31 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Denarius of T. Carisius, Rome (Plated?) Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/186311 Subject The topic of the resource Denarius of T. Carisius, Rome, c. 46 BCE, silver, 3.25 g, Harvard Art Museums Description An account of the resource Obv.: Head of Juno Moneta r.; behind, MO[NETA]. Border of dots. Rev.: Anvil die with garlanded punch die above; to l., tongs; to r., hammer; above, T.CARISIVS. Laurel wreath border. Underweight; bright silver sheen eaten away towards edges, especially on bottom and right of reverse. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/22 IIIF Collection Metadata UUID 757c5558-e796-4c37-8900-2967f996c0ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail from Mosaic Floor, Hinton St. Mary, now, British Museum, London Subject The topic of the resource Early 4th century Attributed to the mosaic workshop in Durnovaria (Dorchester), the mosaic originally covered two rooms, but was destroyed in 2000, and remains in fragments at the British Museum. Only the central medallion, which shows a beardless Christ with a chi-rho and pomegranates is on display. IIIF Item Metadata UUID ac5c9f03-3192-4013-b2fa-38713ccb1312 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of Bishop Adhemar of Le Puy carrying the Holy Lance Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). View the manuscript in full here: http://www.bl.uk/manuscripts/Viewer.aspx?ref=yates_thompson_ms_12_fs001ar IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). View the manuscript in full here: http://www.bl.uk/manuscripts/Viewer.aspx?ref=yates_thompson_ms_12_fs001ar","metadata":[{"label":"Date","value":"between 1232 and 1261"},{"label":"Type","value":"Manuscript"},{"label":"Text","value":"Histoire d'Outremer, continued to 1232"},{"label":"Author","value":"William of Tyre"},{"label":"Location","value":"The British Library"},{"label":"Label","value":"Yates Thompson 12"}],"width":1428,"height":1351} Display as IIIF? Yes UUID 200d2eea-aab0-4be3-ad03-540150d6b5d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Constantinople to Venice: Loot and Relics in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410","label":"From Constantinople to Venice: Loot and Relics in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0","@type":"sc:Canvas","label":"Reliquary-casket of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3619.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2460%2F2d29f2e2668dfc81391d28edbe4a05e9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":954,"height":580},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3619.0"}],"description":"This reliquary casket shows the central figure of Christ flanked by the four martyrs of Trebizond: Aquila, Eugenius, Valerian, and Canidius. The long inscription makes an appeal to Christ for salvation. There has been some scholarly debate regarding the dating of the casket, with some scholars suggesting a date of the 11th or 12th century, and others to the 14th or early 15th century, before the fall of Trebizond in 1461. As for the casket's arrival in Venice, it may have been a gift or was perhaps presented by one of the families from Trebizond who moved to Crete in the early 15th century.","metadata":[{"label":"Date","value":"14th-15th century (?)"},{"label":"Type","value":"Reliquary Casket"},{"label":"Material","value":"silver-gilt, niello"},{"label":"Dimensions","value":"280 mm x 140 mm x 90 mm"},{"label":"Place of Creation","value":"Trebizond"},{"label":"Location","value":"Treasury of San Marco"}],"width":954,"height":580},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1","@type":"sc:Canvas","label":"Glass hanging-lamp","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3618.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2459%2Ff61d9a20d68e0a31ee8ed01e4fdbc4be.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1099,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3618.1"}],"description":"The inscription along the outer rim of this glass lamp reads (in translation from the original Greek): \"Saint Panteleimon, protect thy servant, Zacharias, Archbishop of Iberia, Amen.\" Iberia, in this case, refers to Georgia.","metadata":[{"label":"Date","value":"11th century"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"glass, silver-gilt"},{"label":"Dimensions","value":"diam. 270 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1099,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2","@type":"sc:Canvas","label":"Pastoral Staff","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3617.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2458%2F7c6cf97c81693224e37191a8283bc4c2.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":925,"height":1307},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3617.2"}],"description":"This staff was used by Primates of San Marco and is still used during the most holy festivals. The ornate carving depicts comprises of foliate motifs, architectural renderings, as well as figures. The central figure of St. Mark is cast as opposed to carved.","metadata":[{"label":"Date","value":"c. 1420"},{"label":"Place of Creation","value":"Venice"},{"label":"Material","value":"silver, partly gilt, wood core"},{"label":"Dimensions","value":"length: 1940 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":925,"height":1307},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3","@type":"sc:Canvas","label":"Reliquary of the Column of the Flagellation","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3616.