23 10 972 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/87cf3ffcf5a91b34eeabd1a547c0b9cc.jpg c49d67494b9ecba1ecd707aa78113009 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ as Sol Invictus Subject The topic of the resource Christ as Sol Invictus, Roman, 3rd century, mosaic, Rome, St. Peter’s Basilica. Description An account of the resource This ceiling mosaic in Mausoleum M, the Tomb of the Julii, in the Vatican Necropolis underneath St. Peter’s Basilica, has been interpreted as depicting Christ as Sol Invictus (Unconquered Sun), the sun god of the later Roman Empire. Sol Invictus came to be favored by Roman emperors after Aurelian elevated the cult in 274 CE. Constantine I also identified with Sol. Invictus and has the figure depicted on some of his coinage. The figure depicted in this mosaic, if it is indeed a blending of Christ and Sol, is shown riding in a chariot pulled by rearing horses with vines (a symbol associated both with Dionysius and with Jesus) surrounding. Source A related resource from which the described resource is derived http://stpetersbasilica.info/Necropolis/TombM.htm Publisher An entity responsible for making the resource available St. Peter's Basilica IIIF Item Metadata UUID bb88b3e5-b2fc-4ff7-a4d4-042bce1b1b4e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/122ef98c7c061341e55101539c493a6b.JPG 8b6cedea5f9fc5bb839f0214b5944004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters 4/20 - Money and justice IIIF Collection Metadata UUID de838366-b88e-42f7-a586-ae716c67b649 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ driving the money changers from the temple. Subject The topic of the resource Print made by Lucas van Doetecum after Gerard Groenning 1572 (c.) Flemish 204x287 mm British Museum Description An account of the resource Christ driving the money changers from the temple. Interior of the Temple of Jerusalem with Christ beating a money changer with a whip made out of cords at centre, a man fallen over a table and and a tied lamb in foreground, a boy with a bird cage and another figure seen driving out animals from the Temple at right, three figures wearing caps at left, the altar decorated with two angels in background; after Gerard van Groeningen. c.1572. Engraving and etching with contemporary colouring Series: Thesaurus Novi Testamenti elegantissimis iconibus expressus continens historias atque miracula do[mi] ni nostri Iesu Christi Series: Memorabilium Novi Testamenti in templo gestorum (Events in and around the Temple) IIIF Item Metadata UUID 083b5ee3-0ee0-4e24-a72b-56b749837120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trebizond and Cilician Armenia in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413","label":"Trebizond and Cilician Armenia in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0","@type":"sc:Canvas","label":"Tancred and the Cilician Envoys","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3624.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2352,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0"}],"description":"From the French translation of William of Tyre's History of Deeds Done Beyond the Sea. Fol. 42","metadata":[{"label":"Date","value":"13th-14th century"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr. 9084"},{"label":"Location","value":"Paris"},{"label":"Place of Creation","value":"Acre"}],"width":2352,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1","@type":"sc:Canvas","label":"Amouda Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3625.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5184,"height":3456},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1"}],"description":"Formerly in the Armenian Kingdom of Cilicia, now in the Turkish Province of Osmaniye. This Castle was deeded by the Armenian King Leo I (confusingly, also called Leo II, and sometimes Levon I/II) to the Teutonic Knights in 1212, and was subsequently rebuilt in the 13th century.","metadata":[{"label":"Date","value":"13th century"}],"width":5184,"height":3456},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2","@type":"sc:Canvas","label":"Lampron Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3626.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":640,"height":464},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2"}],"description":"Image from Victor Langlois, \"Voyage dans la Cilicie et dans les montagnes du Taurus.\" Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades","metadata":[{"label":"Date","value":"1861"}],"width":640,"height":464},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3","@type":"sc:Canvas","label":"Coin of King Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3627.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1152,"height":583},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3"}],"description":"obv: King seated cross-legged on a throne adorned with lions. He holds a globus cruciger and fleur-de-lis. Armenian inscription: Hetoum King of the Armenians\n\nrev: Potent cross with four stars (or lines, depending on the type). Armenian inscription: Struck in the City of Sis","metadata":[{"label":"Date","value":"1226-70"},{"label":"Type","value":"Copper Tank"}],"width":1152,"height":583},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5","@type":"sc:Canvas","label":"Coin of Hetum I with Queen Zabel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3629.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":963,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5"}],"description":"Obverse: Hetum and Queen Zabel standing near cross staff, with the Armenain text \"By God's will\" around it.\n\nReverse: Lion walking to the right, around it the Armenian text \"Hetum, King of the Armenians\".","metadata":[{"label":"Date","value":"c. 1226-70"},{"label":"Type","value":"Silver Tram"}],"width":963,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6","@type":"sc:Canvas","label":"Coin of Leo I (Levon I)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3630.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1296,"height":648},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6"}],"description":"King seated on throne ornamented with lions, holding cross and fleur-de-lis. Armenian inscription: \"+ Levon King of the Armenians\" / Two lions rampant back-to-back, each with heads reverted; patriarchal cross with two bars between them. \"+ By the will of God\"","metadata":[{"label":"Date","value":"c. 1198-1219"},{"label":"Type","value":"Silver Tram"}],"width":1296,"height":648},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7","@type":"sc:Canvas","label":"The Burial Church of the Armenian Kings, Anavarza/Anazarbus/Ain Zarba","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3631.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7"}],"description":"The city of Anazarbus is an ancient city that was first founded by the Assyrians. It was rebuilt and renamed by rulers throughout its history, including Roman Emperor Justin I, who rebuilt it after an earthquake in the 6th century and named it \u201cJustinianopolis.