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Title A name given to the resource Necklace with Pendant of Aphrodite Anadyomene Subject The topic of the resource Necklace with Pendant of Aphrodite Anadyomene, early Byzantine, early 7th century, gold and lapis lazuli, 43.2 x 20.3 x 1.9 cm, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Description: "Standing in a blue shell, Aphrodite Anadyomene wrings seawater from her hair. The pose was well known in antiquity, referring to the goddess’s birth from the sea, of which the deep blue color of the lapis lazuli is a visual metaphor. The harmony of references—pose, shell, deep blue color, and the sea pearls on the short chains—displays the jeweler’s ability to adapt a venerated mythological image to the luxury materials of elite taste during the early Byzantine period. The delight and fascination with exquisitely crafted jewelry were undiminished at the end of late antiquity, and the appreciation of Greco-Roman mythology, even the most lascivious of all its goddesses, continued well after the Byzantine Empire had become an officially Christian society. Aphrodite’s fame as the goddess of beauty and physical desire are expressed by her seminudity and enhanced through the precious gold, lapis lazuli, and pearls of the necklace. Yet it might have been a magical property of the image that accounted for the figure’s allure. Amulets and charms, whether costly or cheap, had been worn for centuries as effective means of personal protection or for controlling the actions or emotions of other people. This elegant necklace may have been such an amulet (apotropaion), either against pervasive malevolent spirits or as a charm to grant an erotic wish." -S. Zwirn Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/27003 Publisher An entity responsible for making the resource available Dumbarton Oaks. BZ.1928.6 IIIF Item Metadata UUID 7b92532c-e7d6-4d35-bddd-9e5e94e9d3e8 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a280db894edd74d6dcf9d0921f0c7ae2.JPG 5f3846bac782e981ec356194fffa7bcf https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/13156f6de2cecb78e07de3cab1073739.jpg 1a8cde3f657b06bdf04072ba96564f35 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0d6a7af7c057aa4027d0f04f2d4f8865.JPG 13826a26b988ad79846dc50903739fbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 1 IIIF Collection Metadata UUID 22bc6d79-34a6-4bf8-9827-2d82ef074271 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medicine Box with Hygieia Subject The topic of the resource Medicine Box with Hygieia, early Byzantine, 6th century, ivory, 7.5 cm x 6 cm x 2.5 cm, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum description: “Most ivory and bone containers are really wooden, covered with veneers of ivory. This craftsman chose the more extravagant option of carving the box with its six compartments out of a solid block of ivory, the rounded back following the contour of the outside of the tusk. The sliding lid with its figural relief is a separate piece. There are boxes of the same design and imagery in Switzerland (in the Cathedral Treasury at Chur and in the Church at Valeria) and a third on a larger scale with different imagery here at Dumbarton Oaks (accession no. BZ.1947.8). All of these have in common the distinctive scrolls at the top of the lid. They are all designed to accommodate locks (now missing), and most, like this one, have holes drilled into the top which may have been used to attach straps for carrying. The user apparently needed to ensure that the substances stored in the tiny compartments remained unmixed and safe. The imagery on the lid, as on the lids on the examples in Switzerland, indicates what these substances may have been. The seated woman feeding a large snake out of a bowl in her left hand is Hygieia “Health”. She was one of the daughters, according to ancient Greek tradition, of Asklepios, the god of healing. The boxes, therefore, probably housed pharmaceuticals. Early Byzantine pharmacology relied on an elaborate classification of natural substances as warmer, cooler, dryer, or moister that had been codified by Galen in the 2nd century. Aetius of Amida, a sixth-century medical writer, catalogued 613 substances, mostly vegetable, but also animal and mineral; and described how their judicious combination would bring about cures. The use of Hygieia as the symbol of health is a long-lived vestige of an undying ancient mythology.” -J. Hanson Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/30352 Publisher An entity responsible for making the resource available Dumbarton Oaks. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Money Matters, Week 1 Creator An entity primarily responsible for making the resource Eurydice Georganteli Publisher An entity responsible for making the resource available Eurydice Georganteli Contributor An entity responsible for making contributions to the resource Eurydice Georganteli Subject The topic of the resource Money, money, money IIIF Collection Metadata UUID 9a182f00-3950-4c51-8da3-15154a9a60c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coppery alloy currency axe-blade, used by the Aztecs in Ancient Mexico, 1200 - 1521 Subject The topic of the resource Coppery alloy currency axe-blade, used by the Aztecs in Ancient Mexico, 1200 - 1521 Rights Information about rights held in and over the resource The British Museum, Africa, Oceania and the Americas, Am1943,06.107 IIIF Item Metadata UUID e4b0d5d3-d0d9-46d5-8cdb-6ed688670f12 