18 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The archaeology of destruction and the Kingdom of Jerusalem in 20 objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378","label":"The archaeology of destruction and the Kingdom of Jerusalem in 20 objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0","@type":"sc:Canvas","label":"Detail of Bishop Adhemar of Le Puy carrying the Holy Lance","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3472.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2320%2F07495337eb0009048a2aec319f9cf909.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1428,"height":1351},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3472.0"}],"description":"This illuminated initial 'P' (Pasestoient) shows a scene of the battle outside Antioch, Bishop Adhemar is carrying the Holy Lance, a relic that played an important role in bolstering the morale of the crusaders (fol. 29r). 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X and on the reverse: +dE IERVSALEM.","metadata":[{"label":"Date","value":"1143-63"},{"label":"Type","value":"Denier"},{"label":"Material","value":"Billon"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1600,"height":1136},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2","@type":"sc:Canvas","label":"The capture of Jerusalem by Saladin on October 2, 1187","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3470.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2318%2Fcf0cf8fc7846c88091fe9f06b9268cb5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2170,"height":1357},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3470.2"}],"description":"The capture of Jerusalem by Saladin on October 2, 1187. You might recognize this image from the course canvas site! Balian of Ibelin (right) offers Saladin (left, on horseback) the keys to the city. This image is from fol. 144r in volume 2. To view the complete manuscript, see here for volume 1: https://gallica.bnf.fr/ark:/12148/btv1b55006914c/f725.planchecontact and here for volume 2: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f328.planchecontact","metadata":[{"label":"Date","value":"15th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"David Aubert"},{"label":"Title","value":"Chronicle of David Aubert"},{"label":"Location","value":"Biblioth\u00e8que d' Arsenal, Paris"},{"label":"Label","value":"Biblioth\u00e8que de l'Arsenal, Ms-5089-5090"}],"width":2170,"height":1357},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3","@type":"sc:Canvas","label":"Remains of Belvoir Fortress","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3469.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3469.3"}],"description":"Belvoir fortress is a crusader fortress in modern day Israel. It was constructed by the Knights Hospitaller in the 12th century, and was near to the site of the Battle of Belvoir Castle fought between Baldwin IV and Saladin in 1182","metadata":[{"label":"Date","value":"1168"},{"label":"Type","value":"Fortress"},{"label":"Patrons","value":"Knights Hospitaller"},{"label":"Location","value":"Israel"}],"width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4","@type":"sc:Canvas","label":"Billon Denier of Amaury I","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3468.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2316%2F25198eca22cb5a3c82c566a3937ed827.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":496},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3468.4"}],"description":"One side of this coin shows a depiction of the Holy Sepulcher in Jerusalem and the other a cross. 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The inscription on the obverse reads: +KE BO TANKPI+, and on the reverse: IC \u2013 XC \u2013 NI \u2013 KA","metadata":[{"label":"Date","value":"1101-1112"},{"label":"Type","value":"Antiochene Copper Type 4 (Tancred 2nd Type)"},{"label":"Material","value":"Copper"},{"label":"Location","value":"Museum of the Order of St John"}],"width":1730,"height":1137},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6","@type":"sc:Canvas","label":"So-Called Crusader's Bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3466.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2314%2Faff4eb6a6d9eec80e01110da61116d99.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":681},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3466.6"}],"description":"So-called Crusader's Bowl","metadata":[{"label":"Date","value":"11th century"},{"label":"Type","value":"Bowl"},{"label":"Material","value":"Metal"},{"label":"Place of Creation","value":"Egypt"},{"label":"Location","value":"Harvard Art Museums"},{"label":"Dimensions","value":"15.75 cm"}],"width":1024,"height":681},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7","@type":"sc:Canvas","label":"Crusader Imitation of a Dinar of al-Amir","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3465.