\u201d Likewise, the central castle has been built and rebuilt numerous times as it passed hands through different dynasties and empires including: the Roman Empire, the Byzantine Empire, the Abbasid Caliphate, the Crusaders, the Armenian Kingdom of Cilicia, the Mamluks, etc. The majority of the present fortress is of Armenian construction. The innermost keep (donjon) was built by the Crusaders after it was captured during the 1st crusade. In the 12th century, Thoros I, king of Lesser Armenia, made it his capital, and it reverted to its previous name, Anazarva. It is in modern day Kozan, in Turkey. Finally destroyed by the Mamluks in 1374.","metadata":[{"label":"Date","value":"12th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8","@type":"sc:Canvas","label":"Queen Keran, Leo II, and five of their children being blessed by Christ","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3632.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":760,"height":1047},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8"}],"description":"From the Queen Keran Gospels, this signed manuscript is one of seven examples that were signed by the illuminator, Toros Roslin, although there are additional, unsigned, manuscripts that have also been attributed to him.\n\nAdditional images here (in black and white and somewhat erratically organized: c.\thttps://www.loc.gov/resource/amedmonastery.00271074190-jo/?sp=1 )","metadata":[{"label":"Date","value":"1272"},{"label":"Patron","value":"Queen Keran"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Armenian Patriarchate Gulbenkian Library Calouste Gulbenkian Library, Armenian Cathedral of St. James"},{"label":"Shelfmark","value":"Ms. 2563"}],"width":760,"height":1047},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9","@type":"sc:Canvas","label":"The Last Judgment from the Toros Roslin Gospels fol. 109v","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3633.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1291,"height":1799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9"}],"description":"A second manuscript signed by Toros Roslin, with a total of 15 miniatures and 67 smaller illustrations. In the colophon, the manuscript is noted as being made for the nephew of Catholicos Constantine (1221-67), also named Toros, in 1262 at the scriptorium of Hromkla.\n\nSee: https://art.thewalters.org/detail/8115/toros-roslin-gospels-2/","metadata":[{"label":"Date","value":"1262"},{"label":"Patron","value":"Toros (not Roslin)"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Walters Art Museum"},{"label":"Shelfmark","value":"Walters MS W539"}],"width":1291,"height":1799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11","@type":"sc:Canvas","label":"Seal of David Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3635.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":978,"height":504},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11"}],"description":"Grandson of Andronikos I, and the brother of the first emperor of Trebizond, Alexios I Komnenos (1204-22), whom David helped take the throne. David was killed while defending Sinope from an attack by the Seljuqs in 1214. \n\nObverse: King David \u2018the prophet\u2019 holding a trefoil scepter in his right hand, an akakia in his left, inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3[\u03b9\u03bb]\u03b5[\u1f7a\u03c2] \u1f41 \u03c0\u03c1\u03bf\u03c6\u03ae\u03c4\u03b7\u03c2. (King David, the Prophet)\n\nReverse: A six-line inscription, made up of two twelve-syllable verses separated by decoration; cross above inscription, decoration below, line border. Inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u1fe6 \u1f00\u03c3\u03c6\u03b1\u03bb\u1f72\u03c2 \u03b3\u03c1\u03b1\u03c6\u1ff6\u03bd \u03ba\u03cd\u03c1\u03bf\u03c2 \u0394\u03b1(\u03b2\u1f76)\u03b4 \u039a\u03bf\u03bc\u03bd\u03b7\u03bd\u03bf\u1fe6 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03ba\u03b3\u03cc\u03bd\u03bf\u03c5 \u03b3\u03af\u03bd\u03bf\u03c5 (King David, be a secure guarantor of the documents of David Komnenos, descendant of kings.)","metadata":[{"label":"Date","value":"before c. 1214"},{"label":"Type","value":"Seal"},{"label":"Location","value":"Dumbarton Oaks"}],"width":978,"height":504},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12","@type":"sc:Canvas","label":"Coin of Emperor John II Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3636.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1920,"height":1242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12"}],"description":"Obverse: St. Eugenius standing, holding cross. Inscription: O AGi EVGENI (St. Eugenius)\n\nReverse: John Standing, holding labarum-headed scepter, Manus Dei at upper right. Inscription: I\u03c9 \u039f \u039a\u039f\u039c\u039d\u039fC (John Komnenos)","metadata":[{"label":"Date","value":"c. 1280-97"},{"label":"Type","value":"Silver asper"},{"label":"Location","value":"Hermitage Museum"}],"width":1920,"height":1242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13","@type":"sc:Canvas","label":"Coin of Basil Megas Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3637.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":927,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13"}],"description":"Obverse: St. Eugenius on horseback, holding cross, inscription: A / EV-N (St. Eugenius, heavily abbreviated)\n\nReverse: Basil on horseback, holding three-pronged scepter. Inscriptiion: BA / M (Basil Megas)","metadata":[{"label":"Date","value":"c. 1332-40"},{"label":"Type","value":"Silver Asper"}],"width":927,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14","@type":"sc:Canvas","label":"Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3638.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14"}],"description":"Built in Trebizond during the reign of Manuel I between 1238 and 1263, there is carved graffiti in the apses dating to 1291 and 1293. The church was converted into a mosque after the conquest Mehmed II in 1461, however some scholars suggest that the conversation did not take place until over a century later in 1584, due to the church\u2019s location outside of the city walls. The monastery attached to the church was still in use by Greek Orthodox monks in 1701. Apparently used as a cholera hospital in the 19th century, the first archeological examination was during the Russian occupation in World War I, by Fyodor Uspensky and others. By the 1950s, it was once again a mosque, however in 1964, it was turned into a museum, and the surviving (previously whitewashed) frescoes were uncovered). These frescoes are thought to account for only 1/6th of the original decoration, but all are considered to be original, completed just after construction. In 2013, the Hagia Sophia was converted back into a mosque, despite a local judge ruling this to be illegal. The frescoes and opus sectile floor were covered by immovable curtains and carpets until 2018, when the building was closed for renovation. In 2020, the ministry of religious affairs fulfilled the promise to make the frescoes visible outside of prayer time, and a glass covering was placed over the opus sectile floor.","width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15","@type":"sc:Canvas","label":"Four Evangelists' Fresco, Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3639.