29 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). 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X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. 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To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. 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The inscription on the obverse reads: +KE BO TANKPI+, and on the reverse: IC \u2013 XC \u2013 NI \u2013 KA","metadata":[{"label":"Date","value":"1101-1112"},{"label":"Type","value":"Antiochene Copper Type 4 (Tancred 2nd Type)"},{"label":"Material","value":"Copper"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1730,"height":1137},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6","@type":"sc:Canvas","label":"So-Called Crusader's Bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3466.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":681},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6"}],"description":"So-called Crusader's Bowl","metadata":[{"label":"Date","value":"11th century"},{"label":"Type","value":"Bowl"},{"label":"Material","value":"Metal"},{"label":"Place of Creation","value":"Egypt"},{"label":"Location","value":"Harvard Art Museums"},{"label":"Dimensions","value":"15.75 cm"}],"width":1024,"height":681},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7","@type":"sc:Canvas","label":"Crusader Imitation of a Dinar of al-Amir","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3465.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":478},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7"}],"description":"Crusader Imitation of a Dinar of al-Amir","width":1024,"height":478},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8","@type":"sc:Canvas","label":"The Combat between Tancred and Clorinda","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3464.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":733},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8"}],"description":"This 17th century drawing illustrates a scene from Torquato Tasso's epic poem, \"La Gerusalemme liberata\" (The Liberation of Jerusalem or Jerusalem Delivered). The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. It is a historical text detailing the political and military life of her father, Alexios I, including his interactions with the crusades. This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). Godfrey, known for his participation in the crusades, is third from the left with a dog at his feet.","metadata":[{"label":"Date","value":"13th century"},{"label":"Location","value":"City Hall, Cologne"},{"label":"Material","value":"Wood"}],"width":1500,"height":649},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11","@type":"sc:Canvas","label":"Detail of Godfrey and Charlemagne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3461.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":337,"height":524},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11"}],"description":"Here is a detail of Godfrey (at right, with his sword and dog) with another one of the Christian worthies, Charlemagne.","metadata":[{"label":"Date","value":"13th century"},{"label":"Material","value":"Wood"},{"label":"Location","value":"City Hall, Cologne"}],"width":337,"height":524},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12","@type":"sc:Canvas","label":"Map of the Holy Land","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3460.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1378},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12"}],"description":"This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris.\n\nYou can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448","metadata":[{"label":"Date","value":"c. 1240-53"},{"label":"Creator","value":"Matthew Paris"},{"label":"Format","value":"Manuscript"},{"label":"Place of Creation","value":"Saint Albans"},{"label":"Location","value":"Corpus Christi College, Cambridge"},{"label":"Label","value":"10.\tCambridge, Corpus Christi College, MS 026: Matthew Paris OSB"}],"width":1600,"height":1378},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13","@type":"sc:Canvas","label":"Reliquary of the True Cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3459.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2675,"height":3400},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13"}],"description":"The cross in this panel comes from the Latin Kingdom of Jerusalem, while the panel into which the cross has been set comes from the Rhine-Meuse region. The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crusaders advance on Jerusalem Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This stained glass window shows a depiction of crusaders riding towards Jerusalem IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600} Display as IIIF? 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MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. 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The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. 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The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Crusaders in Sight of Jerusalem Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource Hermann Freihold Plüddemann, German (1809 - 1868), Crusaders in sight of Jerusalem. Print, Harvard Art Museums, European and American Art, R14699 What has been the legacy of the Crusades in art, literature, and popular culture? 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Title A name given to the resource Commemoration, Remembrance, and Metaphor in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414","label":"Commemoration, Remembrance, and Metaphor in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0","@type":"sc:Canvas","label":"Home-Coming Crusader","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3644.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2485%2Fe67d1be8460006294867c44dac1ddb21.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1750,"height":1724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3644.0"}],"description":"A knight of the German Order returning from thr crusade, after Karl Immermann\u2019s poem \u201cThe arrival of the crusader\u201d,1826","metadata":[{"label":"Date","value":"1835"},{"label":"Artist","value":"Karl Friedrich Lessing"},{"label":"Location","value":"Rheinisches Landesmuseum Bonn"}],"width":1750,"height":1724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1","@type":"sc:Canvas","label":"Taking of Jerusalem by the Crusaders, 15th July 1099","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3645.