16 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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The Polo Brothers bid farewell to Constantinople en route to Trebizond and the Silk Route. \nLe Livre des Merveilles,15th cent. 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Now part of the Collections of the British Museum, 1885,1113.9065-9070","width":2500,"height":1598},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10","@type":"sc:Canvas","label":"The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata) designed ca. 1689\u201393, woven 1732\u201339, MET","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3437.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2286%2F5c1d5c7eadc7772846e9b41cd0461c09.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":2513},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3437.10"}],"description":"Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians\u2019 First Crusade into Jerusalem recounted in Tasso\u2019s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).\n\nAs the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Astrolabe Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, later Sultan of Yemen (r.1295-96). Brass; cast and hammered, pierced, chased, inlaid with silver. Made in Yemen A.H. 690/ A.D. 1291 The Metropolitan Museum, NYC, Edward C. Moore Collection, Bequest of Edward C. Moore, 1891 Accession no: 91.1.535a–h IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3421.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3421.2","@type":"sc:Canvas","label":"Astrolabe","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3421.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2272%2Fb7d26a072e2a09fa2163aea61ff7c7ec.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2272%2Fb7d26a072e2a09fa2163aea61ff7c7ec.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2995,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3421.2"}],"description":"Astrolabe of \u2018Umar ibn Yusuf ibn \u2018Umar ibn \u2018Ali ibn Rasul al-Muzaffari, later Sultan of Yemen (r.1295-96).\nBrass; cast and hammered, pierced, chased, inlaid with silver. Made in Yemen\nA.H. 690/ A.D. 1291\nThe Metropolitan Museum, NYC, Edward C. Moore Collection, Bequest of Edward C. Moore, 1891\nAccession no: 91.1.535a\u2013h","width":2995,"height":4000} Display as IIIF? Yes UUID 92a980ff-d8dc-4d17-adc6-0c5fae748057 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Augustus, Lugdunum Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196690 Subject The topic of the resource Aureus of Augustus, Lugdunum, 8 BCE, gold, 7.91 g, Harvard Art Museums Description An account of the resource Obv.: Laureate head of Augustus, r.; around, AVGVSTVS DIVI F. Rev.: Augustus, bare-headed, togate, seated l. on stool on low platform on r. extending r. hand to infant held out by cloaked figure; in exergue, IMP XIIII. IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196690/canvas/canvas-447050590 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196690/canvas/canvas-447050590","@type":"sc:Canvas","height":976,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196690/annotation/anno-447050590","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196690/canvas/canvas-447050590","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/447050590/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":976,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/447050590","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196690/list/447050590","@type":"sc:AnnotationList"}],"width":2550} UUID 79ec3550-74b8-4f8a-b885-f0cdc6925fa2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Aurelian Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/195900 Subject The topic of the resource Aureus of Aurelian, 270 -275 CE, gold, 5.08 g, Harvard Art Museums Description An account of the resource obverse: Bust of Aurelian; reverse: Victory; star IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/195900/canvas/canvas-18735517 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/195900/canvas/canvas-18735517","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195900/annotation/anno-18735517","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/195900/canvas/canvas-18735517","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/18735517/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/18735517","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195900/list/18735517","@type":"sc:AnnotationList"}],"width":1024} UUID 0c15d6b3-3fc1-4fe1-b465-d3fb896ff57f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Diocletian, Antioch Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196431 Subject The topic of the resource Aureus of Diocletian, Antioch, 296-297 CE, gold, 5.54 g, Harvard Art Museums Description An account of the resource Obv.: Laureate bust of Diocletian to r. Rev.: Emperor laureate, togate, standing facing l., holding globe in r. hand and long stick in l. IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196431/canvas/canvas-20411139 