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2313%2Fbd5144e8791beb3c9146a274ce697da3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":478},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3465.7"}],"description":"Crusader Imitation of a Dinar of al-Amir","width":1024,"height":478},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8","@type":"sc:Canvas","label":"The Combat between Tancred and Clorinda","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3464.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2312%2Fb52e6f14649f3bf301a2eaac014f14a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":733},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3464.8"}],"description":"This 17th century drawing illustrates a scene from Torquato Tasso's epic poem, \"La Gerusalemme liberata\" (The Liberation of Jerusalem or Jerusalem Delivered). The subject of this poem was the First Crusade. It served as a subject for numerous artists across multiple media throughout the subsequent centuries.","metadata":[{"label":"Date","value":"17th century"},{"label":"Type","value":"Drawing"},{"label":"Title","value":"The Combat between Tancred and Clorinda"},{"label":"Artist","value":"Laurent de La Hyre"},{"label":"Place of Creation","value":"France"},{"label":"Location","value":"Harvard Art Museums"}],"width":1024,"height":733},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9","@type":"sc:Canvas","label":"The Alexiad of Anna Komnene","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3463.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2311%2Fb8c2a2c71654b2416f0552e780728a6e.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1548,"height":1791},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3463.9"}],"description":"The Alexiad was written c. 1148 by Byzantine Princess Anna Komnene. It is a historical text detailing the political and military life of her father, Alexios I, including his interactions with the crusades. This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. These nine figures were divided into three groups of three: Christians (King Arthur, Charlemagne, and Godfrey of Bouillon), Pagans (Hector, Alexander the Great, and Julius Caesar), and Jewish (Joshua, David, and Judas Maccabeus). Godfrey, known for his participation in the crusades, is third from the left with a dog at his feet.","metadata":[{"label":"Date","value":"13th century"},{"label":"Location","value":"City Hall, Cologne"},{"label":"Material","value":"Wood"}],"width":1500,"height":649},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11","@type":"sc:Canvas","label":"Detail of Godfrey and Charlemagne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3461.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2309%2Fd994ca6957ea6b23860bb6dcd96f1316.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":337,"height":524},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3461.11"}],"description":"Here is a detail of Godfrey (at right, with his sword and dog) with another one of the Christian worthies, Charlemagne.","metadata":[{"label":"Date","value":"13th century"},{"label":"Material","value":"Wood"},{"label":"Location","value":"City Hall, Cologne"}],"width":337,"height":524},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12","@type":"sc:Canvas","label":"Map of the Holy Land","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3460.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2308%2F065af110c59c443a8051e8d765487f36.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1378},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3460.12"}],"description":"This map of the Holy Land appears in Matthew Paris' Chronica Majora vol. 1, written and illustrated by Paris.\n\nYou can see the full manuscript here: https://parker.stanford.edu/parker/catalog/rf352tc5448","metadata":[{"label":"Date","value":"c. 1240-53"},{"label":"Creator","value":"Matthew Paris"},{"label":"Format","value":"Manuscript"},{"label":"Place of Creation","value":"Saint Albans"},{"label":"Location","value":"Corpus Christi College, Cambridge"},{"label":"Label","value":"10.\tCambridge, Corpus Christi College, MS 026: Matthew Paris OSB"}],"width":1600,"height":1378},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13","@type":"sc:Canvas","label":"Reliquary of the True Cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3459.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2307%2F8458cb480ad56a23910f01865bc1a4a2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2675,"height":3400},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3459.13"}],"description":"The cross in this panel comes from the Latin Kingdom of Jerusalem, while the panel into which the cross has been set comes from the Rhine-Meuse region. The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. 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The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Billon Denier of Amaury I Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource One side of this coin shows a depiction of the Holy Sepulcher in Jerusalem and the other a cross. 