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2486%2F584e6d0fa9ee32c74fcdd20ab9562204.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":918},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3645.1"}],"metadata":[{"label":"Date","value":"1847"},{"label":"Artist","value":"\u00c9mile Signol"},{"label":"Location","value":"Ch\u00e2teau de Versailles"}],"width":1600,"height":918},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2","@type":"sc:Canvas","label":"Statue of Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3646.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2487%2F855edfe44b8d55029625b602637f0a57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":800,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3646.2"}],"description":"This equestrian bronze statue of Saladin was unveiled in 1993 by the then Syrian president Hafex Assad marking the 800th anniversary of Saladin\u2019s death. 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Saladin is shown on horseback with two swordsmen, with the captured Renaud de Chatillon and Guy de Lusignan walking behind.","metadata":[{"label":"Date","value":"1993"},{"label":"Artist","value":"Abdallah al-Sayed"},{"label":"Location","value":"Damascus, Syria"}],"width":800,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3","@type":"sc:Canvas","label":"Egyptian Postage Stamp showing Saladin","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3647.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2488%2Ffc30b7065b08c0bdb3d9bd3a9acf0812.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1028,"height":1018},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3647.3"}],"description":"This stamp from 1993 depicts Saladin and marks the 800th anniversary of his death.","metadata":[{"label":"Date","value":"1993"},{"label":"Place","value":"Egypt"}],"width":1028,"height":1018},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4","@type":"sc:Canvas","label":"Entry of the Crusaders in Constantinople","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/annotation/3648.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3648.4"}],"description":"This painting by Delacrois was commissioned by Louis-Philippe, the last king of France. 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The painting was poorly received at the 1841 Salon.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3649.5","@type":"sc:Canvas","label":"The Departure of the 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Oldham"}],"width":1200,"height":978},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/414/canvas/3651.7","@type":"sc:Canvas","label":"Crusaders in the 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Title A name given to the resource Daric of the Achaemenid Kings Coin Constituent: Achaemenid Kings Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/188236 Subject The topic of the resource Coin Creator An entity primarily responsible for making the resource Persian Publisher An entity responsible for making the resource available Harvard Art Museums Date A point or period of time associated with an event in the lifecycle of the resource 490 BCE-400 BCE (Achaemenid Period) Rights Information about rights held in and over the resource Credit line: Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation Object number: 1.1965.2710 Relation A related resource Format The file format, physical medium, or dimensions of the resource Coin, Gold, Struck, 8.39g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/188236/canvas/canvas-18734400 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/188236/canvas/canvas-18734400","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188236/annotation/anno-18734400","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/188236/canvas/canvas-18734400","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734400/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734400","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/188236/list/18734400","@type":"sc:AnnotationList"}],"width":1024} UUID 5aeca4b6-14d1-41b2-bb57-8d81dc0a1e69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 3 IIIF Collection Metadata UUID d565f078-01f2-437d-9456-4887cd9532ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daric of the Achaemenid Kings Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/169728 Subject The topic of the resource Coin Constituent: Achaemenid Kings, r. c. 522-330 BCE Creator An entity primarily responsible for making the resource Harvard Art Museums/Arthur M. Sackler Museum, Loan from the Trustees of the Arthur Stone Dewing Greek Numismatic Foundation OBJECT NUMBER: 1.1965.2711 Publisher An entity responsible for making the resource available Harvard Art Museums Date A point or period of time associated with an event in the lifecycle of the resource 490 BCE-400 BCE Format The file format, physical medium, or dimensions of the resource Gold coin, struck, 8.3g IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/169728/canvas/canvas-18734401 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/169728/canvas/canvas-18734401","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/169728/annotation/anno-18734401","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/169728/canvas/canvas-18734401","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18734401/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18734401","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/169728/list/18734401","@type":"sc:AnnotationList"}],"width":1024} UUID 967ab877-b6f6-40ae-848f-f9e44c182ea5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource De la Conquête de Constantinople (On the Conquest of Constantinople) fol. 1r Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial "S" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. An English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp Selected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000} Display as IIIF? Yes UUID cdaf72b2-ab80-4a35-aa97-2210ab11df80