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196431/canvas/canvas-20411139","@type":"sc:Canvas","height":1174,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196431/annotation/anno-20411139","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196431/canvas/canvas-20411139","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/20411139/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1174,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/20411139","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196431/list/20411139","@type":"sc:AnnotationList"}],"width":2550} UUID 80dfe333-5431-45a7-98b0-d4480d5e96bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Faustina II Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/196160 Subject The topic of the resource Aureus of Faustina II, 147-150 CE, gold, 7.38 g, Harvard Art Museums Description An account of the resource Obv.: Bust of Faustina, draped, to r., hair elaborately dressed in horizontal waves at the front, and coiled up in a bun, pearl diadem; Rev.: Venus, standing, facng l., holding apple in r. hand, and a rudder set on dolphin, which coils around it IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-445835113 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-445835113","@type":"sc:Canvas","height":1063,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/annotation/anno-445835113","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/196160/canvas/canvas-445835113","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/445835113/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1063,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/445835113","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/196160/list/445835113","@type":"sc:AnnotationList"}],"width":2550} UUID 1cf22c90-f4e7-45b8-9eaf-d3f68482b10c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Hadrian struck for his wife Sabina, Rome Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/195261 Subject The topic of the resource Aureus of Hadrian struck for his wife Sabina, Rome, 134-138 CE, gold, 7.39 g, Harvard Art Museums Description An account of the resource Obv.: Bust of Sabina, draped, r., hair falling in plait down neck: it is waved at back and rises in crest over stephane above diadem Rev.: Concordia, seated on throne, holding patera in r. hand, resting elbow on a statuette of Spes on a low base; cornucopia under throne IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/195261/canvas/canvas-474061840 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/195261/canvas/canvas-474061840","@type":"sc:Canvas","height":1012,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195261/annotation/anno-474061840","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/195261/canvas/canvas-474061840","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/474061840/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1012,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/474061840","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195261/list/474061840","@type":"sc:AnnotationList"}],"width":2550} UUID b659394a-cf9c-4ca4-92e5-8b4de1b6c051 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aureus of Hadrian, Rome Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/195265 Subject The topic of the resource Aureus of Hadrian, Rome, 125-128 CE, gold, 7.27 g, Harvard Art Museums Description An account of the resource Obv.: Bust of Hadrian, draped, head bare to r. r. Rev.: Hadrian, on horse pacing r., raising r. hand IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/195265/canvas/canvas-474065990 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/195265/canvas/canvas-474065990","@type":"sc:Canvas","height":1061,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195265/annotation/anno-474065990","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/195265/canvas/canvas-474065990","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/474065990/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1061,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/474065990","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/195265/list/474065990","@type":"sc:AnnotationList"}],"width":2550} UUID 1bc64c8c-8bc0-4414-99da-f3ec66037d24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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This image is of fol. 1r, but the entire manuscript can be seen here: http://mss.bmlonline.it/s.aspx?Id=AWOItwHyI1A4r7GxMMRx&c=Alexias%20historia%20filii%20Alexii%20rom.%20imp#/book","metadata":[{"label":"Date","value":"c. 12th century"},{"label":"Type","value":"Manuscript"},{"label":"Author","value":"Anna Komnene"},{"label":"Title","value":"The Alexiad"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"},{"label":"Language","value":"Greek"}],"width":1548,"height":1791},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10","@type":"sc:Canvas","label":"The Nine Worthies at K\u00f6lner Rathaus","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3458.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2306%2F8fdea0e0dfbb1e72b336d018d0cfa27a.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1500,"height":649},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3458.10"}],"description":"These carved wooden figures at the city hall in Cologne, Germany represent the \"nine worthies\" a group of nine historical, biblical, and literary figures who personified ideas of chivalry in the Middle Ages. 