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15"}],"metadata":[{"label":"Date","value":"13th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16","@type":"sc:Canvas","label":"Imagined reconstruction of the Opus Sectile floor at Hagia Sophia, Trabzon by Charles Texier","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3640.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1104,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16"}],"description":"Texier was a French historian, architect, and archaeologist. He published numerous works following his travels throughout Asia Minor and the Middle East covering topics ranging from geography and geology, to art and architecture.","metadata":[{"label":"Date","value":"1864"},{"label":"Artist","value":"Charles Texier"}],"width":1104,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19","@type":"sc:Canvas","label":"Cassone with painted front panel depicting the Conquest of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3643.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2628},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19"}],"description":"Attributed to the workshop of Apolloni di Giovanni di Tomaso, Italian, said to come from the Palazzo Strozzi. The front panel depicts a battle at the city of Trebizond, Constantinople is at the upper left. The battle shows the fall of Trebizond to the Ottomans in 1471, but, strangely, the ruler beneath the canopy is identified as Tamerlane (Timur) in a small, faint inscription to the right of his head, who defeated the Ottoman sultan in 1402, and died three years later in 1405. This bizarre anachronism has not been explained.","metadata":[{"label":"Date","value":"After c. 1461"},{"label":"Type","value":"Cassone"},{"label":"Creator","value":"Attributed to the workshop of Apolloni di Giovanni di Tomaso"},{"label":"Dimensions","value":"100.3 x 195.6 x 83.5 cm; painted surface: 38.7 x 125.7 cm"},{"label":"Material","value":"Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3859,"height":2628}]}]} IIIF Type Manifest UUID 7a8fa0b8-66e0-4b5d-b2f8-b88aac59844c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chrysobull of Alexios III of Trebizond Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 Description An account of the resource Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083} Display as IIIF? Yes UUID e432d0e0-637c-43ac-a965-61a8b94a92fd https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e6519faadd6bfb7814159c7ade0f866f.jpg d18ae756ce2c3f759f8e0884779c2139 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Sardis IIIF Collection Metadata UUID 0f176d88-1d25-42de-9209-46c7e540914b IIIF Item Metadata UUID 1aed8d9b-9f06-42e7-983b-31e2c1f46000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church M at Sardis Subject The topic of the resource Church M at Sardis, 4th century mortuary chapel, built in the location of the Temple of Artemis Description An account of the resource Introduction The small brick-and-rubble building located near the southeast corner of the Temple of Artemis is known as Church M. The structure was probably set up in the later 4th century, and was used by local residents as a place of Christian worship until the early 7th century. The massive medieval landslide that buried the east end of the Temple accounts for the exceptional preservation of Church M, which was discovered by Butler in 1911 and cleared the following year (figs. 1, 2, 3, 4, 5, 6, 7). The construction of a small church or chapel within the temenos of a classical temple reflects the far-reaching changes that swept across the later Roman empire during the 4th century. State recognition of Christianity by the emperor Constantine was soon followed by his founding a new eastern capital at Constantinople. While the Temple of Artemis probably had passed out of active use before this time, its massive walls and imposing columns continued to dominate the area. Small incised crosses and religious graffiti still visible near the Temple’s east entrance reflect the efforts of local inhabitants to deconsecrate the building and neutralize any lingering spiritual power of the classical cult. The closing of Roman temples under the emperor Theodosius in the 390s may have encouraged some Sardis residents to build houses in the area and to dismantle the classical structure for stone. Church M may have been intended both for devotional use by families living nearby and to commemorate this important change in Lydian religious traditions. Fig. 1 Plan of Sardis (©Archaeological Exploration of Sardis/President and Fellows of Harvard College) Fig. 2 Plan of the Temple of Artemis showing Church M (©Archaeological Exploration of Sardis/President and Fellows of Harvard College) Fig. 3 Church M during excavation (Howard Crosby Butler Archive, Department of Art and Archaeology, Princeton University) Fig. 4 Church M during excavation (Howard Crosby Butler Archive, Department of Art and Archaeology, Princeton University) Fig. 5 Church M during excavation (Howard Crosby Butler Archive, Department of Art and Archaeology, Princeton University) Fig. 6 View of Church M (©Archaeological Exploration of Sardis/President and Fellows of Harvard College) Fig. 7 View of Church M from the east, with the temple of Artemis (©Archaeological Exploration of Sardis/President and Fellows of Harvard College) Design and Construction The unusual location and small size of Church M reflect these transitional times. The building stands immediately outside the Temple, in front of the eastern colonnade with its main doorway asymmetrically framed by the two southernmost columns. Two smaller columns (no longer visible) were found by Butler in the south pteroma, about 25 m to the west, and may have formed part of an earlier boundary or portal (fig. 8). The church or chapel was built in two distinct phases. The original building apparently consisted of a rectangular space, 7 m long by 5.6 m wide (figs. 9, 10, 11). A semicircular apse with a single window faced the doorway from the west. The walls were built of bricks, fieldstones, and marble fragments set in mortar, and were covered with painted plaster. Three more windows once opened above the apse. Traces of similar windows can be seen in the upper part of the north wall, through which a small doorway led to another room known only by foundations. Excavation in 1912 recovered a hoard of 25 bronze coins that had been concealed here c. 400, when the building was clearly in service. The floor of Church M originally lay near the level of the pteroma; the present stone paving stands more than 1 m higher and reflects the gradual accumulation of earth across the Temple precinct. At a later date a small room with an even larger apse was added about 5 m east of the original building (figs. 9). A wide window with three arches supported by two marble mullions occupied the apse wall, which was reinforced by two lateral buttresses. Small