A salient difference is that while worshipers can escape the gaze of a cult statue by moving, the flatness of a tapestry allows Hestia’s eyes to follow the devout anywhere they move. This potency of two-dimensional images to conjure up a commanding presence was exploited at this time, both by the last phases of traditional Olympian religion and by the contemporary early phase of Christianity." J. Hanson Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/27440 Publisher An entity responsible for making the resource available Dumbarton Oaks. BZ.1929.1 IIIF Item Metadata UUID daf1fa9a-5bae-47c7-858e-fca207da2c0e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e933e3d990702fa10006c44e039962ce.jpg 13c97db4f472ce5312952ede38726627 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7c3f2eb309841149e47637548ae6706a.jpg 3e09eab9b64c5f037f64ed4859e043de https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/f4fa4852ea15aeb8a61be51c6d0485ec.jpg bf54aed4100edf0a23d8e036171c38ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madaba Map Subject The topic of the resource Madaba Map, Early Byzantine, late. 6th century, floor mosaic, Madaba, Jordan, Church of Saint George. Description An account of the resource The Madaba Map is a floor mosaic that contains the oldest surviving cartographic depiction of the Holy Land. It dates to the 6th century and is found at the Church of Saint George in Madaba, Jordan. The presence and absence of various monuments has aided in a more precise dating of the map, which included the New Church of the Theotokos in Jerusalem, dedicated on November 20, 542, but does not have any buildings that date to after 570. The city was conquered by the Sasanian Empire in 614, and largely destroyed by an earthquake in 746. The mosaic was not rediscovered until 1884 during the construction of a new church on the site. The mosaic is located in the apse and originally measured 21 by 7 meters and contained over two million tesserae. In its modern form, it measures 16 x 5 meters. Source A related resource from which the described resource is derived https://web.archive.org/web/20170603031628/http://www.christusrex.org/www1/ofm/fai/FAImadmn.html Publisher An entity responsible for making the resource available Church of Saint George IIIF Item Metadata UUID 7eb22721-8314-465d-8de3-6092a271694e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/8dde33b44bb213b0abfe63bb22cf522c.jpg c57c7a6f4cd72d842663c4a1f4d44bb1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidus of Justinian I Subject The topic of the resource Solidus of Justinian I, Byzantine, Constantinople, c. 538-45, gold, 4.49 g, Cambridge, MA, Harvard Art Museums. Description An account of the resource Obverse Inscription: DNIVSTINI ANVSPP D(ominus) N(oster) Iustinianus P(er) P(etuus) AVG(ustus) ("Our Lord Justinian, Eternal Emperor"). A frontal bust portrait of the emperor wearing a helmet, diadem, and cuirass. In his hand is a globus cruciger. Reverse Inscription: VICTORI AAVCCC, at end, theta. In ex., CONOB. Victoria Augustorum [officina] Θ (“Victory of the Augusti”) An angel holds a cross and a globus cruciger. At right, a star. CONOB is the mint mark, indicating that it was struck at Constantinople. Source A related resource from which the described resource is derived https://hvrd.art/o/145086 Publisher An entity responsible for making the resource available Harvard Art Museums. 1951.31.4.312 IIIF Item Metadata UUID 357b1347-84b0-4df4-bb75-8dfc2fbeb05c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/c3eabdf58996f599a4397f822fc4d4a0.jpg 9f3966a20af82ab06f93ca72a2e75f2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pilgrim Flask with Scenes of St. Menas Subject The topic of the resource Pilgrim Flask with Scenes of St. Menas, Byzantine, Egypt, 4th-7th century, mold-made terracotta, 8.5 x 6.8 x 2.3 cm, Cambridge, MA, Harvard Art Museums. Source A related resource from which the described resource is derived https://hvrd.art/o/77733 Publisher An entity responsible for making the resource available Harvard Art Museums. 1978.495.200 Description An account of the resource Museum Commentary: “Flasks bearing images of Saint Menas are not uncommon in Egypt. Menas was a Roman soldier who was martyred; veneration of him as a saint centered on an oasis near Alexandria. On better-preserved ampullae bearing the same scene, the details of Menas' clothing (tunic, boots, and cloak, perhaps in the style of the later Roman military) are much clearer; the border type varies between the dot/stud motif and chevrons. Some examples bear inscriptions or depictions of crosses above the saint's arms.” IIIF Item Metadata UUID bda667cd-260e-46d9-a808-0cc132fe168b https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a5160daa4e2b0a38f8f5ecbc25882c37.jpg c83cf4aa7440da55d12460917024b12b https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/44e0d35f91a68194cba8df2908f68b8d.jpg 7a2d7e335eceb5519a1135ac6d262207 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Court of Justinian at Ravenna Subject The topic of the resource Lewis W. Rubenstein, Court of Justinian at Ravenna, American, 1931-2, watercolor and graphite on cream wove paper, 33 x 41.7 cm, Cambridge, MA, Harvard Art Museums. Source A related resource from which the described resource is derived https://hvrd.art/o/49068 Publisher An entity responsible for making the resource available Harvard Art Museums. 1934.210.41 IIIF Item Metadata UUID b8851db3-0180-4390-84ba-1016b37d1edb https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7bc6bf19042287b85d8e33d8b53487b6.jpg 9e98153e6d592f8add64a7e4e27d337f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Floor Mosaic depicting Female Musicians and Erotes within Vegetal Border Subject The topic of the resource Floor Mosaic depicting Female Musicians and Erotes within Vegetal Border, Byzantine, Maryamin, Syria, 6th century, Maryamin, Syria, Hama Museum. Source A related resource from which the described resource is derived https://www.ekathimerini.com/212420/article/ekathimerini/life/a-guardian-of-syrias-imperiled-cultural-heritage Publisher An entity responsible for making the resource available Hama Museum IIIF Item Metadata UUID 5a58dc34-2d2f-4aa8-811b-d0791649988e