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2457%2Ffc2381c156de426f1add4dc6745bff79.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1097,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3616.3"}],"description":"The fragment of the Column of the Flagellation contained within this reliquary is thought to have arrived in Venice from Constantinople in 1125 along with various other relics. The reliquary itself, however, was commissioned in 1375 by Michele Morosini (who would be elected doge in 1382). It was repaired and expanded in 1489. This is the largest and the heaviest reliquary in the treasury of San Marco.","metadata":[{"label":"Date","value":"1375 and 1489"},{"label":"Material","value":"Silver, partly gilt, granite"},{"label":"Place of Creation","value":"Venice"},{"label":"Dimensions","value":"670 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1097,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4","@type":"sc:Canvas","label":"Icon with lapis lazuli Crucifixion medallion","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3615.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2456%2F5d69aa185ca0f513654bf40ce95ea7a6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1850,"height":2550},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3615.4"}],"description":"This icon is made up of several previously unrelated elements of Byzantine artistry, all set within a Venetian filigree panel. The central lapis medallion represents one of just a few examples of Byzantine hard-stone that has been inlaid with gold. The text reads \"behold thy son\" and \"behold thy mother.\" The earliest possible mention of this icon comes from the 1325 inventory.","metadata":[{"label":"Date","value":"Medallion: 11th-12th century; Enamel: 9th-12th century; Filigree panel: 13th century"},{"label":"Place of Creation","value":"Byzantium and Venice"},{"label":"Material","value":"Lapis lazuli, gold, silver-gilt, enamel, glass"},{"label":"Dimensions","value":"420 mm x 314 mm x 240 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1850,"height":2550},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5","@type":"sc:Canvas","label":"Staurotheca of Henry of Flanders","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3614.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2455%2F19421ddd986e1fa6db3a635a155ff969.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":905,"height":1188},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3614.5"}],"description":"The inner reliquary of the True Cross was made by a goldsmith, Gerard, in Constantinople before 1216 for Henry of Flanders. The exact date of the arrival of this True Cross reliquary in Venice is unknown, but it is considered most likely that it entered into the Treasury at San Marco after the Latins left Constantinople in 1261. It does not appear in an inventory until 1402.","metadata":[{"label":"Date","value":"Staurotheca: pre 1216; Monstrance: 1618"},{"label":"Place of Creation","value":"Staurotheca: Constantinople; Monstrance: Venice"},{"label":"Material","value":"wood, gold, bronze gilt, glass"},{"label":"Dimensions","value":"565 mm x 312 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":905,"height":1188},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6","@type":"sc:Canvas","label":"Ewer of the caliph al-Aziz Billah","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3613.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2454%2F3c16e41427bc5cecc35d6b854fe2e6a4.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":392,"height":608},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3613.6"}],"description":"This Egyptian Fatimid rock-crystal ewer features carved reliefs of arabesques and palmettes, seated lions, and additional foliate motifs. A Kufic inscription reads \"The blessing of God on the imam al-Aziz bi'llah.\" The gold mount is much later, and has possibly been replaced several times.","metadata":[{"label":"Date","value":"c. 975-96 (metalwork: 16th century and later)"},{"label":"Culture","value":"Fatimid"},{"label":"Material","value":"rock-crystal, gold, enamel"},{"label":"Dimensions","value":"230 mm x 125 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":392,"height":608},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7","@type":"sc:Canvas","label":"Turquoise glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3612.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2453%2F47ce37be804dc158c9fdbb23df4708be.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1348,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3612.7"}],"description":"The opaque turquoise glass bowl features images of running, stylized hares in each of the five panels. The five enamel plaques have been identified as Byzantine, but were most likely made for another purpose. Three are decorated with a rosette pattern and the other two have a design of crosses beneath silver-gilt panels. The filigree plaques are of Western European origin, and were maybe added after the bowl arrived in Venice (15th century?).","metadata":[{"label":"Date","value":"Glass: 9th-10th century; enamel: 11th century; other metal: late 10th and 15th (?) century"},{"label":"Place of Creation","value":"glass: Iran or Iraq; enamel: Byzantine"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"60 mm, diam: 186 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1348,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8","@type":"sc:Canvas","label":"Seat of St Mark (Sedia di San Marco)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3608.