doorways seem to have opened to both south and north. An irregular block of stone set atop a short column in the western apse may have served as a makeshift altar when the building was abandoned in the 7th century or slightly later (fig. 12). https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/55aa8d2697c5dcdbfdc3b0e54ea9ef44.jpg e47a2ea2bce48320fcc5718ebc0a73ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Sardis IIIF Collection Metadata UUID 0f176d88-1d25-42de-9209-46c7e540914b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church M at Sardis (2) Subject The topic of the resource Church M, during excavation IIIF Item Metadata UUID e7254125-b56e-4de4-ae7c-4c5ab97bdfd3 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/cb3b0c7b0940a31b96652cf08e2392f6.jpg 187fb36cd7ccc0842ac5d95ee1e610f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, 4/5 (Burial) IIIF Collection Metadata UUID c2be0b27-50bf-4085-b570-fba3e2a42ec8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinerary Urn Subject The topic of the resource Late 1st century CE Detroit Institute of Arts, Detroit IIIF Item Metadata UUID 6b505400-6c8b-4a4d-9e3c-5d6f745d61ce https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0ebe137c6c9f3d5a106dd7250e65b478.JPG cdda5c3072a4755bf5c3820fa3d1a4bc https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7da4f4d34bf4646bf770c220918929bf.JPG 72a4cd6aafb71c2dcac80eaca7826029 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a3bd5acb4a0dbe082b05027a429bf019.JPG 4956eeb0eb478544207d7b7aa95bc4e0 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1f6eaf873dd72a234efbb647f4cf6648.JPG 77a0e02b89dec6094c34822c517e0cb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Circular Pendant with Double Solidus of Constantine I Subject The topic of the resource Circular Pendant with Double Solidus of Constantine I, Medallion: 324, Pendant: c. 370-90, Early Byzantine, gold, 9.6 cm x 8.5 cm, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Description: “The consummate skill used to create this pendant places it among the most highly accomplished examples of gold jewelry from the early Byzantine period. The elaborate frame around the imperial medallion combines two techniques: chisel cutting of sheet gold masterfully worked to create lacelike tendrils, scrolls, and geometric designs; and hollow, three-dimensional heads formed by working the gold from both the interior and the exterior. The contrast of flat, silhouette patterns and heads in the round produces a dynamic counterpoint rarely seen in jewelry of this period. The medallion shows the emperor Constantine wearing a crown of rays—an attribute of Apollo—while his sons Crispus and Constantine II are in consular robes on the reverse, co-celebrating their third consulate in 324. A similarly designed, although hexagonal, pendant at Dumbarton Oaks contains a medallion celebrating the second consulate in 321 of these same imperial sons. In mint condition, these medallions were never put into circulation; they were framed so that both sides are visible, allowing all the imperial portraits to be seen. Despite their different shapes, the shared techniques, style, and decorative schemes confirm that these pendants were made as part of a set. Three additional pendants belong to this set judged by medallion type, techniques, designs, and superb execution: a circular pendant (Musée du Louvre, Paris); a hexagonal pendant (British Museum, London); and a slightly larger octagonal pendant (Cleveland Museum of Art). This latter pendant must have been the center piece of the most resplendent suite of gold jewelry to survive from early Byzantium. The pendant and its companion pieces may have been an award from an emperor to an outstanding general or high ranking official, although their exact function is not certain. The key to interpreting their historical and political significance, including the identification and meaning of the busts, has yet to be discovered.” -S. Zwirn Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/27048 Publisher An entity responsible for making the resource available Dumbarton Oaks. BZ.1970.37.1&2 IIIF Item Metadata UUID ab01d10e-5f66-4e1c-b569-cd280d896986 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trebizond and Cilician Armenia in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413","label":"Trebizond and Cilician Armenia in Twenty Images","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0","@type":"sc:Canvas","label":"Tancred and the Cilician Envoys","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3624.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2465%2F2d6bb0e4a72740899f7b3b0bf8b5063f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2352,"height":1736},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3624.0"}],"description":"From the French translation of William of Tyre's History of Deeds Done Beyond the Sea. Fol. 42","metadata":[{"label":"Date","value":"13th-14th century"},{"label":"Repository","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"BnF Fr. 9084"},{"label":"Location","value":"Paris"},{"label":"Place of Creation","value":"Acre"}],"width":2352,"height":1736},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1","@type":"sc:Canvas","label":"Amouda Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3625.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2466%2F96124b6a5539d6ae281d722eb1f5811a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5184,"height":3456},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3625.1"}],"description":"Formerly in the Armenian Kingdom of Cilicia, now in the Turkish Province of Osmaniye. This Castle was deeded by the Armenian King Leo I (confusingly, also called Leo II, and sometimes Levon I/II) to the Teutonic Knights in 1212, and was subsequently rebuilt in the 13th century.","metadata":[{"label":"Date","value":"13th century"}],"width":5184,"height":3456},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2","@type":"sc:Canvas","label":"Lampron Castle","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3626.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2467%2F8e677c835b9511cf4b3ea79040bcc9ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":640,"height":464},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3626.2"}],"description":"Image from Victor Langlois, \"Voyage dans la Cilicie et dans les montagnes du Taurus.\" Langlois was a French historian, archaeologist, and numismatist, who is particularly known for his work on Armenia. He held a great interest in the relationship between France and Cilicia during the Crusades","metadata":[{"label":"Date","value":"1861"}],"width":640,"height":464},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3","@type":"sc:Canvas","label":"Coin of King Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3627.