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The Latin inscription reads: \"You who ask about the cross: read! The heir of Judas the priest/Stole it. But when, after boarding a ship,/He sought a mild breeze, a fierce storm opposed the sorry sailors./Out of his mind, he gnawed at his own hands./In the end the blessed Virgin spoke thus to him:/\u2018You shall soon be well, if you seek to return what was stolen.\u2019/ He pays back this debt to the brothers of the Temple . . . When he died, they cast him overboard, and the storm subsided./Happy they arrive at Brindisi, quiet they have returned with the cross,/Which resides beautiful in this handsome panel. This tablet was created in the 1214th year from the Lord\u2019s incarnation in the month of February.\"","metadata":[{"label":"Date","value":"1214"},{"label":"Type","value":"Reliquary and relic of the True Cross"},{"label":"Material","value":"Silver, gilded silver, niello, previous stones, walnut core, and piece of wood"},{"label":"Place of Creation","value":"Latin Kingdom of Jerusalem/Rhine-Meuse Region"},{"label":"Location","value":"Cleveland Museum of Art"}],"width":2675,"height":3400},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14","@type":"sc:Canvas","label":"Gemellion (Hand Basin) with the Arm of the Latin Kings of Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3457.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2305%2F624ee0e06c57f1570d9609854ee7dd1f.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4000,"height":3355},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3457.14"}],"description":"A hand basin showing the arms of the Latin Kings of Jerusalem.","metadata":[{"label":"Date","value":"c. 1250-75"},{"label":"Place of Creation","value":"Limoges, France"},{"label":"Material","value":"Copper and Enamel"},{"label":"Dimensions","value":"8 7/8 x 9 1/4 x 1 3/8 in"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":4000,"height":3355},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15","@type":"sc:Canvas","label":"Crusaders advance on Jerusalem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3456.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2304%2Fb87a3f5901760887227c19fcd8b65aa8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":600,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3456.15"}],"description":"This stained glass window shows a depiction of crusaders riding towards Jerusalem","metadata":[{"label":"Date","value":"c. 1158"},{"label":"Type","value":"Stained Glass"},{"label":"Place of Creation","value":"France"},{"label":"Original Location","value":"Royal Abbey Church, Saint Denis"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":600,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16","@type":"sc:Canvas","label":"Saladin's Treatise on Armor","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3455.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2303%2Fe4c8da7698e4e1269ab7b82029d10efb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1202,"height":834},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3455.16"}],"description":"These folios from Saladin's Treatise on Armor show just one example of the illustration and text in the complete manuscript, which can be viewed in its entirety here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/039d93e4-61c5-436e-8977-e43c7b861ac4#?c=0&m=0&s=0&cv=2&r=0&xywh=-4720%2C-394%2C14866%2C7868","metadata":[{"label":"Date","value":"before 1187"},{"label":"Type","value":"Manuscript"},{"label":"Commissioned For","value":"Saladin"},{"label":"Author","value":"Saladin?"},{"label":"Location","value":"Bodelian Libraries, Oxford University"},{"label":"Label","value":"Bodleian Library MS. Huntington 264"}],"width":1202,"height":834},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17","@type":"sc:Canvas","label":"Decorative Element from the Tomb of Baldwin V (?)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3453.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2301%2F8e496cb39ba39347deee9211dd2fed97.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":374,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3453.17"}],"description":"This piece of marble from the MET is believed to be a decorative element from the tomb of the child king of Jerusalem, Baldwin V (reigned 1183\u20131186) or that of his uncle Baldwin IV (reigned 1161\u20131185). The tomb was inside the Holy Sepulcher.","metadata":[{"label":"Date","value":"1180s"},{"label":"Material","value":"Marble"},{"label":"Dimensions","value":"28 \u00d7 15 3/4 \u00d7 2 3/8 in., 91 lb."},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Use","value":"Tomb"},{"label":"Location","value":"Metropolitan Museum of Art"}],"width":374,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18","@type":"sc:Canvas","label":"Illustration of the Tomb of Baldwin V","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3454.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2302%2F0271975d4c1796a56a06471123d13d60.