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2449%2F6ff7a117dd1590530de25ff1b050369c.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1103,"height":1327},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3608.8"}],"description":"This throne-reliquary is decorated in relief on all sides and includes depictions of the symbols of the Evangelists, as well as the Lamb of God, two nimbed figures flanking a cross, and what has been identified as the Tree of Life.","metadata":[{"label":"Date","value":"6th century"},{"label":"Place of Creation","value":"Alexandria (?)"},{"label":"Material","value":"Alabaster"},{"label":"Dimensions","value":"1470 mm x 550 mm x 530 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":1103,"height":1327},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9","@type":"sc:Canvas","label":"\"Grotto of the Virgin\" with the votive crown of Leo the Wise","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3609.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2450%2F5c95d9fdeca30d12cf84b4e2b55753f0.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1227,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3609.9"}],"description":"This item is made up of three distinct parts from three separate time periods. The rock crystal edifice, the votive crown, and the figure of the Virgin Mary. They have been united as unit since at least the inventory of 1325. The rock-crystal \"grotto\" is most likely a classical work. The votive crown of the Byzantine emperor Leo the Wise would have originally had fourteen enamel medallions: one with a portrait of Leo himself, seven with the images of apostles and evangelists, and six that are now lost. The figurine of the Virigin orans was probably made in 13th century Venice.","metadata":[{"label":"Date","value":"stonework: 4th-5th century; crown: late 9th-early 10th century; figure of the Virgin: 13th century"},{"label":"Material","value":"rock-crystal, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls"},{"label":"Dimensions","value":"130 mm, 35 mm (figure: 90mm in height)"},{"label":"Location","value":"Treasury of San Marco"}],"width":1227,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11","@type":"sc:Canvas","label":"Gilded and painted glass bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3611.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2452%2F4b954f194fd4f3aa1e17a913f414be6d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3000,"height":2024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3611.11"}],"description":"This object is often discussed and debated by scholars, and is one of the most famous items brought to Venice after the sack of Constantinople in 1204. The seven medallions show figures from mythology, and both the interior of the rim and the exterior of the bowl's base are decorated with pseudo-Kufic inscriptions.","metadata":[{"label":"Date","value":"probably 10th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, gilded and painted, silver-gilt, stone"},{"label":"Dimensions","value":"170 mm, diam 170 mm, width 330 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":3000,"height":2024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12","@type":"sc:Canvas","label":"Marble ciborium with Greek inscription","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3607.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2448%2F565b2bd9bbc72288ed747ec44be02dae.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":853,"height":1180},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3607.12"}],"description":"Cut from a single block of marble, an inscription reads: \"In fulfillment of a vow and for the salvation of the most glorious Anastasia.\" The style of the ciborium supports a date of the 6th century, which has allowed it to be identified with a noble woman, named Anastasia, from the court of Justinian who died in 558.","metadata":[{"label":"Date","value":"6th century (?)"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"630 mm x 430 mm x 445 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":853,"height":1180},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13","@type":"sc:Canvas","label":"Reliquary of the arm of St. George","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3605.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2446%2F6e9356bc1d8de83850267777a63bac20.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":450,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3605.13"}],"metadata":[{"label":"Date","value":"14th century; interior casing pre: 1204"},{"label":"Location","value":"Treasury of San Marco"}],"width":450,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14","@type":"sc:Canvas","label":"Icon with full-length figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3604.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3604.14"}],"description":"Made in Constantinople in the late 11th to early 12th century, this icon first appears in the inventory of San Marco in 1325, but most likely came to Venice after the sack of Constantinople in 1204. The figure of Michael is identified by the roundels on either side of his head. Additional enamel panels and medallions depict (at top) St Peter, Christ, and St Menas, as well as pairs of military saints along either side.