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2468%2F8833d613f240a12880605ca9aa74ca7f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1152,"height":583},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3627.3"}],"description":"obv: King seated cross-legged on a throne adorned with lions. He holds a globus cruciger and fleur-de-lis. Armenian inscription: Hetoum King of the Armenians\n\nrev: Potent cross with four stars (or lines, depending on the type). Armenian inscription: Struck in the City of Sis","metadata":[{"label":"Date","value":"1226-70"},{"label":"Type","value":"Copper Tank"}],"width":1152,"height":583},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4","@type":"sc:Canvas","label":"Langlois' drawing of a coin of Hetum I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3628.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2469%2Fbf2d89118cd66f8db255abe70ed923d8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":783,"height":385},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3628.4"}],"metadata":[{"label":"Date","value":"1861"}],"width":783,"height":385},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5","@type":"sc:Canvas","label":"Coin of Hetum I with Queen Zabel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3629.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2470%2F1f2911ae9c2326f36a7cda10519ff989.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":963,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3629.5"}],"description":"Obverse: Hetum and Queen Zabel standing near cross staff, with the Armenain text \"By God's will\" around it.\n\nReverse: Lion walking to the right, around it the Armenian text \"Hetum, King of the Armenians\".","metadata":[{"label":"Date","value":"c. 1226-70"},{"label":"Type","value":"Silver Tram"}],"width":963,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6","@type":"sc:Canvas","label":"Coin of Leo I (Levon I)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3630.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2471%2F2d16af9f6fff3d85fb0afbe676b67acc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1296,"height":648},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3630.6"}],"description":"King seated on throne ornamented with lions, holding cross and fleur-de-lis. Armenian inscription: \"+ Levon King of the Armenians\" / Two lions rampant back-to-back, each with heads reverted; patriarchal cross with two bars between them. \"+ By the will of God\"","metadata":[{"label":"Date","value":"c. 1198-1219"},{"label":"Type","value":"Silver Tram"}],"width":1296,"height":648},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7","@type":"sc:Canvas","label":"The Burial Church of the Armenian Kings, Anavarza/Anazarbus/Ain Zarba","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3631.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2472%2F60d154aec4ada0b07d235a079aaf1ce6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3631.7"}],"description":"The city of Anazarbus is an ancient city that was first founded by the Assyrians. It was rebuilt and renamed by rulers throughout its history, including Roman Emperor Justin I, who rebuilt it after an earthquake in the 6th century and named it \u201cJustinianopolis.\u201d Likewise, the central castle has been built and rebuilt numerous times as it passed hands through different dynasties and empires including: the Roman Empire, the Byzantine Empire, the Abbasid Caliphate, the Crusaders, the Armenian Kingdom of Cilicia, the Mamluks, etc. The majority of the present fortress is of Armenian construction. The innermost keep (donjon) was built by the Crusaders after it was captured during the 1st crusade. In the 12th century, Thoros I, king of Lesser Armenia, made it his capital, and it reverted to its previous name, Anazarva. It is in modern day Kozan, in Turkey. Finally destroyed by the Mamluks in 1374.","metadata":[{"label":"Date","value":"12th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8","@type":"sc:Canvas","label":"Queen Keran, Leo II, and five of their children being blessed by Christ","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3632.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2473%2Fb4f581056ddec3c83b51c4c2b37024e8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":760,"height":1047},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3632.8"}],"description":"From the Queen Keran Gospels, this signed manuscript is one of seven examples that were signed by the illuminator, Toros Roslin, although there are additional, unsigned, manuscripts that have also been attributed to him.\n\nAdditional images here (in black and white and somewhat erratically organized: c.\thttps://www.loc.gov/resource/amedmonastery.00271074190-jo/?sp=1 )","metadata":[{"label":"Date","value":"1272"},{"label":"Patron","value":"Queen Keran"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Armenian Patriarchate Gulbenkian Library Calouste Gulbenkian Library, Armenian Cathedral of St. James"},{"label":"Shelfmark","value":"Ms. 2563"}],"width":760,"height":1047},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9","@type":"sc:Canvas","label":"The Last Judgment from the Toros Roslin Gospels fol. 109v","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3633.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2474%2Fcda50b48d3f19e1cb44ae81a57b02ccc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1291,"height":1799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3633.9"}],"description":"A second manuscript signed by Toros Roslin, with a total of 15 miniatures and 67 smaller illustrations. In the colophon, the manuscript is noted as being made for the nephew of Catholicos Constantine (1221-67), also named Toros, in 1262 at the scriptorium of Hromkla.\n\nSee: https://art.thewalters.org/detail/8115/toros-roslin-gospels-2/","metadata":[{"label":"Date","value":"1262"},{"label":"Patron","value":"Toros (not Roslin)"},{"label":"Artist","value":"Toros Roslin"},{"label":"Location","value":"Walters Art Museum"},{"label":"Shelfmark","value":"Walters MS W539"}],"width":1291,"height":1799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10","@type":"sc:Canvas","label":"Chrysobull of Alexios III of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3634.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2475%2F0d12a1f3bffab5690c7ba37f40e8c9fa.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":773,"height":1083},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3634.10"}],"description":"Detail depicting Alexios (r. 1349-90) and his wife, Theodora. The Chrysobull was to the Dionysiou monastery on Mount Athos. The Chrysobull gave the founder of the monastery a sum of 100 somia of silver (about 1000 gold hyperpyra) in order to build the monastery, and promised an additional annual grant of 1000 silver aspers. In exchange, Dionysios would ensure that the names of the emperor and his family were included in the church services in perpetuity and would receive special welcome should they come to the monastery (as monks or regular visitors). The Chrysobull measures 301 x 40.3 cm and retains its gold seal.","metadata":[{"label":"Date","value":"September, 1374"},{"label":"Dimensions","value":"301 x 40.3 cm"}],"width":773,"height":1083},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11","@type":"sc:Canvas","label":"Seal of David Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3635.