34 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 #2 IIIF Collection Metadata UUID 54308238-ac8d-44f8-91f1-a3fe4953a54e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Distater of Alexander the Great, Amphipolis Coin Constituent: Alexander III, the Great Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/188240 Creator An entity primarily responsible for making the resource Greek Publisher An entity responsible for making the resource available Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation Object number: 1.1965.1115 Date A point or period of time associated with an event in the lifecycle of the resource 330-320 BCE (Late Classical Period) Format The file format, physical medium, or dimensions of the resource Coin, Gold, Struck, 17.18g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/188240/canvas/canvas-18778597 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/188240/canvas/canvas-18778597","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188240/annotation/anno-18778597","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/188240/canvas/canvas-18778597","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18778597/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18778597","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188240/list/18778597","@type":"sc:AnnotationList"}],"width":1024} UUID f83c2ebc-d5c3-4724-95b6-201bca060035 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/8041ad3b84014f52b9df18df2c183956.jpeg 4a4456742bba11a3cd03c5f84edcdc2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 1 Creator An entity primarily responsible for making the resource Eurydice Georganteli Publisher An entity responsible for making the resource available Eurydice Georganteli Contributor An entity responsible for making contributions to the resource Eurydice Georganteli Subject The topic of the resource Money, money, money IIIF Collection Metadata UUID 9a182f00-3950-4c51-8da3-15154a9a60c3 IIIF Item Metadata JSON Data https://iiif.harvardartmuseums.org/manifests/object/158970 UUID 355a4fec-c710-41c8-9072-8620e0bec5d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dorothea Lange, American (Hoboken, New Jersey 1895 - 1965 San Francisco, California), Unemployment benefits aid begins. Source A related resource from which the described resource is derived <a href="https://hvrd.art/o/158970">https://hvrd.art/o/158970</a> Publisher An entity responsible for making the resource available Harvard Art Museums Contributor An entity responsible for making contributions to the resource Harvard Art Museums, Modern and Contemporary Art Rights Information about rights held in and over the resource Harvard Art Museums, 2.2002.704 Subject The topic of the resource Art and Financial Crisis: The Great Depression in the USA through the eyes of Dorothea Lange Description An account of the resource Unemployment benefits aid begins. Line of men inside a division office of the State Employment Service office at San Francisco, California, waiting to register for benefits on one of the first days the office was open. They will receive from six to fifteen dollars per week for up to sixteen weeks. 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Title A name given to the resource Money Matters 4/20 - Money and justice IIIF Collection Metadata UUID de838366-b88e-42f7-a586-ae716c67b649 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dorothea Lange, Unemployment benefits aid begins Former title: Line-up at Social Security in Early Days of the Program, 1937 Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/158970 Subject The topic of the resource Dorothea Lange Photograph (gelatin silver print), January 1938 San Francisco, CA Dimensions image: 19.1 x 24 cm (7 1/2 x 9 7/16 in.) sheet: 20.4 x 25.1 cm (8 1/16 x 9 7/8 in.) mount: 20.4 x 25.1 cm (8 1/16 x 9 7/8 in.) Description An account of the resource Unemployment benefits aid begins. Line of men inside a division office of the State Employment Service office at San Francisco, California, waiting to register for benefits on one of the first days the office was open. They will receive from six to fifteen dollars per week for up to sixteen weeks. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 #2 IIIF Collection Metadata UUID 54308238-ac8d-44f8-91f1-a3fe4953a54e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Double Daric of Mazakes, Babylon Coin Constituent: Mazakes Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/148587 Subject The topic of the resource Coin Creator An entity primarily responsible for making the resource Greek Publisher An entity responsible for making the resource available Harvard Art Museums Date A point or period of time associated with an event in the lifecycle of the resource after 331 BCE (Hellenistic Period, Early) Rights Information about rights held in and over the resource Credit line: Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation Object number: 1.1965.2676 Format The file format, physical medium, or dimensions of the resource Coin, Gold, Struck, 16.71g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/148587/canvas/canvas-18734374 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/148587/canvas/canvas-18734374","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/148587/annotation/anno-18734374","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/148587/canvas/canvas-18734374","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734374/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734374","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/148587/list/18734374","@type":"sc:AnnotationList"}],"width":1024} UUID ac5e00bd-70fc-4f7c-a94d-78abb12c9245 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Sackler Museum, Unspecified Collection OBJECT NUMBER: 1976.79.1153 Rights Information about rights held in and over the resource Harvard Art Museum Format The file format, physical medium, or dimensions of the resource Silver coin, Struck 