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"silver-gilt, gold cloisonn\u00e9 enamel, stones"},{"label":"Dimensions","value":"460 mm x 350 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15","@type":"sc:Canvas","label":"St Mark's Basilica","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3600.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2442%2F821bcbc6300a23de104fe7cc8ba0626d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4574,"height":3066},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3600.15"}],"metadata":[{"label":"Consecrated","value":"1117"},{"label":"Location","value":"Venice, Italy"}],"width":4574,"height":3066},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16","@type":"sc:Canvas","label":"The Tetrarchs","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3601.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2443%2Fe03bae63de1cd0703fe99fbe26f58d27.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2048,"height":3072},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3601.16"}],"description":"This porphyry statue depicting the four Tetrarchs (Diocletian, Maximian, Galerius, and Constantius I), was originally designed as two separate sculptures that should show an Augustus and a Caesar. It most likely originally decorated the Philadelphion in Constantinople and arrived in Venice soon after the sack of Constantinople in 1204.","metadata":[{"label":"Date","value":"c. 300 AD"},{"label":"Material","value":"Porphyry"},{"label":"Location","value":"Exterior, San Marco (missing foot: Istanbul)"}],"width":2048,"height":3072},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17","@type":"sc:Canvas","label":"Glass situla with Dionysiac scene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3602.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2444%2F700fac761100f599460d8b2f6e304a43.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":937,"height":1191},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3602.17"}],"description":"This dark puple-blue glass bucket shows images of Dionysiac scenes. Scholars have debated the date of its creation, offering a range from the 4th century to the 6th or 7th, and with a Byzantine origin for these later dates.","metadata":[{"label":"Date","value":"4th century"},{"label":"Place of Creation","value":"Rome or Alexandria"},{"label":"Material","value":"glass, silvered bronze"},{"label":"Dimensions","value":"203 mm x 192 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":937,"height":1191},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18","@type":"sc:Canvas","label":"Mosaic of the translation of the body of St Mark","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3603.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2445%2F2e8cc2c23cf011bdb93db7a70ac14cb1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5684,"height":3987},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3603.18"}],"description":"This mosaic is in the arch above the Door of Sant'Alipio, the left-most door on the west side of San Marco. It shows the translation of the body of the deceased saint.","metadata":[{"label":"Date","value":"1260-70"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"San Marco, Venice"}],"width":5684,"height":3987},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19","@type":"sc:Canvas","label":"Icon of the Virgin Nicopeia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3620.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2461%2F8b0abfeb393e5ef9aaca97be5120b368.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":476,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3620.19"}],"description":"Looted from the Monastery of Stoudios in Constantinople, this icon of the Virgin was brought to Venice by Enrico Dandolo. This transfer was seen by some Venetians as representative of the transference of God's favor and blessing from Constantinople to Venice. The icon was previously decorated with gems, but they were similarly looted.","metadata":[{"label":"Date","value":"12th century"},{"label":"Attributed to","value":"Luca Cancellari"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Location","value":"San Marco"}],"width":476,"height":600}]}]} IIIF Type Manifest UUID 3f1e1f59-79ed-49e9-b88f-3d1e2fe2890a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of central panel with half-figure of St Michael Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410 Description An account of the resource This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10","@type":"sc:Canvas","label":"Detail of central panel with half-figure of St Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/annotation/3610.