4 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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IIIF Type Manifest UUID af048a9a-51e5-4646-974b-bbd6a6f93a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 11 Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-43163211","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43163211/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43163211","profile":"http://iiif.io/api/image/2/level2.json"},"width":578}}],"label":"11","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/43163211","@type":"sc:AnnotationList"}],"width":578} Display as IIIF? Yes UUID c7efde91-79cc-468e-a159-8c807f5c57b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 #2 IIIF Collection Metadata UUID 54308238-ac8d-44f8-91f1-a3fe4953a54e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 11 Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-43163211","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-43163211","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43163211/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43163211","profile":"http://iiif.io/api/image/2/level2.json"},"width":578}}],"label":"11","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/43163211","@type":"sc:AnnotationList"}],"width":578} UUID 970cb7fc-a346-44bd-ad20-d6cc641ee0d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 13th-century amphora with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268. It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards’ bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Burāq, the mythical animal that served as the Prophet Muhammad’s mount during his night journey (the Miʿrāj), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina. 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On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352} Display as IIIF? Yes UUID 80ff6d71-af8d-4e15-a062-9e29881973de https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/4848e39a7acf16ff07ec831ccd9a188c.jpeg 209acf343140b030c12080bc8600f1b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1805 Draped Bust Small Eagle ($5) Subject The topic of the resource Draped Bust $5 (1795-1807) Mint: Philadelphia Mintage: 33,183 Obverse Designer: Robert Scot Reverse Designer: Robert Scot Composition: Gold Fineness: 0.9160 Weight: 8.7500g AGW: 0.2577oz Melt Value: $448.08 (4/7/2021) Diameter: 25mm Edge: Reeded IIIF Item Metadata UUID a8500725-39b4-4a1b-b694-00442ff199bf https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/d0f0c082d91d6243b3c0baaa70ecc145.jpeg ee860be45a5f99111c7ec9f31a52b7ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1805 Draped Bust Small Eagle ($5) (2) IIIF Item Metadata UUID f8fa7a7f-5f03-474d-886d-1d0052804529 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/3f41d7b0eaa6e1e5ba988e89332ff020.jpeg bd02851f6562e0ef1a82e0ec80305219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1808 Capped Bust Small Eagle ($5) Subject The topic of the resource Capped Bust $5 (1807-1834) Mint: Philadelphia Mintage: 55,578 Obverse Designer: John Reich Reverse Designer: John Reich Composition: Gold Fineness: 0.9160 Weight: 8.7500g AGW: 0.2580oz Melt Value: $448.64 (4/7/2021) Diameter: 25mm Edge: Reeded IIIF Item Metadata UUID f4923796-2ea6-4bcc-8603-f12723fb23c0 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/cc76fcaabe0c56b0e56d6d3d128518a3.jpeg 8a02df1f44c9a51eaf53986e11349ba9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1808 Capped Bust Small Eagle ($5) (2) IIIF Item Metadata UUID 9c4436e8-80de-4810-8859-ebe202828a49 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/bb394be2675e7791abdff9701a02b8c4.jpg 6a04a120e1ccd377c7b09ee78e59df8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1862 Confederate States of America $100 note Subject The topic of the resource Baker Library Special Collections, Harvard Business School Description An account of the resource Printed on white paper in black ink. Images include female figure carrying a basket on her head; a steamship; telegraph lines; people standing by railroad cars. Verso: blank except for three interest paid stamps dating 1863, 1864, and 1865. Materials/Techniques: ink on paper Materials/Techniques: paper Dimensions: 8.2 x 19.7 cm. General: Serial number: "A c". ; Note in manuscript: issue number "149" in red ink; date "May 5 1862" and signatures of the Register and Treasurer in brown ink. ; Verso: note in manuscript: three interest paid stamps "INTEREST PAID TO 1ST JANUARY 1863 AT RICHMOND., INTEREST PAID TO 1ST JANUARY 1864 AT RICHMOND. INTEREST PAID TO 1ST JANUARY 1865 AT RICHMOND." Subject: Civil War era currency Inscription: "Six Months after the Ratification of a Treaty of peace between the Confederate States and the United States THE CONFEDERATE STATES OF AMERICA Will pay One Hundred Dollars to bearer with Interest at two cents per day. Richmond. RECEIVABLE IN PAYMENT OF ALL DUES EXCEPT EXPORT DUTIES". IIIF Item Metadata UUID 22dd5a40-6747-44e1-a0c3-ef651cb74463 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/affeb0012368df4affb46a0e23467701.jpg 9b80f147915d41939324f884a0f41cb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1862 Confederate States of America $100 note (2) IIIF Item Metadata UUID e5290d5d-d4fb-4621-aaf8-a78644dc094c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1122d217a1d57d4b294bdb641d4e96e4.jpg 775dfae17763055c18f2d6a40686506a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 4/8 IIIF Collection Metadata UUID 0bf29de0-9b04-478a-93ba-7f1bc7b41724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1881 Trade Dollar Subject The topic of the resource Mint: Philadelphia Mintage: 960 Obverse Designer: William Barber Reverse Designer: William Barber Composition: Silver Fineness: 0.9000 Weight: 27.2200g ASW: 0.7876oz Melt Value: $19.88 (4/7/2021) Diameter: 38.1mm Edge: Reeded Description An account of the resource No mint state Trade dollars were struck in 1881, and only 960 proofs were coined. This is far fewer than the prior year's output of 1,987 pieces. However, a good number of the coins have clearly survived, as NGC has graded over 400 examples. Most tend to come with little to no cameo contrast, with only a mere 8 examples earning the ultra cameo designation. IIIF Item Metadata UUID a5f87d79-388d-4e42-8f13-ce0c2929eb03