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a598bae72eedf7a41cde4f53eef86aeb.jpg e03bae63de1cd0703fe99fbe26f58d27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Four Tetrarchs Subject The topic of the resource Portrait of the Four Tetrarchs, c. 300 CE, Roman, porphyry, height: 129.5 cm, Venice, St. Mark’s Basilica (one heel is located in Istanbul, Istanbul Archaeology Museum). Description An account of the resource This sculpture group depicts the Four Tetrarchs, the four rulers of the Roman Empire as established by Diocletian. The rulers were divided into two groups: the augusti (Diocletian and Maximian) and the caesares (Galerius and Constantius I). There is scholarly disagreement over the identities of the specific figures, but it is generally thought that the two rulers of the Eastern Empire (Diocletian and Galerius) form one pair with the Western rulers (Maximian and Constantius) forming the second. Alternatively, it has been suggested that the augusti and caesares are shown paired. The use of porphyry, a stone long associated with imperium due to its rarity and its purple hue, was a specific and important choice. This stone is often associated with imperial sarcophagi, including that of Helena, the mother of Constantine I (wife of Constantius). Beyond this, the specific shade of purple continues to be associated with the emperor throughout the history of Byzantium, with Porphyrogennetos (Πορφυρογέννητος, literally “born in the purple”) denoting members of the Byzantine royal family who were born while their parent was emperor. A famous bearer is Constantine VII Porphyrogennetos (r. 913-59). The sculpture of the Four Tetrarchs was dismissed by many earlier art historians, who found fault with the stylistic deviations from classical Roman sculpture. The original location of the statue is unknown; however, it was most likely moved to Constantinople by Constantine after 328. During the sack of Constantinople in 1204, the statue was among numerous treasures brought back to Venice. It was fitted to the façade of San Marco, where it remains. The missing portion of a figure’s foot was found in Istanbul in the 1960s and is currently in the collection of the Istanbul Archaeology Museum. Source A related resource from which the described resource is derived http://www.byzantium1200.com/capitolium.html IIIF Item Metadata UUID 0f096d28-824c-4656-ac09-26fa85f724e3 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0f8f4496ffab67d050609f0fb0e5e537.jpg c8f48cac762b5bf3b5d0df426a623c33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gold Bar Subject The topic of the resource Gold Bar, c. 379-80, Roman, Sirmium (modern day Sremska Mitrovica, Serbia), gold, 174 mm x 23 mm, weight: 499.86 g, Vienna, Kunsthistorisches Museum. Description An account of the resource This gold bar is one of fifteen (all dating to the 4th century) that were found in Romania in the late 19th century. The form makes it more easily transportable, and it most likely would have been brought to a mint where it would have been melted down and used to make coins. Of the fifteen original gold bars, several were cut up, sold, and the group was otherwise dispersed. However, two intact bars were bought by the Kunsthistorisches Museum from a Viennese brewer. The bar bears five stamped inscriptions in Latin, providing details regarding the history of the gold bars, including the name of the inspector, a certification of its purity, and four additional inspection stamps that further verify the quality of the gold. Inscriptions: LVCIANVS // OBR • I • SIC Christogramm and four times: FL FLAVIAN // VS PRO SIC // AD DIGMA Flavius Flavianus probavit signum ad digma Flavius Flavianus approves the authenticity mark [given by Lucianus]. Source A related resource from which the described resource is derived www.khm.at/de/object/6e41695e28/ Publisher An entity responsible for making the resource available Kunsthistorische Museum Wien Münzkabinett, RÖ 37443 IIIF Item Metadata UUID 1c07c9cc-711e-444a-93cf-3c7ec3431f21 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/60bd49fa03bd61ce8a5e6a6323a3dc33.jpg 9512c3ccf2096196311fab65384a123a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Missorium of Theodosius I Subject The topic of the resource Missorium of Theodosius I, 388, Roman, silver and silver gilt, diam: 74 cm, weight: 15.35 kg, Madrid, Academia de la Historia. Description An account of the resource Missorium of Theodosius I, 388, Roman, silver and silver gilt, diam: 74 cm, weight: 15.35 kg, Madrid, Academia de la Historia. This silver dish, most likely made in Constantinople, was meant to celebrate the tenth anniversary of Theodosius I’s (r. 379-95) reign and would have been given as a gift to a member of his court or a civil or military officer as part of the ceremonial largitio (largess, giving of gifts). Other similar objects of this type have also been found. The dish depicts the seated emperor, flanked by his co-emperors, Valentinian II and Arcadius, as well as members of the imperial guard. Winged erotes (putti) offer gifts to the emperor. Below the emperor is a depiction of Tellus, the Roman earth goddess along with other mythological figures. An inscription on the ring at the base reads, in Greek: ποc ↑Ν ΜεΤ: ποσότης λιτρῶν 50 μετάλλου (“50 metal pounds”). This unit of measure corresponds to 16.13 kg of silver, slightly more than the official weight of 15.35 kg, but this difference has been attributed to the possibility that the silver was weighted before the dish was decorated as well as