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                  <text>Late Antiquity, Seminar 4</text>
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                <text>Fragment of a Chalice from near Vindolanda</text>
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                <text>This is a fragment from a chalice found from excavations at a 6th Century church near Vindolanda, a Roman Fort close to Hadrian’s wall. The chalice itself dates to around the 5th century. The fragment is covered in graffiti, which has a negative connotation today, but was a wide practice. Some of the symbols include crosses, fish, and chi-ros. Since it was buried below the church, it remained protected for many years. The symbols provide evidence of how early Christian worship continued in Britain even after the fall of the Roman Empire.</text>
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                <text>Fragment of a Marble Tomb Relief with Christ Giving the Law</text>
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                <text>Fragment of a Marble Tomb Relief with Christ Giving the Law, Late 300s, Byzantine, Marble, 49.5 x 134 x 15.2 cm, New York City, The Metropolitan Museum of Art. </text>
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                <text>Museum wall text: “The authority of the Christian church grew rapidly with emperor Constantine's recognition of the faith as a legal religion within the Roman Empire in 313. Increasingly the most powerful centers of the church were the old imperial capital, Rome; the new imperial capital, Constantinople, the New Rome; Alexandria; Jerusalem/Caesarea; and Antioch. During the late fourth century, the church in Rome developed images stressing the importance of Saint Peter to whom Christ had given the keys to the kingdom (Matt. 16: 18-20). Traditionally considered the first bishop of Rome, Saint Peter was martyred and buried in the city. These Roman images would spread widely among peoples throughout western Europe as they accepted the authority of the church of Rome. &#13;
&#13;
One of these images, the traditio legis, Christ Giving the Law to Saint Peter, shows Christ offering an unfurled scroll containing the law to Saint Peter in recognition of his role as the leader of the church. To the left of Christ stands Saint Paul, also martyred in Rome, acknowledging the authority conferred on Peter. Four other apostles survive on this relief. The scene is placed within a traditional Roman sarcophagus form, a series of niches framed by columns decorated with putti in vine scrolls.”</text>
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                <text>The Metropolitan Museum of Art. 48.76.2</text>
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                <text>https://www.metmuseum.org/art/collection/search/468269</text>
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                <text>Fragment of a Staff</text>
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                <text>This is a fragment of a staff, possibly a crozier, found in a Viking grave in Norway. The fragment was a taken in a raid and then used as jewelry by the Vikings, broken off from a main staff. It is estimated to date from Northern Britain in the late 8th or early 9th century. Many croziers in Britain were melted and repurposed, and in a way the theft ended up preserving it. Many early British churches and monasteries were targeted for raids by the Vikings. This is one of the only fragments from the antiquity era of Britain that survived to the present.</text>
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                <text>Fragment of Lamp: Dove carrying a Branch</text>
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                <text>Fragment of Lamp: Dove carrying a Branch, c. 400-500 CE, Late Roman, Tunis, mold-made terracotta, 8 x 11cm., Cambridge, MA, Harvard Art Museums. </text>
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                <text>https://hvrd.art/o/146516</text>
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                <text>Harvard Art Museums. 1978.495.193</text>
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                <text>Fragment of the Edict on Maximum Prices (in Greek)</text>
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                <text>Fragment of the Edict on Maximum Prices (in Greek) re-used as part of the door frame of the medieval church of John Chrysostom, Geronthres, Greece. </text>
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                <text>Issued by Diocletian in 301, the Edict on Maximum prices gives the maximum prices for more than 1,200 products, raw materials, labor, services, modes of transport, animals, and for enslaved peoples. Fresh green animal fodder could be purchased for 1 denarius communis  (the lowest price listed) and a male lion or purple dyed silk for 150,000 denari. The edict survives in fragments on stone inscriptions in both Greek and Latin, all but one of which were found in the Eastern part of the Empire. </text>
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                <text>https://www.academia.edu/23644199/New_ English_translation_of_the_Price_Edict_of_D iocletianus</text>
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                  <text>Money Matters, Thursday 3/11</text>
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                <text>Frankish gold coin pendant with corrugate suspension loop; solidi of King Chlothar II (613-628 AD)</text>
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                <text>Frankish gold coin pendant with corrugate suspension loop; solidi of King Chlothar II (613-628 AD), early 7th c, gold, 2 cm diameter, British Museum</text>
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                <text>Part of a necklace&#13;
&#13;
The brooch and necklace were found in 1860 in a female burial. There are discrepancies as to the exact contents of the graves in the earliest published sources, but they included an iron weaving batten, a copper-alloy pin, a purse mount, an iron knife, and a copper-alloy Byzantine bowl, a luxury item imported from the eastern Mediterranean.&#13;
The closest parallels to the piece, all from Kent, are one presumed to be from Priory Hill, Dover, and a piece from Gilton (Avent 1975, nos 174, 175). A third brooch from Aylesford has lost all its inlays (ibid., no. 173), but all three share the same cruciform arrangement of the bosses, and inset filigree panels between two cloisonné bands. The form of the pin and catchplate on the Sarre brooch also links it to the Kingston brooch (Cat. No. 32a; National Museums and Galleries on Merseyside, Liverpool Museum, inv. no. M 6226), but with its copper-alloy cloisons and coarse filigree it is by no means as technically accomplished.&#13;
On the basis of the numismatic evidence, the coins on the necklace were probably assembled about 615, so the objects cannot have been buried before that date. It is most likely that they were deposited during the second or third decade of the seventh century. &#13;
&#13;
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