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century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3562.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2406%2F167316c6b64e4cdca6b45738b37abfd3.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2406%2F167316c6b64e4cdca6b45738b37abfd3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":467},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3562.17"}],"description":"Billon (base silver) denier, mint of Valence, 11th century\nObverse: + S \u039bPOLLIN\u039bRS, cross pomm\u00e9e, large annulet 4th quarter.\nReverse.+VRBS V\u039bLENTI\u039bI, Angel.\nThe deniers of the mint of Valence along with those issued from the mints of Charters, Le Mans, Melgueil, Le Puy, Lucca and Melle are mentioned by the chronicler Raymond of Aguilers who accompanied the count of Toulouse Raymond of Saint-Gilles as the preferred coins used in the Latin East by members of the First crusade.","width":900,"height":467},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18","@type":"sc:Canvas","label":"Billon denier, Principality of ANTIOCH. Bohemond III or IV, c.1149-1233","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3563.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":451},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18"}],"description":"Obverse: + BOAMANDVS , helmeted bust left, crescent in front star behind\nReverse: +ANTIOCHIA around cross downward crescent in 2nd quarter","width":900,"height":451},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19","@type":"sc:Canvas","label":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 (=AD 1185)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3564.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2408%2Fcc325b45e29da0ffae2dd9b521383c70.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1263,"height":622},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3564.19"}],"description":"Gold dinar struck in the name of Saladin, mint of Al-Iskandariya, AH 581 = AD 1185. Obverse: al-Imam/Ahmad in two lines across field; citing the Abbasid caliph \"Abu l-\u00c1bbas al-Nasir li-din Allah, commander of the faithful\" in inner margin; mint and date formula in outer margin \nReverse: \"Yusuf/bin Ayyub\" in two lines across field; title \"`alin al-Malik ghaya Salah al-Din\" in inner margin; Kalima and Qur`an IX,33 in outer margin.","width":1263,"height":622},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20","@type":"sc:Canvas","label":"Othello Castle, Cyprus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3565.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2409%2F9c204c15365f70c766c6f62fc2df77cd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1089,"height":721},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3565.20"}],"width":1089,"height":721},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21","@type":"sc:Canvas","label":"Cathedral Church of St Nicholas, Famagusta, Cyprus (Lala Mustafa Pasha Mosque)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3567.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2411%2F6ffb808e7690aa789eb2f947c5e26e62.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1197,"height":656},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3567.21"}],"description":"The imposing cathedral of St Nicholas is located in the walled city of Ammochostos and dates to the 14th century. Its architecture mimics the cathedral in the French city of Reims. It was in this cathedral that the Frankish kings of Cyprus and Jerusalem were crowned. The interior was originally decorated with wall paintings but these were destroyed when the Ottomans converted the cathedral into a mosque in 1571 (re-named Lala Mustafa Pasha mosque).","width":1197,"height":656},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22","@type":"sc:Canvas","label":"The street of the Knights of Saint John, 14th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3568.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2412%2Fd7868ff9ae500b5bcd0b3327e20022fc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3568.22"}],"description":"The Order initially included 7 tongues: Provence, Auvergne, France, Italy, Aragon, England, and Germany.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23","@type":"sc:Canvas","label":"Palace of the Grand Master in Rhodes","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3569.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2413%2F948612e7ff55f346833df8a519df9dac.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":960,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3569.23"}],"description":"Built on the foundations of the Temple of Sun God (Helios), whose cult was much distinct to the island of Rhodes in the antiquity, the palace was the residence of the governor and the island's administrative center. It was constructed in the 14th century by the Knights of Saint John.","width":960,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24","@type":"sc:Canvas","label":"The Castle of Chlemoutsi (or Clairmont), Achaea, the Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3570.