12 10 972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. Castles as fortified administrative centers and places of refuge for the local population during troubled times IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396","label":"The Crusader States in Twenty Images","description":"The built environment in the Eastern Mediterranean under crusader rule consisted of \nNew public and private buildings \nCovered and open markets\nHospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. \nUrban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making.\nCastles as fortified administrative centers and places of refuge for the local population during troubled times","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0","@type":"sc:Canvas","label":"A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3516.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2360%2F48b64f10a18862b7f6cb284190f9dae2.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":710,"height":784},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3516.0"}],"description":"The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle.\nPotsherds and coin finds date the numerous graves to the short period between 1218 and 1291. 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Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region.","width":710,"height":784},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1","@type":"sc:Canvas","label":"Belvoir Castle, Israel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3515.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2317%2Fc99889db996c3f7b17d96132df43d4e7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2900,"height":1867},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3515.1"}],"description":"The Crusader castle of Belvoir is located on a hill of the Naphtali plateau, about 500 meters above the Jordan Valley and a few miles south of Lake Tiberias (the Sea of Galilee). It is surrounded by a moat, and built with an outer and inner fortress.\nThe first structure was modest and part of the estate of a certain Velos, a Frankish nobleman who lived in nearby Tiberias. Velos sold it to the Knights Hospitaller in 1168. It took five years and hundreds of workers to build Belvoir. The castle controlled the eastern entryway from Gilead into Kingdom of Jerusalem and the roads in the valley leading to Galilee.\nIn 1189, the castle was surrendered to Saladin.","width":2900,"height":1867},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2","@type":"sc:Canvas","label":"Kerak_BW_1.jpg","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3514.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2359%2Fd3de08b68343ab317089064aac12564b.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3872,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3514.2"}],"description":"Upon its foundation in 1142, the Kerak or Karak of Moab Castle became the stronghold of the Latin Lordship of Transjordan, which was part of the Latin Kingdom of Jerusalem. 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The donor of the icon appears kneeling and kissing the right red boot of the saint in a gesture of reverence. \nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Icon Collection","width":1416,"height":2000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5","@type":"sc:Canvas","label":"Saints Sergius and Bacchus on horseback","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3511.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2357%2F30b73664c6b70b364e0fa17bf048ac3d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":678,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3511.5"}],"description":"Saints Sergius and Bacchus on horseback.\nIcon, 13th century\nSt Catherine Monastery, Mount Sinai, Egypt, Icon Collection\nWho were Saints Sergius and Bacchus?","width":678,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6","@type":"sc:Canvas","label":"The Siege of Acre, 1799","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3510.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2356%2Fdcabb1b402caefe8c326d10007b75911.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":698,"height":698},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3510.6"}],"description":"The Siege of Acre by Napoleon's army in May 1799. Scene from Napoleon's failed attempt to take the city of Acre from the Ottomans and British during his campaign in the Holy Land in 1799. \n\nFrom J. Jenkins, The Martial Achievements of Great Britain and Her Allies; from 1799 to 1815 (London: L. Harrison & J.C. Leigh, 1814-1815)","width":698,"height":698},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7","@type":"sc:Canvas","label":"The Siege of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3509.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2355%2F14d1161bdf064b08a2b5ca9736d0fa8e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1067,"height":1500},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3509.7"}],"description":"The Siege of Acre, 1189-1191. Part of the Third Crusade. Illumination from the Chroniques de France or de Saint Denis (from 1108 to 1270)\n Soldiers in armor surround a walled town with one climbing up the walls on a ladder, and defending soldiers on the battlements. Military encampment in the background.","width":1067,"height":1500},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8","@type":"sc:Canvas","label":"Old City of Acre, UNESCO World Heritage Site","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3508.