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2476%2Fd7c5d45a2a72a7d010120f42efd43f57.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":978,"height":504},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3635.11"}],"description":"Grandson of Andronikos I, and the brother of the first emperor of Trebizond, Alexios I Komnenos (1204-22), whom David helped take the throne. David was killed while defending Sinope from an attack by the Seljuqs in 1214. \n\nObverse: King David \u2018the prophet\u2019 holding a trefoil scepter in his right hand, an akakia in his left, inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3[\u03b9\u03bb]\u03b5[\u1f7a\u03c2] \u1f41 \u03c0\u03c1\u03bf\u03c6\u03ae\u03c4\u03b7\u03c2. (King David, the Prophet)\n\nReverse: A six-line inscription, made up of two twelve-syllable verses separated by decoration; cross above inscription, decoration below, line border. Inscription: \u0394\u03b1(\u03b2\u1f76)\u03b4 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u1fe6 \u1f00\u03c3\u03c6\u03b1\u03bb\u1f72\u03c2 \u03b3\u03c1\u03b1\u03c6\u1ff6\u03bd \u03ba\u03cd\u03c1\u03bf\u03c2 \u0394\u03b1(\u03b2\u1f76)\u03b4 \u039a\u03bf\u03bc\u03bd\u03b7\u03bd\u03bf\u1fe6 \u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03ba\u03b3\u03cc\u03bd\u03bf\u03c5 \u03b3\u03af\u03bd\u03bf\u03c5 (King David, be a secure guarantor of the documents of David Komnenos, descendant of kings.)","metadata":[{"label":"Date","value":"before c. 1214"},{"label":"Type","value":"Seal"},{"label":"Location","value":"Dumbarton Oaks"}],"width":978,"height":504},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12","@type":"sc:Canvas","label":"Coin of Emperor John II Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3636.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2477%2F4b5832a383de9b09c05a4ab252a3cf41.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1920,"height":1242},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3636.12"}],"description":"Obverse: St. Eugenius standing, holding cross. Inscription: O AGi EVGENI (St. Eugenius)\n\nReverse: John Standing, holding labarum-headed scepter, Manus Dei at upper right. Inscription: I\u03c9 \u039f \u039a\u039f\u039c\u039d\u039fC (John Komnenos)","metadata":[{"label":"Date","value":"c. 1280-97"},{"label":"Type","value":"Silver asper"},{"label":"Location","value":"Hermitage Museum"}],"width":1920,"height":1242},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13","@type":"sc:Canvas","label":"Coin of Basil Megas Komnenos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3637.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2478%2Ff0c8337b661ea89ed3a0038d4d3d331a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":927,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3637.13"}],"description":"Obverse: St. Eugenius on horseback, holding cross, inscription: A / EV-N (St. Eugenius, heavily abbreviated)\n\nReverse: Basil on horseback, holding three-pronged scepter. Inscriptiion: BA / M (Basil Megas)","metadata":[{"label":"Date","value":"c. 1332-40"},{"label":"Type","value":"Silver Asper"}],"width":927,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14","@type":"sc:Canvas","label":"Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3638.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2479%2F8608a601d2ea23f0bc7dbc10a4c622f6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3638.14"}],"description":"Built in Trebizond during the reign of Manuel I between 1238 and 1263, there is carved graffiti in the apses dating to 1291 and 1293. The church was converted into a mosque after the conquest Mehmed II in 1461, however some scholars suggest that the conversation did not take place until over a century later in 1584, due to the church\u2019s location outside of the city walls. The monastery attached to the church was still in use by Greek Orthodox monks in 1701. Apparently used as a cholera hospital in the 19th century, the first archeological examination was during the Russian occupation in World War I, by Fyodor Uspensky and others. By the 1950s, it was once again a mosque, however in 1964, it was turned into a museum, and the surviving (previously whitewashed) frescoes were uncovered). These frescoes are thought to account for only 1/6th of the original decoration, but all are considered to be original, completed just after construction. In 2013, the Hagia Sophia was converted back into a mosque, despite a local judge ruling this to be illegal. The frescoes and opus sectile floor were covered by immovable curtains and carpets until 2018, when the building was closed for renovation. In 2020, the ministry of religious affairs fulfilled the promise to make the frescoes visible outside of prayer time, and a glass covering was placed over the opus sectile floor.","width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15","@type":"sc:Canvas","label":"Four Evangelists' Fresco, Hagia Sophia, Trabzon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3639.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2480%2F4278502f4e99a97ac3d8a40a049616d3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1063},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3639.15"}],"metadata":[{"label":"Date","value":"13th century"}],"width":1600,"height":1063},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16","@type":"sc:Canvas","label":"Imagined reconstruction of the Opus Sectile floor at Hagia Sophia, Trabzon by Charles Texier","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3640.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2481%2Fdb79a3ef6b1d7ae06ebd74d1b3fbde2a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1104,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3640.16"}],"description":"Texier was a French historian, architect, and archaeologist. He published numerous works following his travels throughout Asia Minor and the Middle East covering topics ranging from geography and geology, to art and architecture.","metadata":[{"label":"Date","value":"1864"},{"label":"Artist","value":"Charles Texier"}],"width":1104,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17","@type":"sc:Canvas","label":"Photograph of murals, Panagia Theoskepastos Monastery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3641.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2482%2Fd11bab7e5a26ada762157a638db50c71.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3508,"height":2396},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3641.17"}],"description":"The original murals on the front of the Panagia Theoskepastos Monastery (\u201cPanagia the God-guarded\u201d) or the K\u0131zlar Monastery, a former female monastery founded during the reign of Alexios III (r. 1349-90). It is at the foot of the Boztepe mountain and overlooks the city of Trabzon. The church and complex have been rebuilt, and the current fa\u00e7ade no longer bears these frescoes.","metadata":[{"label":"Date","value":"19th century"}],"width":3508,"height":2396},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19","@type":"sc:Canvas","label":"Cassone with painted front panel depicting the Conquest of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3643.