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2414%2F95542fc898f22c034197a03b17e3e1f9.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1086,"height":724},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3570.24"}],"description":"Built between 1220/1230 by the Geoffrey I de Villehardouin, Chlemoutsi was the strongest fortress in the Frankish principality of Achaea, in the Peloponnese. Named Clermont by its founder and Chlemoutsi by the locals, the castle was known by the Venetians as Castel Tornese. Clermont or Chlemoutsi controlled the core of the Frankish possessions in Achaea, and\u00a0protected Glarentza (modern day Kyllini), a key Frankish mint and port, and Andravida, the capital of the Principality of Achaea.","width":1086,"height":724},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25","@type":"sc:Canvas","label":"The fortified city of Mystras in the Peloponnese, Greece. Founded in the 13th century as the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3571.25","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2415%2Ff55fe4e6978c84bdf1547dc237b15e3c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":768},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3571.25"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece founded in the 13th century. It became the seat of the Latin Principality of Achaea following the fall of Constantinople to the crusaders in 1204. In 1259, the city's Latin lord, Prince William II Villehardouin, was captured on the battlefield of Pelagonia by Byzantine Emperor Michael VIII Paleologos who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","width":1024,"height":768},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26","@type":"sc:Canvas","label":"connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke.","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3573.26","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2416%2F01718b4c7186b66013166c41ea212af8.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":850,"height":588},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3573.26"}],"description":"Domed, cross-in-square church of the composite four-column type, with a narthex and porches. The wall masonry is pseudo-isodomic in the lower section and \"cloisonn\u00e9\" in the upper part. The facades are decorated with a variety of brick ornaments. The church was built on a stone crepis and dates to the end of the 12th or the 13th century. The interior is decorated with Byzantine wall paintings.\u00a0There is no reference to the history of the monument, which is dated only on the basis of the excavation data and its architectural form. It was probably connected with the antiquarian Latin archbishop of Corinth, William de Meerbeke. William was Flemish, born about 1215, or 1230, in the province of Brabant, (probably) in Moerbeke, now a small town in the flat farmland of central Belgium. He joined the Dominican order at Louvain or Ghent. As an exceptional young scholar, he was sent to continue his studies in Paris and Cologne. He studied Greek and Arabic.\u00a0\u00a0Moerbeke's primary reputation is for having acquired and translated various Greek manuscripts, especially Aristotle, for the use of Thomas Aquinas. He was appointed Archbishop of Corinth and so is next associated with this church.\u00a0 The name of Merbaka has long been thought to have come from his name. Was this church intended as a burial church? Not sufficient archaeological data has been made available and we do not even know whether he wanted to be buried in the Argolid.","width":850,"height":588},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27","@type":"sc:Canvas","label":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3574.27","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2417%2F4875e588a9dced5b38a083c9554b6c1a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1129,"height":696},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3574.27"}],"description":"The Platamon Castle, Macedonia, is a Byzantine castle that was extensively improved by the Latin Roland Piscia, who received the site from Boniface of Montferrat after 1204. \nThe imposing castle is located near the mouth of the Peneios River, overlooking the wide plain of Pieria to the north and commanding north-south communication at the entrance to the valley of Tempe. Platamon is mentioned for the first time in a chrysobull of Emperor Alexios III in 1198. It was probably rebuilt by the Latin local ruler Roland Piscia, who received the site from Boniface of Montferrat after 1204. In 1218 it was taken by Byzantine Emperor Theodore Komnenos Doukas of Epiros.","width":1129,"height":696}]}]} IIIF Type Manifest UUID 74d0b396-e4b8-4aa1-8931-0d105c9b7ce7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Billon denier, Principality of ANTIOCH. Bohemond III or IV, c.1149-1233 Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403 Description An account of the resource Obverse: + BOAMANDVS , helmeted bust left, crescent in front star behind Reverse: +ANTIOCHIA around cross downward crescent in 2nd quarter IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18","@type":"sc:Canvas","label":"Billon denier, Principality of ANTIOCH. Bohemond III or IV, c.1149-1233","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/annotation/3563.