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2354%2F0a007415003a38d007fc921235894a1d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":845,"height":335},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3508.8"}],"description":"The Old City of Acre, UNESCO World Heritage Site. Why?\nTo find out more about the significance of Acre please visit \nhttps://whc.unesco.org/en/list/1042/","width":845,"height":335},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9","@type":"sc:Canvas","label":"Old city of Acre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3507.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2353%2F69f66f9092545e07eb88462c3afcc256.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":500,"height":375},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3507.9"}],"width":500,"height":375},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10","@type":"sc:Canvas","label":"City of Acre, Hall of the Knights","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3506.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2352%2Fa972e7d05754fef7965da8e49835c136.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3506.10"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11","@type":"sc:Canvas","label":"City of Acre, fragment of a crusader bowl","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3505.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2351%2F05c453c41df12f3148c6d8210f14999e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":921,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3505.11"}],"width":921,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12","@type":"sc:Canvas","label":"City of Acre, Corbel bearing the cross of the Hospitallers","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3504.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2350%2F9041e890d62198ac0a2088240f02f2c4.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":418,"height":600},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3504.12"}],"description":"Corbel bearing the cross of the Knights Hospitaller, Israel Museum Collections.","width":418,"height":600},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13","@type":"sc:Canvas","label":"Krak des Chevaliers, Chapel","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/annotation/3503.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2349%2F0ad86c98c6d2e4507e53fb71218d12c5.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3456,"height":2592},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396/canvas/3503.13"}],"description":"Krak des Chevaliers. Is this barrel vaulted space a chapel or a mosque? 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A stone slab decorated with a sword marks one of the thousands of Crusader-era burials recently discovered at the Athlit cemetery Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The Athlit Cemetery, the largest known Crusader resting place in the Middle East, lies outside the 13th-century Knights Templar's Athlit Castle. Potsherds and coin finds date the numerous graves to the short period between 1218 and 1291. The deceased were almost certainly Europeans. They were primarily buried in shrouds and lowered into pits that then were covered with a lid anchored with stones, the common method in France in that period. Some may have been pilgrims who chose to be buried at Athlit, perhaps due to the proximity to relics in the castle’s chapel, as might be the case of a man in his 50s found with his arms folded over his chest and his hands in what may have been an attitude of prayer. Metal pieces found next to his skeleton likely were part of a staff, a common accessory for pilgrims and the first example found in the region. 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Title A name given to the resource The Crusader States in Twenty Images Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/396 Description An account of the resource The built environment in the Eastern Mediterranean under crusader rule consisted of New public and private buildings Covered and open markets Hospices, hospitals, bathhouses, pools, aqueducts, sewers and cemeteries. Urban industries and crafts such as mints, goldsmiths, silversmiths, bakeries, tanners, sugar refineries and soap making. 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The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.\nThis exquisite tapestry, made of silk and wool, was designed by Domenico Paradisi (Italian, active 1689\u20131721) and manufactured at the San Michele workshop in Italy. MET, 92.1.15","width":4000,"height":2513},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11","@type":"sc:Canvas","label":"The Shroud of Saint-Josse, Mus\u00e9e du Louvre","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3433.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2282%2F7dfa6b8b53ffed990c134e5f08645e7e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1185,"height":723},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3433.11"}],"description":"The Shroud of Saint-Josse, now in the collections of the Mus\u00e9e du Louvre, is a silk samite saddle cloth that was woven in northeastern Iran for Abu Mansur Bakhtegin, some time before 961. \nWhen the precious textile was brought back from the First Crusade by \u00c9tienne de Blois it was dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne. In its new surroundings the 10th-century Islamic textile was was used to wrap the remains of Saint Josse, a 7th-century saint from Brittany, France.","width":1185,"height":723},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12","@type":"sc:Canvas","label":"Melisende Psalter, c. 1131\u201343, Eastern Mediterranean, now part of the Collections of the British Library","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3434.