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2484%2F91090a5945dabe0da92b04d916567561.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2628},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3643.19"}],"description":"Attributed to the workshop of Apolloni di Giovanni di Tomaso, Italian, said to come from the Palazzo Strozzi. The front panel depicts a battle at the city of Trebizond, Constantinople is at the upper left. The battle shows the fall of Trebizond to the Ottomans in 1471, but, strangely, the ruler beneath the canopy is identified as Tamerlane (Timur) in a small, faint inscription to the right of his head, who defeated the Ottoman sultan in 1402, and died three years later in 1405. This bizarre anachronism has not been explained.","metadata":[{"label":"Date","value":"After c. 1461"},{"label":"Type","value":"Cassone"},{"label":"Creator","value":"Attributed to the workshop of Apolloni di Giovanni di Tomaso"},{"label":"Dimensions","value":"100.3 x 195.6 x 83.5 cm; painted surface: 38.7 x 125.7 cm"},{"label":"Material","value":"Poplar wood, linen, polychromed and gilded gesso with panel painted in tempera and gold"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":3859,"height":2628}]}]} IIIF Type Manifest UUID 7a8fa0b8-66e0-4b5d-b2f8-b88aac59844c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Citadel of Trebizond Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413 Description An account of the resource Part of the series of defensive walls surrounded the city, various stages of the walls’ construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18","@type":"sc:Canvas","label":"Citadel of Trebizond","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/annotation/3642.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2483%2F69fb7a0a88f10ad8b677718cb0e23696.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1680,"height":1125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/413/canvas/3642.18"}],"description":"Part of the series of defensive walls surrounded the city, various stages of the walls\u2019 construction date back to the Roman Empire, with some evidence of the existence of the citadel (in its earliest construction) dating back as far as 2000 BCE. Most of the surviving citadel, however, dates to the 13th and 14th century.","width":1680,"height":1125} Display as IIIF? Yes UUID 9ff9e4ef-8a7f-4586-a736-3609283208d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. Castles as fortified administrative centers and places of refuge for the local population during troubled times IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396","label":"The Crusader States in Twenty Images","description":"The built environment in the Eastern Mediterranean under crusader rule consisted of \nNew public and private buildings \nCovered and open markets\nHospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. \nUrban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making.\nCastles as fortified administrative centers and places of refuge for the local population during troubled times","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0","@type":"sc:Canvas","label":"A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3516.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":710,"height":784},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0"}],"description":"The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle.\nPotsherds and coin finds date the numerous graves to the short period between 1218 and 1291. The deceased were almost certainly Europeans. They were primarily buried in shrouds and lowered into pits that then were covered with a lid anchored with stones, the common method in France in that period. Some may have been pilgrims who chose to be buried at Athlit, perhaps due to the proximity to relics in the castle\u2019s chapel, as might be the case of a man in his 50s found with his arms folded over his chest and his hands in what may have been an attitude of prayer. Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region.","width":710,"height":784},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1","@type":"sc:Canvas","label":"Belvoir Castle, Israel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3515.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1"}],"description":"The Crusader castle of Belvoir is located on a hill of the Naphtali plateau, about 500 meters above the Jordan Valley and a few miles south of Lake Tiberias (the Sea of Galilee). It is surrounded by a moat, and built with an outer and inner fortress.\nThe first structure was modest and part of the estate of a certain Velos, a Frankish nobleman who lived in nearby Tiberias. Velos sold it to the Knights Hospitaller in 1168. It took five years and hundreds of workers to build Belvoir. The castle controlled the eastern entryway from Gilead into Kingdom of Jerusalem and the roads in the valley leading to Galilee.\nIn 1189, the castle was surrendered to Saladin.","width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3514.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2"}],"description":"Upon its foundation in 1142, the Kerak or Karak of Moab Castle became the stronghold of the Latin Lordship of Transjordan, which was part of the Latin Kingdom of Jerusalem. The fortress surrendered to Saladin in 1188.\nWhy was the particular location chosen by the crusaders?","width":3872,"height":2592},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3513.3","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3513.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3513.3"}],"width":3872,"height":2592},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3512.4","@type":"sc:Canvas","label":"St Sergius on horseback, 13th century icon","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3512.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2358%2Fa310849721c3d560dcabf485bfbe32ba.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2358%2Fa310849721c3d560dcabf485bfbe32ba.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1416,"height":2000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3512.4"}],"description":"St Sergius on horseback, carrying a crusader banner. 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Yes UUID e90837be-e617-47c9-b9a6-f6e37ae98fd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. 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It is surrounded by a moat, and built with an outer and inner fortress.\nThe first structure was modest and part of the estate of a certain Velos, a Frankish nobleman who lived in nearby Tiberias. Velos sold it to the Knights Hospitaller in 1168. It took five years and hundreds of workers to build Belvoir. The castle controlled the eastern entryway from Gilead into Kingdom of Jerusalem and the roads in the valley leading to Galilee.\nIn 1189, the castle was surrendered to Saladin.","width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3514.