4.19g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/181280/canvas/canvas-43337673 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/181280/canvas/canvas-43337673","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/181280/annotation/anno-43337673","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/181280/canvas/canvas-43337673","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43337673/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43337673","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/181280/list/43337673","@type":"sc:AnnotationList"}],"width":1024} UUID f4cb7a7c-dc10-41b5-b0b7-54574ad873cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Tuesday 2/9 IIIF Collection Metadata UUID c538caa8-bf0e-421d-aff2-a173c5c00242 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drachm of Menander I Soter of Baktria Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/170090 Subject The topic of the resource Drachm of Menander I Soter of Baktria, 155-130 BCE, silver, 2.44 g, Cambridge, Harvard Art Museums Description An account of the resource Obv.: diademed bust of Menander r. Reverse: [Kharosti inscription]; Athena standing l., holding shield on oustretched l. arm and thunderbolt in r.; symbol to r. 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Bibliotheque Nationale MS Fr. 2810.","metadata":[{"label":"Date","value":""},{"label":"Type","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Repository","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":746,"height":1054},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3435.7","@type":"sc:Canvas","label":"Crusaders in Sight of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3435.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2284%2Fdfb345222b9cc4b1ea9ce59a7c62f78e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2284%2Fdfb345222b9cc4b1ea9ce59a7c62f78e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":806},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3435.7"}],"description":"Hermann Freihold Pl\u00fcddemann, German (1809 - 1868), Crusaders in sight of Jerusalem. 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D\u00fcrer, Knight, Death, and the Devil","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3442.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2291%2Fd9069b8447361a421cf794cfd42c6310.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2291%2Fd9069b8447361a421cf794cfd42c6310.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":805,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3442.8"}],"description":"Albrecht D\u00fcrer, German (Nuremberg 1471 - 1528 Nuremberg), \nKnight, Death, and the Devil. Print, 1513. \n\nHarvard Art Museums, G1112","width":805,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3436.9","@type":"sc:Canvas","label":"Richard and Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3436.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2285%2Fc850f1112c6e406a757d5e6c55789d72.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2285%2Fc850f1112c6e406a757d5e6c55789d72.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2500,"height":1598},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3436.9"}],"description":"Earthenware floor-tiles, lead-glazed with inlaid slip decoration. Four quarter tiles making up a circular picture; six surviving fragments; representation of Saladin (Salah al-Din) on horseback, in combat with his adversary Richard I (Coeur de Lion). Made in Chertsey, Surrey, 13th century. Now part of the Collections of the British Museum, 1885,1113.9065-9070","width":2500,"height":1598},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10","@type":"sc:Canvas","label":"The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata) designed ca. 1689\u201393, woven 1732\u201339, MET","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3437.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2513},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10"}],"description":"Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians\u2019 First Crusade into Jerusalem recounted in Tasso\u2019s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).\n\nAs the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ducat (Zecchino) of Doge Alvise Mocenigo (r. 1722 - 1732) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource Ducat (Zecchino) of Doge Alvise Mocenigo, mint of Venice, 18th century. 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Yes UUID 84e9ca1c-d2d5-430a-bee2-6babd241781a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Syria"}],"width":1200,"height":931},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3660.16","@type":"sc:Canvas","label":"Astonighment of the Crusaders at the Wealth of the East","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3660.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2500%2F321c187540406d315793d68fdbd5ec57.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2500%2F321c187540406d315793d68fdbd5ec57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2445,"height":3017},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3660.16"}],"metadata":[{"label":"Date","value":"pre 1883"},{"label":"Artist","value":"Gustave Dor\u00e9"}],"width":2445,"height":3017},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3661.17","@type":"sc:Canvas","label":"Stylized Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3661.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2501%2F373704821b54f01092d04147f158afbc.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2501%2F373704821b54f01092d04147f158afbc.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2180,"height":1726},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3661.17"}],"description":"One of a series of similar depictions at the Martim Moniz Metro station in Lisbon, Portugal. This one shows the 12th-century crusader, Arnout IV, Count of Aarschot.","metadata":[{"label":"Date","value":"1966"},{"label":"Designer and Artist","value":"Denis Gomes and Maria Keli"},{"label":"Location","value":"Lisbon, Portugal"}],"width":2180,"height":1726},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3662.18","@type":"sc:Canvas","label":"Il Crociato","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3662.