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2283%2Fb9a8b84c03aa2dcdc35a07eb8999413d.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2000,"height":1635},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3434.12"}],"description":"The most important patron of the arts in the Latin Kingdom of Jerusalem was the half-Armenian Queen Melisende. Melisende (1105\u2013c. 1160) and her husband, Fulk V of Anjou, became joint rulers of the Crusader Kingdom of Jerusalem in 1131. However within a year she and her husband were at war \u2013 which Melisende and her supporters won. Thereafter she became a great patron of the arts, founding an abbey at Bethany and commissioning this magnificent psalter. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.\nWhat is the importance of the Melisende Psalter in the history of the Crusader Kingdom of Jerusalem? Do the iconography and style of the Psalter look western?","width":2000,"height":1635},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13","@type":"sc:Canvas","label":"Saladin, TV series, Malaysia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3438.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2287%2F1e100f35a7a93ad6aa52c0c5815f8ae3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3438.13"}],"description":"Saladin (Arabic: \u0635\u0644\u0627\u062d \u0627\u0644\u062f\u064a\u0646 \u1e62al\u0101\u1e25 ad-D\u012bn) is an animated television series inspired by the life of Salah Al-Din Yusuf Ibni Ayub, the Islamic hero who united Muslims in their fight against the Crusaders in the 12th century. The series depicts adventures during a fictional time in Saladin's life as a young man.\nThe series was conceived and produced by the Multimedia Development Corporation in Malaysia.","width":1600,"height":1200},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14","@type":"sc:Canvas","label":"alexander-nevsky-movie-poster","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3439.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2288%2F6c4e3eb91d1c0cb0f459b5012519f568.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":580,"height":715},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3439.14"}],"description":"The film, released in 1938, retells the story of the fight between the Teutonic Order and the people of Novgorod led by 20-year old Prince Alexander Nevsky in 1242. The event was directed by Sergei Eisenstein. The music score was written by Sergei Prokoviev. \nThe film became an instant box office success.","width":580,"height":715},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15","@type":"sc:Canvas","label":"The Crown of Thorns carried by Archbishop Michel Aupetit of Paris, April 2020","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3431.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2280%2F122a1614fc408a59c7f264f0e9bac776.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":862,"height":485},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3431.15"}],"description":"Nearly one year after a fire ravaged the famed Notre Dame Cathedral in Paris, the city\u2019s archbishop briefly returned to the cathedral its most prized relic, the Crown of Thorns, on Good Friday, the day in which Catholics commemorate Jesus\u2019s suffering and death.\n\nWhat is the connection between the Crown of Thorns, the relics of the Passion, Notre Dame, Sainte Chapelle, and King Louis IX of France?","width":862,"height":485},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16","@type":"sc:Canvas","label":"The fortified city of Mystras, Peloponnese, Greece, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3418.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2270%2F9e1eb1acff81b2351ca8bbc1ba2ffc5e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":644,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3418.16"}],"description":"Mystras was a major late medieval fortified city in the Peloponnese, Greece, founded in the 13th century. The site became the seat of the Latin Principality of Achaea following the fall of Constantinople to the Crusaders in 1204. In 1259, the city's Latin Lord, William II Villehardhouin, was captured on the battlefield of Pelagonia by the Byzantine Emperor Michael VIII Palaiologos, who set him free in exchange for the castles of Monemvasia and Mystras. Palaces, churches with magnificent frescoes, and private houses, reflect power, wealth, and artistic exchange between Byzantine East and Latin West.","metadata":[{"label":"1252","value":""},{"label":"Mint of Acre","value":""},{"label":"SIlver dirham","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"BN","value":""},{"label":"Dimensions","value":""}],"width":644,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17","@type":"sc:Canvas","label":"The Freer Canteen, 13th century","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3440.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2289%2Fcb3314b6b64cd0440f2bcd1366a62c52.