the fact that there is a piece missing. The dish itself was found folded flat along the diagonal cut in 1847 in Almendralejo in Spain. Inscription: D(ominus) N(oster) THEODOSIVS PERPET(uus)AVG(ustus)OB DIEM FELICISSIMVM X “Our Lord Theodosius, perpetual emperor, on the happiest occasion of the tenth anniversary [of his reign].” Source A related resource from which the described resource is derived https://www.thebyzantinelegacy.com/theodosius-missorium Publisher An entity responsible for making the resource available Academia de la Historia IIIF Item Metadata UUID c524a5f8-ecee-482e-addd-b2db2fb33d9b https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/09c1e1da6213dc75b5af37c1a6dfc0f8.jpg 2b529144ce1e1a3609ac6569b3dd9e95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Floor Mosaic with Bust of Apolausis (“Enjoyment”) Subject The topic of the resource Floor Mosaic with Bust of Apolausis (“Enjoyment”), Late 4th-early 5th century, Early Byzantine, mosaic on mortar, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Descprition: “Apolausis, the personification of enjoyment, welcomes visitors to Dumbarton Oaks as she has done since its doors opened to the public in 1941. The floor had been discovered just a few years before in a bath building located approximately nine kilometers northeast of ancient Antioch, where excavations had been under way since 1932. The Committee for the Excavation of Antioch and Vicinity, led by Princeton University, was supported by several universities and museums and, starting in 1936, Mr. and Mrs. Bliss. In return for their contributions and with the consent of the Syrian Ministry of Antiquities, the donors to the excavation project received archaeological finds. It is for this reason that all of the floor mosaics at Dumbarton Oaks are from Antioch and nearby sites. The cordial offer to enjoy the amenities of the bath is made by the delicately veiled figure of “Enjoyment” holding up a rose. She graced the pavement of the cold-water pool which, along with other rooms built to provide the tepid and hot-water pools, was found in most Roman bath installations. Based on its location at Toprak-en Narlidja, some distance from Antioch, the building probably served as a public bath for a number of nearby villa-farms. Apolausis is framed by multicolored patterns and colors that are repeated on both a square and diagonal grid, creating a dynamic surround in contrast to the calm figure with whom the entering viewer immediately establishes contact. The fan-shaped section of the floor corresponded to the original end of the room.” -S. Zwirn Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/30420 Publisher An entity responsible for making the resource available Dumbarton Oaks BZ.1938.72 IIIF Item Metadata UUID 17e92b19-eed4-47bb-b230-c598a550b28d https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e6c8f64e57b8294ed1a73f24fd138388.jpg 15df171b2139d19c31fb2aeef9759bfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam and Eve from the Catacomb of Marcellinus and Peter Subject The topic of the resource Adam and Eve, late 3rd to 4th century, Roman, fresco, Rome, Catacomb of Marcellinus and Peter. Description An account of the resource This fresco of Adam and Eve in the garden is instantly recognizable to anyone who is familiar with the scene from later centuries of Christian art. Within the catacomb, there is a mixture of pagan (including a representation of Orpheus playing a lyre), Christian (such as the raising of Lazarus), Old Testament (for example an elaborate depiction of the story of Jonah), and quotidian (a room decorated with paintings of athletes) imagery. This apparent comfort with the coexistence of styles and themes speaks to the gradual and adaptive shift in visual culture that occurred with the rise of Christianity. The catacomb itself, named after the saints and martyrs Marcellinus and Peter who are traditionally believed to have been buried there, covers 3 hectares in total with 4.5 kilometers of underground rooms on three distinct levels. During excavations in the 21st century, some 20,000 skeletons were found. Source A related resource from which the described resource is derived https://www.santimarcellinoepietro.it/ Publisher An entity responsible for making the resource available Catacombe SS. Marcellino e Pietro IIIF Item Metadata UUID 4f814956-88ed-42d9-be3f-c219510c3f1d https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0dd1f2ed85f21846f6e185c967e22d90.jpg 58a858bdf4edba4085d8f0592809aba9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Byzantine Church at Petra Subject The topic of the resource Byzantine Church (The Petra Church), 5th-6th century, Byzantine, Petra, Jordan. Description An account of the resource The so-called Byzantine Church in Petra is one of three Byzantine Churches in the city, the other two are the Ridge Church (also called the Red Church) and the Blue Chapel. It is generally The Byzantine Church is thought to have been built in the first half of the 5th century with some rebuilding in the 6th century. The church was destroyed by a fiver in the 7th century. The Byzantine Church is notable for its monumental size, the 140 papyri found within (the Petra papyri), and the surviving mosaics, which depict animals, figures, the seasons, pottery, and plants. Source A related resource from which the described resource is derived https://www.visitpetra.jo/DetailsPage/VisitPetra/LocationsInPetraDetailsEn.aspx?PID=19 IIIF Item Metadata UUID edcc04a6-8553-4236-9a6c-89df11862088