1 10 19 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/222c31e7897efa463eb3c21bc95e91a3.jpg e1eafd60ce5dc0e23fe1fe5bba8a8f5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidus of Galla Placidia Subject The topic of the resource Solidus of Galla Placidia, 426-30, Roman, Ravenna, diam: 21mm, weight: 4.47g, gold, Washington D.C., Dumbarton Oaks. Description An account of the resource Obverse: Bust of Galla Placidia right, diademed, draped, with necklace, crowned by hand, above. On her right shoulder: Chi Rho. DNGALLAPLA CIDIAPFAVG [D]OMINA [N]OSTRA GALLA PLACIDIA P[IA] F[ELIX] AVG[VSTA] Our Lady Galla Placidia Duitiful and Blessed Augusta Reverse: Victory standing left, holding tall cross. Above star. VOTXX MVLTXXX In field: R V In exergue: COMOB VOT[IS] [VICENNALIBUS] MVL[TIS] [TRICENNALIBUS] CO[MITATUS] OB[RYZIACUM AURUM] Vows (prayers) for twenty years of rule and multiplication of [these] vows for the thirtieth year of rule to come Comitatus mint (the Emperor’s mint, here at Ravenna), Fine Gold Source A related resource from which the described resource is derived https://www.doaks.org/resources/online-exhibits/byzantine-emperors-on-coins/fourth-fifth-centuries-emperors/solidus-of-galla-placidia-421-450 Publisher An entity responsible for making the resource available Dumbarton Oaks BZC.1948.17.932 IIIF Item Metadata UUID fb5d59bf-d912-4083-9b69-ec8657e856ce https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/ac8303d9a7024e904f6a9051a9baaf17.jpg da473edd416ec5047b5f291e9bd635f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Empress Theodora and Her Retinue Subject The topic of the resource Empress Theodora and Her Retinue, 547 CE, Byzantine, Ravenna, glass in mortar, Ravenna, San Vitale. Description An account of the resource This mosaic depicts Byzantine Empress Theodora and her retinue. Theodora carries the eucharistic chalice. In the companion mosaic of her husband, the Emperor Justinian, he carries the vessel for the eucharistic bread. To her left are two male figures, often identified as eunuchs. To the left are Theodora’s attendant women. The hem of Theodora’s robe shows the Three Magi. The background of the scene is richly filled with decorative architectural elements, a fountain, and textiles. Source A related resource from which the described resource is derived https://inpress.lib.uiowa.edu/feminae/DetailsPage.aspx?Feminae_ID=30739 Publisher An entity responsible for making the resource available San Vitale IIIF Item Metadata UUID 26ba41a0-c0bb-484b-85f8-560054317573 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/6925bf7811e1a645676fb8b616b10935.png b965d1f3aaa9f08e2b03cd8c2dc15b3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowl Subject The topic of the resource Bowl, 4th century, Roman-British, England, silver, diam: 26.6cm; height: 9cm; weight, 1301g, London, The British Museum. Description An account of the resource Museum Description: “Silver flanged bowl with beaded rim (66 beads in total) on a circular foot-ring. The basal medallion and the rim are decorated with raised relief made using chasing and engraving techniques. The central medallion, enclosed in a circle of 92 beads, is decorated with a male bust facing left with Corinthian helmet and shield behind the bust; the bust is likely to represent Alexander the Great. The flange is decorated by four scenes separated by busts: the first with a male goat grazing and a pair of sheep, one a ram and the other a female, with a tree between; the second a bear chasing a pair of deer, flanked by a female bust on the left and a bearded male bust on the right; the third by a pair of goats and grazing sheep separated by a tree; the fourth by a bear bringing down a goat and another goat fleeing, separated by a tree, flanked by a female bust on the left and a satyr bust on the right." Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/H_1946-1007-7 Publisher An entity responsible for making the resource available British Museum 1946,1007.7 IIIF Item Metadata UUID 847abddd-cbec-49df-a539-580cf6b77ff6 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/1d546cfed99aa46485ec27f136b34dca.jpg 0d135b0c1e55983d3004667e51b847ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fresco Subject The topic of the resource Fresco, 4th century, Romano-British, from Lullingstone Roman Villa, Kent, 4.2 m, paint on plaster, London, The British Museum. Description An account of the resource Museum Description: “This wall painting was found at Lullingstone, Kent, in the Darenth valley, when the remains of a Roman villa were excavated in 1949. The villa had been built in the late first century AD, and altered and extended several times in the succeeding 300 years. There was evidence for pagan worship at the site well into the fourth century AD, but eventually the family which ran the estate adopted Christianity. At this early date in the history of Christianity, house-chapels and other types of accommodation must have been at least as common as purpose-built churches. A small suite of first-floor rooms at Lullingstone (probably provided with external access) was set aside as a Christian place of worship. The walls were decorated with elaborate paintings on Christian themes, which have been partially reconstructed. This area shows a frieze of praying figures. The figures pose with upraised hands in an attitude still used by Christian priests when praying before a congregation.” Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/H_1967-0407-1-b Publisher An entity responsible for making the resource available British Museum 1967,0407.1.b IIIF Item Metadata UUID aaf6b22c-95bf-47fc-a970-2ead818c8e79 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/bf34940267f301a90aba8c19132b5d1b.png 51819b6bb9ed2f8dc9ef91ffe20062b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electrotype of ‘The Arras Medallion' Subject The topic of the resource Etienne Bourgey, Electrotype of ‘The Arras Medallion,’ 1927, London, diam: 42 mm, weight: 36g, London, The British Museum. Description An account of the resource Museum Description: “The reverse scene is visual shorthand to the events described in the panegyric (eulogy) for Constantius, performed during or not long after the celebrations of 1st March AD 297. (Nixon & Rodgers, 1994, 106) The invasion of Britain and defeat of Allectus is presented as the liberation of Britain (Panegyric of Constantius 9, 5-6). In the aftermath, Constantius's soldiers saved London from rampaging Barbarian mercenaries (Panegyric of Constantius 17, 1). They were the remnants of the rebel army who had become intent on looting the city (now that their paymaster Allectus was dead). Constantius arrives at London by a mixture of transportation (alighting on horseback from a ship). The legend proclaims Constantius as 'the restorer of the eternal light' [of Roman civilization to Britain] (see also Panegyric of Constantius 19, 2-3 for the idea of Constantius 'refreshing' Britain with the 'true light' of the empire).” Obverse: FL VAL CONSTANTIVS NOBIL CAES FL[AVIVS] VAL[ERIVS] CONSTANTIVS NOB[ILISSIMUS] CAES[AR] [Marcus] Flavius Valerius Constantius, Most Noble Caesar Reverse: REDDITOR LVCIS AETERNA LON[DINIUM] PTR (Trier Mintmark) Restorer of the Eternal Light Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/C_B-11477 Publisher An entity responsible for making the resource available British Museum B.11477 IIIF Item Metadata UUID 087604fa-537f-4212-829c-a59a5eefc106 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/939de39e443497bed502065fd6986158.jpg cd587f617f1cb391f12df12d141b8992 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saints Peter and Paul Subject The topic of the resource Peter and Paul, 4th century, Roman, fresco, Pécs, Hungary, Early Christian Necropolis. Description An account of the resource The Early Christian Necropolis in Pécs, Hungary (Sopianae during Roman rule) is an underground burial site constructed in the 4th century. These tombs were decorated with many frescos, some of which depict recognizably Christian themes, and others of a more ornamental nature. This fresco of Saints Peter and Paul is found in Tomb no. 1 (The Peter and Paul Tomb), the saints point to the Chi Rho. Other frescoes in this room show the stories of Adam and Eve, Noah, the Magi, Jonah, and the Virgin and Child. There are also vegetal and animal motifs. Source A related resource from which the described resource is derived https://www.pecsorokseg.hu/en Publisher An entity responsible for making the resource available Early Christian Necropolis, Pécs IIIF Item Metadata UUID fd2425a4-7e42-4cca-b6c9-63d23ee88696 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/4e729454d93566e513d34cda5301051d.jpg 4f756b48a3476f2e04ad25f623a60853 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman at Her Toilet Subject The topic of the resource Woman at Her Toilet, late 4th – early 5th century, Roman, Sidi Ghrib, Tunisia, 1.8 x 2.94 m, polychrome glass in mortar, Tunis, Tunisia, Bardo National Museum. Description An account of the resource This mosaic is one of those discovered at the archeological site of Sidi Ghrib in Tunisia, some 40 km southwest of Carthage. The site, a former Roman villa, was excavated in 1975. The scene depicts the matron of the house as she gets ready. She is attended by two maidservants and surrounded by various objects (sandals, caskets, a pitcher, etc.) The maidservant to the right holds a mirror in which we can see the reflection of the domina’s face. Source A related resource from which the described resource is derived https://inpress.lib.uiowa.edu/feminae/DetailsPage.aspx?Feminae_ID=28766 Publisher An entity responsible for making the resource available Bardo National Museum IIIF Item Metadata UUID 