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":5250,"height":4896},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3440.17"}],"description":"This large, impressive canteen, the only known example of its kind from the Islamic world, was created in Mosul (now in Iraq) in the mid-13th century during the Ayyubid period. The canteen recalls the shape of ceramic pilgrim flasks. Its inlaid silver decoration combines calligraphy and decorative motifs, such as intricate geometric designs, and lively animal scrolls, with Christian imagery. These include a representation of the Virgin and Child in the center, surrounded by narrative scenes from the life of Christ as well as saints and knights.\n\nWhat kind of encounters does this canteen evoke?","width":5250,"height":4896},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18","@type":"sc:Canvas","label":"13th-century amphora\u00a0with confronted hybrid figures from Al-Mina, Dumbarton Oaks Research Library and Collection","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3432.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2281%2F0dda7793e73052f42a2c4d2311f843a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":236,"height":352},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3432.18"}],"description":"The amphora was made in Port Saint Symeon, in the Frankish principality of Antioch, shortly before the sack of the city by the Mamluks in 1268.\u00a0It features incised decoration, highlighted with malachite green and manganese brown. On the body of this piece, the artist has depicted hybrid creatures with leopards\u2019 bodies, human heads and crescent-shaped wings. This is an example of the sphinx iconography that may be found on numerous Islamic ceramic pieces. Bur\u0101q, the mythical animal that served as the Prophet Muhammad\u2019s mount during his night journey (the Mi\u02bfr\u0101j), heraldic, royal and astrological representations are also part of the iconographical repertoire of amphorae from Al-Mina.","metadata":[{"label":"13th century","value":""},{"label":"Pottery","value":""},{"label":"Format","value":""},{"label":"Source","value":""},{"label":"Dumbarton Oaks Research Library and Collection","value":""},{"label":"Creator","value":""},{"label":"Dimensions","value":""}],"width":236,"height":352},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19","@type":"sc:Canvas","label":"Model of the Holy Sepulcher, 17th or 18th century, Probably Jerusalem, possibly Bethlehem","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/annotation/3443.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2292%2F5fba2d81ca1458bde18bcb5e4b067cbd.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1600,"height":1200},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3443.19"}],"description":"A scale model of the Church of the Holy Sepulcher in Jerusalem. The model consists of 16 separate pieces that can be disassembled.\nOlive wood inlaid with mother-of-pearl and bone.\n\nStill standing in Jerusalem, the Church of the Holy Sepulcher enshrines the reputed sites of Jesus\u2019s crucifixion, entombment, and resurrection. In the 17th century, Middle Eastern craftsmen\u2014working in Franciscan monasteries in the Holy Land\u2014produced wooden models of the church, as gifts for European rulers and as prized souvenirs for wealthy pilgrims to this holiest site in Christendom.\nMuseum of Fine Arts, Boston, 2016.91","width":1600,"height":1200}]}]} IIIF Type Manifest UUID e3d3cbd0-41a5-414b-8284-cdc325be5751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A. Dürer, Knight, Death, and the Devil Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370 Description An account of the resource Albrecht Dürer, German (Nuremberg 1471 - 1528 Nuremberg), Knight, Death, and the Devil. Print, 1513. Harvard Art Museums, G1112 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3442.8 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/370/canvas/3442.8","@type":"sc:Canvas","label":"A. 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Yes UUID f5838b88-1788-4613-9d56-95dc7b969c20 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1985b28e8cdaab4b89050a6f359b0100.jpg c3c8bdc58fecb7f515ae6d01ba001d67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Achilles sacrificing to Zeus from the Ambrosian Iliad Subject The topic of the resource Achilles sacrificing to Zeus from the Ambrosian Iliad (Biblioteca Ambrosiana, Cod. F. 205 Inf.) fol. 42v, late 5th – early 6th century, Roman, Alexandria, ink on parchment, Milan, Biblioteca Ambrosiana. Description An account of the resource The Ambrosian Iliad, also called the Ilias Picta, is the oldest (and only ancient) surviving illustrated manuscript of Homer’s Iliad. Along with the Vatican Vergil (see Module 1) and the Vergilius Romanus, it is one of three extant examples of illustrated ancient secular texts. There are a total of 52 illustrations and the text is written in Greek. It was most likely made in Alexandria in Egypt and is the work of several artists. The illustrations were cut out of the original codex in the 11th century and inserted into a different manuscript of Homeric texts. Cardinal Frederico Borromeo purchased the manuscript in 1608 and it has remained in the collection of the Biblioteca Ambrosiana in Milan since then. Subsequent interventions in the early 19th century damaged the miniatures in an attempt to make the text more legible. This illustration depicts Achilles, dressed as a priest, making a sacrifice to Zeus to secure Patroclus’s safe return (Book XVI, lines 220-252). Source A related resource from which the described resource is derived https://iconographic.warburg.sas.ac.uk/vpc/VPC_search/subcats.php?cat_1=8&cat_2=15&cat_3=629&cat_4=973&cat_5=3277&cat_6=8125&cat_7=2709 Publisher An entity responsible for making the resource available Biblioteca Ambrosiana IIIF Item Metadata UUID