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":880,"height":822},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3454.18"}],"description":"This illustration from the 18th century shows what the full tomb of Baldwin V would have looked like.","metadata":[{"label":"Date","value":"18th century"},{"label":"Type","value":"Illustration"},{"label":"Creator","value":"Elezar Horn"},{"label":"Location","value":"Vatican Libraries"}],"width":880,"height":822},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19","@type":"sc:Canvas","label":"The Church of the Holy Sepulcher","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3452.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2300%2Fb6b7c30208fcfb1db7e0ff5d3a31d850.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1176,"height":1199},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3452.19"}],"description":"The Church of the Holy Sepulcher in Jerusalem contains the sites of Jesus' crucifixion (on Golgotha) as well as the tomb (hence the name, Holy Sepulcher) where we was buried before his resurrection. The Church has been a site of Christian worship for centuries, with the first building undertaken by Constantine in the 4th century CE. It was subsequently destroyed in the 7th century, and then rebuilt, before being destroyed again in the 11th century, and then rebuilt again.","width":1176,"height":1199},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20","@type":"sc:Canvas","label":"Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3449.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2297%2Fa004a590b65116074a252e79ca972dc6.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1000,"height":867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3449.20"}],"description":"This pilgrim ampulla shows two military saints (George and Demetrios) on one side and a depiction of the body of Christ lying in the Holy Sepulcher on the other","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Material","value":"Lead"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1000,"height":867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22","@type":"sc:Canvas","label":"Front, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3451.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2299%2F893cdc05f5f30400ceb935ab3a438088.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3451.22"}],"description":"This face of the ampulla shows the two saints, George and Demetrios","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23","@type":"sc:Canvas","label":"Plan of Jerusalem with scene of the knights of the cross","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3448.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2296%2F77099fbf5e46b2285a4d7f04923fe48c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1440,"height":2125},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3448.23"}],"description":"The Hague, KB, 76 F 5, fol. 1r: Plan of Jerusalem and scene of the knights of the cross. Potentially made as a Psalter/the prefatory cycle preceding a Psalter","metadata":[{"label":"Date, Images","value":"c. 1190-1200"},{"label":"Date, Text","value":"c. 1290-1300"},{"label":"Miniatures","value":"St. Omer, Benedictine Abbey of St. Bertin"},{"label":"Text","value":"France"},{"label":"Location","value":"Koninklijke Bibliotheek, the Hague"}],"width":1440,"height":2125}]}]} IIIF Type Manifest UUID 4efa0b94-abb8-42c2-aefe-1bd4e4c41697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Back, Lead Pilgrim Ampulla Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378 Description An account of the resource This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21","@type":"sc:Canvas","label":"Back, Lead Pilgrim Ampulla","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/annotation/3450.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2298%2F98b73ad0a63f0ebdb7e3241facd36e0f.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":1990,"height":1108},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/378/canvas/3450.21"}],"description":"This image shows the scene of Christ's body lying in the Holy Sepulcher in Jerusalem.","metadata":[{"label":"Date","value":"12th - 13th century"},{"label":"Place of Creation","value":"Jerusalem"},{"label":"Location","value":"The British Museum"}],"width":1990,"height":1108} Display as IIIF? Yes UUID dc603b89-c89d-4029-998c-8ed950c91094 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/86d328a7773e895847b5a831d3dcb701.png 45cf9aa040d7a5514e971109df91b2ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 4 IIIF Collection Metadata UUID d99c41a6-1cd6-469b-ac81-f0f952ce8594 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptism of Jesus Mosaic, Arian Baptistry, Ravenna Description An account of the resource Late 5th early 6th century mosaic from the Arian Baptistry in Ravenna showing the Baptism of Jesus by St John the Baptist IIIF Item Metadata UUID 827fd55d-8b98-4261-803a-594ad545c8ec https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/7c4b780ed74564e7ce7404cd6e80d08b.jpg 23708cec339d62ae5df3f1fd8ff16e9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 4 IIIF Collection Metadata UUID d99c41a6-1cd6-469b-ac81-f0f952ce8594 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptism of Jesus Mosaic, Neonian Baptistry, Ravenna Description An account of the resource Late 5th century mosaic showing the Baptism of Jesus by St John the Baptist in the Baptistry of Neon (Neonian Baptistry) in Ravenna. IIIF Item Metadata UUID c41e8606-d6f5-4277-bd0f-768731a52451