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2502%2F4d7891fba2ea142e3cb53a57ecab981a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2502%2F4d7891fba2ea142e3cb53a57ecab981a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2052,"height":2612},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3662.18"}],"metadata":[{"label":"Date","value":"1906"},{"label":"Artist","value":"Adolfo Wildt"}],"width":2052,"height":2612},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3663.19","@type":"sc:Canvas","label":"The Shadow","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3663.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2503%2Fd0afa38fd2e3b30445e0fc32fcc91797.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2503%2Fd0afa38fd2e3b30445e0fc32fcc91797.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2610,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3663.19"}],"description":"Leighton uses a Greek myth (concerning the daughter of Debutades) as the basis for this scene. Here, the woman traces the departing knight's shadow against the wall. There are several versions including one in Cardiff and one in Alabama.","width":2610,"height":4000}]}]} IIIF Type Manifest UUID 32b479c6-fdcb-410b-abff-51757653169f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Egyptian Postage Stamp showing Saladin Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 Description An account of the resource This stamp from 1993 depicts Saladin and marks the 800th anniversary of his death. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3","@type":"sc:Canvas","label":"Egyptian Postage Stamp showing Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3647.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1028,"height":1018},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3"}],"description":"This stamp from 1993 depicts Saladin and marks the 800th anniversary of his death.","metadata":[{"label":"Date","value":"1993"},{"label":"Place","value":"Egypt"}],"width":1028,"height":1018} Display as IIIF? Yes UUID 0579dc10-ea43-4b6e-bda9-02370d887042 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/bf34940267f301a90aba8c19132b5d1b.png 51819b6bb9ed2f8dc9ef91ffe20062b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electrotype of ‘The Arras Medallion' Subject The topic of the resource Etienne Bourgey, Electrotype of ‘The Arras Medallion,’ 1927, London, diam: 42 mm, weight: 36g, London, The British Museum. Description An account of the resource Museum Description: “The reverse scene is visual shorthand to the events described in the panegyric (eulogy) for Constantius, performed during or not long after the celebrations of 1st March AD 297. (Nixon & Rodgers, 1994, 106) The invasion of Britain and defeat of Allectus is presented as the liberation of Britain (Panegyric of Constantius 9, 5-6). In the aftermath, Constantius's soldiers saved London from rampaging Barbarian mercenaries (Panegyric of Constantius 17, 1). They were the remnants of the rebel army who had become intent on looting the city (now that their paymaster Allectus was dead). Constantius arrives at London by a mixture of transportation (alighting on horseback from a ship). The legend proclaims Constantius as 'the restorer of the eternal light' [of Roman civilization to Britain] (see also Panegyric of Constantius 19, 2-3 for the idea of Constantius 'refreshing' Britain with the 'true light' of the empire).” Obverse: FL VAL CONSTANTIVS NOBIL CAES FL[AVIVS] VAL[ERIVS] CONSTANTIVS NOB[ILISSIMUS] CAES[AR] [Marcus] Flavius Valerius Constantius, Most Noble Caesar Reverse: REDDITOR LVCIS AETERNA LON[DINIUM] PTR (Trier Mintmark) Restorer of the Eternal Light Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/C_B-11477 Publisher An entity responsible for making the resource available British Museum B.11477 IIIF Item Metadata UUID 087604fa-537f-4212-829c-a59a5eefc106 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/f0a36e01059a8b71e69243e7234aa102.jpeg 764703f2bd770849391d78e20fbc0c49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 3/18 IIIF Collection Metadata UUID 3dad6352-039e-4888-84d4-3b1998a2a002 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emergency money. Porcelain coin for 10 marks from Meissen. Subject The topic of the resource Emergency money. Porcelain coin for 10 marks from Meissen, 1921 Description An account of the resource This is a red stoneware (Böttgersteinzeug) coin minted by the celebrated ceramic factory at Meissen in Germany. Meissen had produced its first porcelain medallion in 1710, shortly after the factory was established. Regular production of German porcelain coins as currency for a variety of towns, cities, and regains (emergency money and donation coins) began at the end of 1920 and in the first months of 1921, at the beginning of a period of hyperinflation following the end of World War I. Notgeld (German for "emergency money" or "necessity money") was special money issued primarily in Germany and Austria to deal with economic crisis situations such as a shortage of small change or hyperinflation. It was not issued by the central bank (Reichsbank) but by various other institutions such as town savings banks, municipalities, private and state-owned firms. It was therefore not legal tender, but rather a mutually-accepted means of payment in a particular locale or site. Around the end of the 19th century one of the porcelain factories in the town of Meissen started making small medals out of hard terra cotta and porcelain. They proved popular and a series of several hundred items was produced over a period of about 60 years. IIIF Item Metadata UUID 42f093b8-dc0e-4a79-b171-09700374540a