ec4015ec-2ffc-40a1-a479-0fc2442d6f99 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e6c8f64e57b8294ed1a73f24fd138388.jpg 15df171b2139d19c31fb2aeef9759bfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam and Eve from the Catacomb of Marcellinus and Peter Subject The topic of the resource Adam and Eve, late 3rd to 4th century, Roman, fresco, Rome, Catacomb of Marcellinus and Peter. Description An account of the resource This fresco of Adam and Eve in the garden is instantly recognizable to anyone who is familiar with the scene from later centuries of Christian art. Within the catacomb, there is a mixture of pagan (including a representation of Orpheus playing a lyre), Christian (such as the raising of Lazarus), Old Testament (for example an elaborate depiction of the story of Jonah), and quotidian (a room decorated with paintings of athletes) imagery. This apparent comfort with the coexistence of styles and themes speaks to the gradual and adaptive shift in visual culture that occurred with the rise of Christianity. The catacomb itself, named after the saints and martyrs Marcellinus and Peter who are traditionally believed to have been buried there, covers 3 hectares in total with 4.5 kilometers of underground rooms on three distinct levels. During excavations in the 21st century, some 20,000 skeletons were found. Source A related resource from which the described resource is derived https://www.santimarcellinoepietro.it/ Publisher An entity responsible for making the resource available Catacombe SS. Marcellino e Pietro IIIF Item Metadata UUID 4f814956-88ed-42d9-be3f-c219510c3f1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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IIIF Type Manifest UUID a4b62271-4219-42b7-bea0-5537b0d6e7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Yes UUID a1eeec5d-27ca-425f-8459-7d92c39650be https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1e934b163cc6ac05b4b48fc8f7f0dded.jpg 2892ca70ef091c5ad16944004bbb5abc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Sardis IIIF Collection Metadata UUID 0f176d88-1d25-42de-9209-46c7e540914b IIIF Item Metadata UUID 6092bea4-b890-44bd-87d2-6a56e541a268 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial view of the Bath-Gymnasium complex https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/c5f92d2364b7e58512c73190425f4d85.jpg 6bb85bae563511bdc6995a22ed5243c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity Sardis IIIF Collection Metadata UUID 0f176d88-1d25-42de-9209-46c7e540914b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aerial view of the Temple of Artemis IIIF Item Metadata UUID 8c3de10d-4428-4e1c-894e-56a91caf5c8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aftercast of a Sestertius of Titus with the Colosseum by Cavino Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/20342 Subject The topic of the resource Giovanni Cavino, Aftercast of a Sestertius of Titus with the Colosseum, 1850-1950, bronze, 20.7 g, Harvard Art Museums Description An account of the resource Obverse: Titus seated on chair, holding laurel branch; before him a tripod, behind him a shield. Below rocks. Reverse: The Coliseum seen from above. Four stories with columns. To the right a two-stores building, to the left the meta sudens. IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/20342/canvas/canvas-43355498 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/20342/canvas/canvas-43355498","@type":"sc:Canvas","height":478,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/20342/annotation/anno-43355498","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/20342/canvas/canvas-43355498","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/43355498/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":478,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/43355498","profile":"http://iiif.io/api/image/2/level2.json"},"width":1024}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/20342/list/43355498","@type":"sc:AnnotationList"}],"width":1024} UUID 82756a83-c0d6-4084-b622-b19ce66a7e32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Thursday 2/18 IIIF Collection Metadata UUID 7c8d4d9f-0794-4199-93b6-f5fed263cce4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aftercast of a Sestertius of Vespasian with the Colosseum by Cavino Source A related resource from which the described resource is derived https://iiif.harvardartmuseums.org/manifests/object/70736 Subject The topic of the resource Aftercast of a Sestertius of Vespasian with the Colosseum by Cavino, 18th century, bronze, 23.01 g, Harvard Art Museums IIIF Item Metadata Original @id https://iiif.harvardartmuseums.org/manifests/object/70736/canvas/canvas-423293524 JSON Data {"@id":"https://iiif.harvardartmuseums.org/manifests/object/70736/canvas/canvas-423293524","@type":"sc:Canvas","height":1240,"images":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/70736/annotation/anno-423293524","@type":"oa:Annotation","motivation":"sc:painting","on":"https://iiif.harvardartmuseums.org/manifests/object/70736/canvas/canvas-423293524","resource":{"@id":"https://ids.lib.harvard.edu/ids/iiif/423293524/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1240,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://ids.lib.harvard.edu/ids/iiif/423293524","profile":"http://iiif.io/api/image/2/level2.json"},"width":2550}}],"label":"1","otherContent":[{"@id":"https://iiif.harvardartmuseums.org/manifests/object/70736/list/423293524","@type":"sc:AnnotationList"}],"width":2550} UUID 9bff415e-fef8-4b9f-9a9e-63f7a055ab3f