87f3e221-b64c-4102-be20-c5d938a55618 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/aeba274adcce0a06d91df0820512157c.jpg 222fa428a75cb00513625b6d8ee75ff7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Antioch "Chalice" Subject The topic of the resource The Antioch “Chalice,” 500-550 CE Byzantine, Antioch or Kaper Koraon (?), silver and silver gilt, 19.6 x 18 x 15.2cm), New York City, The Metropolitan Museum of Art. Description An account of the resource Museum Description: “When it was discovered at the beginning of the twentieth century, this "chalice" was claimed to have been found in Antioch, a city so important to the early Christians that it was recognized with Rome and Alexandria as one of the great sees of the church. The chalice's plain silver interior bowl was then ambitiously identified as the Holy Grail, the cup used by Christ at the Last Supper. The elaborate footed shell enclosing it was thought to have been made within a century after the death of Christ to encase and honor the Grail. The fruited grapevine forming the rinceau pattern of the gilded shell is inhabited by birds, including an eagle; animals, including a lamb and a rabbit; and twelve human figures holding scrolls and seated in high-backed chairs. Two of the figures are thought to be images of Christ. The other ten figures have been variously identified as ten of the twelve apostles, or philosophers of the classical age, who, like the prophets of the Old Testament, had foretold the coming of Christ. The sixth-century chronicler Malalas of Antioch was among those who sought to make such links between Christianity and classical philosophy. The identification of the "Antioch Chalice" as the Holy Grail has not been sustained, and even its authenticity has at times been challenged. The work has usually been considered a sixth-century chalice for the Eucharist. Most recently, however, its shape has been recognized as more closely resembling sixth-century standing lamps, its decoration possibly in recognition of Christ's words "I am the light of the world" (John 8:12). It has been argued to be part of a treasure of liturgical objects found in 1908 belonging to the Church of Saint Sergios in the town of Kaper Koraon southeast of Antioch. If so, Saint Sergios' parishioners might well have traveled to Antioch to purchase the object as a donation for their church. Or it may have been used in one of the churches in or near Antioch.” Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/468346 Publisher An entity responsible for making the resource available The Cloisters Collection, 50.4 IIIF Item Metadata UUID e4b14c5d-26a7-4998-bdbe-461bfd7ffe64 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0c41632aeda70e3eb27b2ff4fb00a453.png c1fefe59ecaa3417445f51a4a94993b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Belt Fitting Subject The topic of the resource Belt Fitting, 6th century, Early Anglo-Saxon, copper alloy, garnet, and gold, 3.3 x 2.5 cm, London, The British Museum. Description An account of the resource Museum Description: “Gilt copper alloy belt mount, cast: rectangular, inlaid with square and lentoid garnets; and chip-carved Style I animals in angles; rivets in corners.” Source A related resource from which the described resource is derived https://www.britishmuseum.org/collection/object/H_1852-0705-1 Publisher An entity responsible for making the resource available British Museum 1852,0705.1 IIIF Item Metadata UUID 5e7b60c6-1ddc-4ef1-b247-c2aef020b5c9 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/75e33a689664618b62b740c972307574.jpg 9875f4aea2478f73613c81c3dcf6fed7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 3 IIIF Collection Metadata UUID a81e689f-e002-4457-8d8e-29a063d44f1d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mithras Slaying the Bull (Tauroctony) from the London Mithraeum Subject The topic of the resource Mithras Slaying the Bull (Tauroctony) from the London Mithraeum, late 2nd – early 3rd c, Roman, London, marble, 43.2 x 50.8 cm, London, Museum of London. Description An account of the resource Museum Description: “This marble sculpture is from the Temple of Mithras which once stood in the City. It shows Mithras plunging his dagger into the neck of a bull from whose blood sprang everlasting life. The inscription reads 'Ulpius Silvanus, initiated into a Mithraic grade at Orange, France, paid his vow to Mithras'. This could indicate that Silvanus built the temple in London. Mithras was originally a god from Iran. His cult was adopted in Rome and travelled the Empire with the army. Only men could become members.” Source A related resource from which the described resource is derived https://collections.museumoflondon.org.uk/online/object/467882.html Publisher An entity responsible for making the resource available Museum of London A16933 IIIF Item Metadata UUID 33bf1975-6b19-47e5-a31d-37b8c73f9964