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2451%2F6c1423b4ceebccc507ccd4395f6fcef7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2024,"height":2358},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/410/canvas/3610.10"}],"description":"This bust portrait of the archangel Michael also features two medallion portraits in enamel of St Simon at left and Christ at right. The icon appears in the 1325 inventory.","metadata":[{"label":"Date","value":"late 10th - early 11th century"},{"label":"Place of Creation","value":"Constantinople"},{"label":"Material","value":"glass, silver-gilt, gold, cloisonn\u00e9 enamel, stones, pearls (now missing), glass"},{"label":"Dimensions","value":"440 mm x 360 mm"},{"label":"Location","value":"Treasury of San Marco"}],"width":2024,"height":2358} Display as IIIF? Yes UUID 823afe99-ade4-458b-ba86-7aa2e38541c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexander the Great Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 Publisher An entity responsible for making the resource available Harvard Art Museums IIIF Collection Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://iiif.harvardartmuseums.org/manifests/object/312306","@type":"sc:Manifest","attribution":"Harvard Art Museums","description":"","label":"Alexander the Great","logo":{"@id":"https://ids.lib.harvard.edu/ids/iiif/437958013/full/!800,800/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/437958013","profile":"http://iiif.io/api/image/2/level2.json"}},"metadata":[{"label":"Date","value":"2nd-early 3rd century CE"},{"label":"Classification","value":"Sculpture"},{"label":"Credit Line","value":"Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. C. Ruxton Love, Jr."},{"label":"Object Number","value":"1956.20"},{"label":"Medium","value":"Leaded bronze on stone base"},{"label":"Technique","value":"Cast, lost-wax process"},{"label":"Dimensions","value":"12.1 x 5.3 x 3.6 cm (4 3/4 x 2 1/16 x 1 7/16 in.)"},{"label":"Provenance","value":"A. J. von Nelidow, Rome, (by 1898). [Galerie Georges Petit (Paris), Catalogue des objets antiques provenant de la collection de son Exc. Mr. de Nelidow, May 23-24, 1911, lot 43]. C. Ruxton Love, Jr., New York, NY, (by 1954), gift; to Fogg Art Museum, 1956."}],"rendering":{"@id":"https://www.harvardartmuseums.org/collections/object/312306","format":"text/html","label":"Full record view"},"sequences":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/sequence/normal","@type":"sc:Sequence","canvases":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335177","@type":"sc:Canvas","height":2450,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-47335177","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335177","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/47335177/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":2450,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/47335177","profile":"http://iiif.io/api/image/2/level2.json"},"width":1633}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/47335177","@type":"sc:AnnotationList"}],"width":1633},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095117","@type":"sc:Canvas","height":2048,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-400095117","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095117","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/400095117/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":2048,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/400095117","profile":"http://iiif.io/api/image/2/level2.json"},"width":1536}}],"label":"Detail of the face","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/400095117","@type":"sc:AnnotationList"}],"width":1536},{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095121","@type":"sc:Canvas","height":2048,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-400095121","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095121","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/400095121/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":2048,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/400095121","profile":"http://iiif.io/api/image/2/level2.json"},"width":1386}}],"label":"Detail of the face showing circular depressions flanking the 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IIIF Type Manifest UUID af048a9a-51e5-4646-974b-bbd6a6f93a64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of face Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-47335186","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/47335186/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/47335186","profile":"http://iiif.io/api/image/2/level2.json"},"width":779}}],"label":"Detail of face","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/47335186","@type":"sc:AnnotationList"}],"width":779} Display as IIIF? Yes UUID dcb766fc-28ce-4aac-883b-c0736b1756e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexander the Great Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 Publisher An entity responsible for making the resource available Harvard Art Museums IIIF Collection Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://iiif.harvardartmuseums.org/manifests/object/312306","@type":"sc:Manifest","attribution":"Harvard Art Museums","description":"","label":"Alexander the Great","logo":{"@id":"https://ids.lib.harvard.edu/ids/iiif/437958013/full/!800,800/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/437958013","profile":"http://iiif.io/api/image/2/level2.json"}},"metadata":[{"label":"Date","value":"2nd-early 3rd century CE"},{"label":"Classification","value":"Sculpture"},{"label":"Credit Line","value":"Harvard Art Museums/Arthur M. 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IIIF Type Manifest UUID 58e21507-241f-42c1-8caf-2dd22aca1f9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of face Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-47335186","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-47335186","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/47335186/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/47335186","profile":"http://iiif.io/api/image/2/level2.json"},"width":779}}],"label":"Detail of face","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/47335186","@type":"sc:AnnotationList"}],"width":779} Display as IIIF? Yes UUID d350455a-0b79-48ca-80df-c5591b0abbb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). 