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2407%2F66ab977d5f4e580b42af7a507f66c569.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":451},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/403/canvas/3563.18"}],"description":"Obverse: + BOAMANDVS , helmeted bust left, crescent in front star behind\nReverse: +ANTIOCHIA around cross downward crescent in 2nd quarter","width":900,"height":451} Display as IIIF? Yes UUID b3c469eb-41df-48cf-a6be-900c441e36e4 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/8ce2f5d0b22d932f10df5f17bb77b7fb.JPG 8c58f3c3e680f076e28c9f85986f8c76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 4/19 IIIF Collection Metadata UUID 75926b03-cd98-454b-841e-fec873602391 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Body-chain with coin-set clasp Subject The topic of the resource 367-375 (production date of coin), late 4th century (body chain); minted in Trier; gold, garnet, amethyst and sulphur; 249.5 g Description An account of the resource Body-chain with coin-set clasp. Four chains are joined so as to form an upper-body decoration passing over the shoulders and under the arms of the wearer, and crossing at the front and back. The chains are of complex loop-in-loop construction connected laterally to form a thick flat strap, rather than a round-sectioned chain. They terminate in three-dimensional lions' heads. The lions have large eyes, rounded ears and flat muzzles. A plain tubular collar behind each head contains the end of the chain, fixed in place by a rivet, and each lion has a small ring in its mouth that connects with further rings to link with the frontal plaque, and to gold hooks at the other end, which connect with the back plaque to form a clasp. The collars that enclose the ends of the chains are encircled at each end by a band of twisted, square-sectioned wire. The clasp at the back of the body chain takes the form of an octagonal open-backed mount set with a gold coin. A border in pierced gold features a foliate design of leafy spirals at the corners, meeting in the centre of each side over a heart-shaped leaf. This openwork border has been backed with sheet gold, so that it now appears simply as a design in relief on a solid background, and four ribbed rings are soldered to the backing in diagonal positions. The coin is a solidus of Gratian (AD 367-83). At the front of the body chain is a roughly oval gold setting for nine gems. It has a slightly concave solid back. The center oval cell contains a cabochon amethyst, and surrounding it four almond-shaped garnets (one damaged) alternate with four empty circular cells still containing some jems. These may have contained pearls. Inscription: VICTORIA AVGG IIIF Item Metadata UUID 8ef212f0-5531-496c-9860-d40602dc2b1c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/34e9fcf99510656c1174c80ab905e700.jpg 139bce08643b5af5682b34a84515fe63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 4/12 IIIF Collection Metadata UUID b07ae80a-b5c7-48fb-815b-2879976840e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book of Durrow fol. 8v Subject The topic of the resource Carpet page Dublin, Trinity College Dublin Library TCD MS 57 Made between 650 and 700 in Northumbria or in Scotland, this is the oldest extant complete illuminated Insular gospel book IIIF Item Metadata UUID b069c40e-d7f5-4cd6-8b71-44fc15a4a52f https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/2c4a61a349dd904b0d127638e7bf254c.jpg 9e3ba686a58a6ab64040e6cfcea21c09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 4/12 IIIF Collection Metadata UUID b07ae80a-b5c7-48fb-815b-2879976840e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Book of Kells fol. 292r Subject The topic of the resource Opening to the Gospel of John Dublin, Trinity College Library, MS A. I. [58] Made c. 800 in a Columban monastery in Scotland, England, or Ireland and contains the four Gospels. An example (considered by many to be the finest) of Insular illumination, written in Latin. IIIF Item Metadata UUID 7a8dcd7c-2900-48e7-93fa-e3f79fd67c03 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6925bf7811e1a645676fb8b616b10935.png b965d1f3aaa9f08e2b03cd8c2dc15b3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Subject The topic of the resource Bowl, 4th century, Roman-British, England, silver, diam: 26.6cm; height: 9cm; weight, 