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2"}],"description":"Upon its foundation in 1142, the Kerak or Karak of Moab Castle became the stronghold of the Latin Lordship of Transjordan, which was part of the Latin Kingdom of Jerusalem. 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The donor of the icon appears kneeling and kissing the right red boot of the saint in a gesture of reverence. \nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Icon Collection","width":1416,"height":2000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5","@type":"sc:Canvas","label":"Saints Sergius and Bacchus on horseback","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3511.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":678,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5"}],"description":"Saints Sergius and Bacchus on horseback.\nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Egypt, Icon Collection\nWho were Saints Sergius and Bacchus?","width":678,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6","@type":"sc:Canvas","label":"The Siege of Acre, 1799","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3510.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":698,"height":698},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6"}],"description":"The Siege of Acre by Napoleon's army in May 1799. Scene from Napoleon's failed attempt to take the city of Acre from the Ottomans and British during his campaign in the Holy Land in 1799. \n\nFrom J. Jenkins, The Martial Achievements of Great Britain and Her Allies; from 1799 to 1815 (London: L. Harrison & J.C. Leigh, 1814-1815)","width":698,"height":698},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7","@type":"sc:Canvas","label":"The Siege of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3509.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1067,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7"}],"description":"The Siege of Acre, 1189-1191. Part of the Third Crusade. Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270)\n Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background.","width":1067,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8","@type":"sc:Canvas","label":"Old City of Acre, UNESCO World Heritage Site","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3508.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":845,"height":335},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8"}],"description":"The Old City of Acre, UNESCO World Heritage Site. Why?\nTo find out more about the significance of Acre please visit \nhttps://whc.unesco.org/en/list/1042/","width":845,"height":335},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9","@type":"sc:Canvas","label":"Old city of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3507.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":500,"height":375},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9"}],"width":500,"height":375},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10","@type":"sc:Canvas","label":"City of Acre, Hall of the Knights","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3506.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11","@type":"sc:Canvas","label":"City of Acre, fragment of a crusader bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3505.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":921,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11"}],"width":921,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12","@type":"sc:Canvas","label":"City of Acre, Corbel bearing the cross of the Hospitallers","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3504.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":418,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12"}],"description":"Corbel bearing the cross of the Knights Hospitaller, Israel Museum Collections.","width":418,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13","@type":"sc:Canvas","label":"Krak des Chevaliers, Chapel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3503.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3456,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13"}],"description":"Krak des Chevaliers. Is this barrel vaulted space a chapel or a mosque? Discuss.","width":3456,"height":2592},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3502.14","@type":"sc:Canvas","label":"Krak des Chevaliers, damaged.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3502.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2348%2F46055362b1362c6e0f2e2cd6661b6ad4.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2348%2F46055362b1362c6e0f2e2cd6661b6ad4.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1280,"height":960},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3502.14"}],"description":"The photograph captures some of the damage and destruction inflicted on the castle. \nObservatory of Syrian Cultural Heritage, UNESCO.\nPlease, visit https://en.unesco.org/syrian-observatory/news/crac-des-chevaliers-and-qal%E2%80%99-salah-el-din","width":1280,"height":960},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3501.15","@type":"sc:Canvas","label":"Krak des Chevaliers, Crusader frescoes","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3501.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2347%2Fc1e151f13252619c5b855af03f29e7dd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2347%2Fc1e151f13252619c5b855af03f29e7dd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3501.15"}],"description":"Fragments of surviving frescoes, Krak des Chevaliers","width":2560,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3500.16","@type":"sc:Canvas","label":"Arabic inscription embedded on the walls of the Krak des Chevaliers","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3500.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2346%2F42e67c973e9f1befebceedccafee8ed5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2346%2F42e67c973e9f1befebceedccafee8ed5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3500.16"}],"width":2560,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3499.17","@type":"sc:Canvas","label":"Krak des Chevaliers, exterior of the chapel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3499.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2345%2F1438c17d7cea3c83f3495b31cb3f6d35.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2345%2F1438c17d7cea3c83f3495b31cb3f6d35.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3008,"height":2000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3499.17"}],"description":"Krak des Chevaliers, exterior of the chapel. \nWhat architectural style of this facade?","width":3008,"height":2000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3498.18","@type":"sc:Canvas","label":"Krak des Chevaliers. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource City of Acre, Corbel bearing the cross of the Hospitallers Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource Corbel bearing the cross of the Knights Hospitaller, Israel Museum Collections. 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Yes UUID c39b8364-4ca9-4ef0-8882-5bd63a0367be