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X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. 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The inscription on the obverse reads: +KE BO TANKPI+, and on the reverse: IC \u2013 XC \u2013 NI \u2013 KA","metadata":[{"label":"Date","value":"1101-1112"},{"label":"Type","value":"Antiochene Copper Type 4 (Tancred 2nd Type)"},{"label":"Material","value":"Copper"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1730,"height":1137},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6","@type":"sc:Canvas","label":"So-Called Crusader's Bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3466.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":681},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6"}],"description":"So-called Crusader's Bowl","metadata":[{"label":"Date","value":"11th century"},{"label":"Type","value":"Bowl"},{"label":"Material","value":"Metal"},{"label":"Place of Creation","value":"Egypt"},{"label":"Location","value":"Harvard Art Museums"},{"label":"Dimensions","value":"15.75 cm"}],"width":1024,"height":681},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7","@type":"sc:Canvas","label":"Crusader Imitation of a Dinar of al-Amir","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3465.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":478},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7"}],"description":"Crusader Imitation of a Dinar of al-Amir","width":1024,"height":478},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8","@type":"sc:Canvas","label":"The Combat between Tancred and Clorinda","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3464.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":733},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8"}],"description":"This 17th century drawing illustrates a scene from Torquato Tasso's epic poem, \"La Gerusalemme liberata\" (The Liberation of Jerusalem or Jerusalem Delivered). The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. It is a historical text detailing the political and military life of her father, Alexios I, including his interactions with the crusades. This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. 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The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. 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Yes UUID 8b611173-73d7-4f1b-a6cd-fe9fddbb5c8f https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/963c8323397abc56bd80362986f758f7.jpg 498ffaf00240d86e449df5f8bcf101bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/22 IIIF Collection Metadata UUID 757c5558-e796-4c37-8900-2967f996c0ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of the Apse Mosaic from the Euphrasian Basilica in Poreč, Croatia Subject The topic of the resource Detail of the Apse Mosaic from the Euphrasian Basilica in Poreč, Croatia, 543-554 CE Description An account of the resource Variation of the Traditio Legis (handing over the law), showing a beardless Christ between Saints Peter and Paul (labeled). The text in the book reads: EGO SUM LUX VERA (I am the true light), John 8:12. IIIF Item Metadata UUID 8b2ad526-2657-4ed6-b29b-c208fd716a09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexander the Great Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 Publisher An entity responsible for making the resource available Harvard Art Museums IIIF Collection Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://iiif.harvardartmuseums.org/manifests/object/312306","@type":"sc:Manifest","attribution":"Harvard Art Museums","description":"","label":"Alexander the Great","logo":{"@id":"https://ids.lib.harvard.edu/ids/iiif/437958013/full/!800,800/0/default.jpg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/437958013","profile":"http://iiif.io/api/image/2/level2.json"}},"metadata":[{"label":"Date","value":"2nd-early 3rd century CE"},{"label":"Classification","value":"Sculpture"},{"label":"Credit Line","value":"Harvard Art Museums/Arthur M. 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IIIF Type Manifest UUID 58e21507-241f-42c1-8caf-2dd22aca1f9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of the back of the head Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/312306 IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095129 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095129","@type":"sc:Canvas","height":1024,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/annotation/anno-400095129","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/312306/canvas/canvas-400095129","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/400095129/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1024,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/400095129","profile":"http://iiif.io/api/image/2/level2.json"},"width":778}}],"label":"Detail of the back of the head","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/312306/list/400095129","@type":"sc:AnnotationList"}],"width":778} Display as IIIF? Yes UUID 4f43a146-f784-49b2-b899-dfccc2ad42cc