1301g, London, The British Museum. Description An account of the resource Museum Description: “Silver flanged bowl with beaded rim (66 beads in total) on a circular foot-ring. The basal medallion and the rim are decorated with raised relief made using chasing and engraving techniques. The central medallion, enclosed in a circle of 92 beads, is decorated with a male bust facing left with Corinthian helmet and shield behind the bust; the bust is likely to represent Alexander the Great. The flange is decorated by four scenes separated by busts: the first with a male goat grazing and a pair of sheep, one a ram and the other a female, with a tree between; the second a bear chasing a pair of deer, flanked by a female bust on the left and a bearded male bust on the right; the third by a pair of goats and grazing sheep separated by a tree; the fourth by a bear bringing down a goat and another goat fleeing, separated by a tree, flanked by a female bust on the left and a satyr bust on the right." Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/H_1946-1007-7 Publisher An entity responsible for making the resource available British Museum 1946,1007.7 IIIF Item Metadata UUID 847abddd-cbec-49df-a539-580cf6b77ff6 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6c467b8d1032af168ba9ff805ce0dcdb.jpg 35194df43ec164e2b5ddb0799cf9d7a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/29 - Dumbarton Oaks IIIF Collection Metadata UUID 8ad74242-4ece-4b72-940b-a0f9411b0959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bracelet with Panthers Subject The topic of the resource Early Byzantine 7th century 8.9 x 8 x 3.8 cm (3 1/2 x 3 1/8 x 1 1/2 in.) gold BZ.1938.66 Description An account of the resource Images of wild animals were often used on jewelry and regalia in the ancient world. They could symbolize the wearer’s strength or character or connote status within a group, whether within a ruling elite, a religious cult, or a social status. This elaborate bracelet with elegant leopards may have signaled one of the latter categories. Pairs of standing or leaping leopards are a widespread motif in Roman art. The leopards were frequently placed symmetrically to either side of a krater, a bowl for mixing wine with water. In this context they connected Dionysos, the god of wine, to the triumphant hero Dionysos, who conquered India, symbolized by the leopards. Alternately, the dazzling bracelet may have evoked Dionysos for his connections to marriage, religious rites, or eternal life, in that he was considered to be a god of salvation. The bracelet may be connected to similarly-designed jewelry. An outstanding example is a fourth-century gold ring with leopards supporting a gemstone carved with a personification of Victory, now in the Walters Art Museum (accession no. 57-1114). The ring probably served as an insignium of office, which suggests a possible function for this unique bracelet. As for its date, the motif of confronted leopards was found on works of art from the first century onwards, while pairs of other confronted animals appear on jewelry mainly in the fourth and fifth century, supporting a late Roman date for the bracelet. The natural movement of the leopards is incorporated into the design. The leopards support an openwork platform with a high bezel, which perhaps originally held a large cabochon gemstone. The forepaws of the leopards are attached to the platform by hinges which can pivot open when the pin at the base of the leopards’ feet was removed. The sophisticated construction of this unparalleled bracelet is as ingenious as it is elegant. S. Zwirn IIIF Item Metadata UUID 71a51c9a-7906-4ded-a352-46ec484e251f https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0d09552083f7af82047e18e0cfe1e9ea.jpg 21a7705303809a294302aaa78505e79d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/29 - Dumbarton Oaks IIIF Collection Metadata UUID 8ad74242-4ece-4b72-940b-a0f9411b0959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bracelet with Panthers (2) IIIF Item Metadata UUID 4a6d8001-f0e2-491c-b2eb-8e0aebffb13c https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/28a0bbbbf931feeda709cd759f9e7e33.jpg 8d089aabacee9ae67582af81f6e20d04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity 3/29 - Dumbarton Oaks IIIF Collection Metadata UUID 8ad74242-4ece-4b72-940b-a0f9411b0959 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bracelet with Panthers (3) IIIF Item Metadata UUID 2f25615a-7699-4ece-b884-cec8f524365e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/886fc0cdde11252692930de4af4b9cf6.JPG e26e6e97b3286d4b6216b13abee50592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Tuesday 4/6 IIIF Collection Metadata UUID d60b8706-a594-4e63-9f2f-05ed01406d75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brass manilla with incised designs, Nigeria Subject The topic of the resource nupe, copper alloy, incised, 3x8.5x7.5 cm IIIF Item Metadata UUID a359b6b9-5e93-4ce6-b650-3f3a365f7cfc