1 10 25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madonna and Child on a Curved Throne Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource This painting is considered to be in the "Maniera Greca." IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096} Display as IIIF? Yes UUID 10147d09-599b-4fb5-aee7-fae869b0d2a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stained Glass window showing Louis IX Carrying the Crown of Thorns Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793} Display as IIIF? Yes UUID ddba2a2b-0aeb-456b-9ad4-39523994ff2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Relic of the Crown of Thorns Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Bibliothèque Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799} Display as IIIF? Yes UUID a80b35db-7910-4eb3-aae9-27b5a23434e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. 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The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Enamel Icon of the Archangel Michael Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011} Display as IIIF? Yes UUID c6dd1e13-964a-4a0a-81a5-6e4cd1061115 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource De la Conquête de Constantinople (On the Conquest of Constantinople) fol. 1r Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial "S" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. An English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp Selected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000} Display as IIIF? Yes UUID cdaf72b2-ab80-4a35-aa97-2210ab11df80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp The full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24 IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800} Display as IIIF? Yes UUID 45712c54-2d64-4c5b-9091-8415b6d39c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze Horses of San Marco (the Triumphal Quadriga) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark’s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. 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Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. 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The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. 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The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrée des Croisés à Constantinople (Entry of the Crusaders into Constantinople) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841. IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820} Display as IIIF? Yes UUID cb2256fb-c30b-40d1-a6f5-c37da83d62a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource From “Croniques abregies commençans au temps de Herode Antipas, persecuteur de la chrestienté, et finissant l'an de grace mil IIc et LXXVI” Full manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436} Display as IIIF? Yes UUID 29964678-1902-4ce1-991d-e15078b88e25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crusades and Constantinople in Twenty Objects Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 IIIF Collection Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 JSON Data {"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398","label":"The Crusades and Constantinople in Twenty Objects","description":"","sequences":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/sequence/1","@type":"sc:Sequence","label":"Default order","canvases":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0","@type":"sc:Canvas","label":"Madonna and Child on a Curved Throne","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3541.0","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2385%2Fc4fd9df694c3be6564a1e5a08dc44965.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2510,"height":4096},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3541.0"}],"description":"This painting is considered to be in the \"Maniera Greca.\"","metadata":[{"label":"Date","value":"c. 1260-80"},{"label":"Place of Creation","value":"Constantinople (?)"},{"label":"Material","value":"Tempera on linden"},{"label":"Dimensions","value":"84 cm x 53.5 cm"},{"label":"Location","value":"National Gallery of Art, Washington, D.C."}],"width":2510,"height":4096},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1","@type":"sc:Canvas","label":"Stained Glass window showing Louis IX Carrying the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3540.1","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2384%2F5be5cd1d1e83b50268d8f1ea58aff875.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2420,"height":3793},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3540.1"}],"description":"This panel shows Louis along with his brother and courtiers at Sens, wearing simple clothes, processing the relic of the Crown of Thorns atop a chalice.","metadata":[{"label":"Date","value":"c. 1245-48"},{"label":"Material","value":"Pot-metal glass and vitreous paint"},{"label":"Dimensions","value":"55.1 cm x 34.4 cm"},{"label":"Place of Creation","value":"Tours, France"},{"label":"Original Location","value":"Ambulatory (?) of the Cathedral of Saint-Gatien, Tours"},{"label":"Location","value":"The Cloisters, Metropolitan Museum of Art, New York City"}],"width":2420,"height":3793},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2","@type":"sc:Canvas","label":"Relic of the Crown of Thorns","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3539.2","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2383%2Fee630a676d0aaf9ad0687b757f314b16.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":799},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3539.2"}],"description":"Given by Latin Emperor Baldwin II to King Louis IX of France, among others including the Image of Edessa, arrived in Paris in August 1239 for the sum of 135,000 livres. The Saint-Chapelle was built to house these (pawned) relics from Constantinople, and the Crown of Thorns was housed there until the French Revolution, when it was then moved to the Biblioth\u00e8que Nationale, and then in 1801 to Notre Dame. The relic itself is made up of a twisted circlet of Juncus balticus, a plant native to the north of Britain, the Baltics, and Scandinavia. Other relics purported to derive from the Crown of Thorns come from a different plant, Ziziphus spina-christi, which is native to Africa, and Southern and Western Asia. The current rock crystal reliquary is not original.","metadata":[{"label":"Location","value":"Notre Dame, Paris"}],"width":1200,"height":799},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3","@type":"sc:Canvas","label":"Enamel Icon of the Archangel Michael","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3538.3","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2382%2F9d905e0cbee358a10cd33a340a19c2bc.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2240,"height":3011},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3538.3"}],"description":"Looted by Crusaders in Constantinople and currently in the treasury of San Marco. The Surrounding plaques feature images of paired military saints, at the top, Christ is flanked by Saints Peter and Menas.","metadata":[{"label":"Date","value":"late 11th - early 12th century"},{"label":"Type","value":"Icon"},{"label":"Material","value":"silver-gilt, gold, cloisonn\u00e9 enamel, gemstones"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":2240,"height":3011},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4","@type":"sc:Canvas","label":"De la Conqu\u00eate de Constantinople (On the Conquest of Constantinople) fol. 1r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3537.4","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2381%2F7deefd87320753e295599e1c171da1a3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2646,"height":4000},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3537.4"}],"description":"Written by Geoffrey of Villehardouin, knight and crusader and therefore eyewitness. The work is written as an epic in the third person. Here, the initial \"S\" contained a depiction of Foulques of Neuilly preaching about the Fourth Crusade. The detail at the bottom border shows the arrival of the crusaders at Constantinople. \n\nAn English translation is available here: https://sourcebooks.fordham.edu/basis/villehardouin.asp\n\nSelected images from this manuscript are available here: https://iiif.bodleian.ox.ac.uk/iiif/viewer/962343a9-7aa5-4741-9db8-bb4c69b8ef0c#?c=0&m=0&s=0&cv=0&r=0&xywh=-1460%2C-232%2C5671%2C4623","metadata":[{"label":"Date","value":"c. 1130"},{"label":"Place of Creation","value":"Venice"},{"label":"Language","value":"French and Latin"},{"label":"Shelfmark","value":"MS. Laud Misc. 587"},{"label":"Location","value":"Bodelian Libraries, Oxford University"}],"width":2646,"height":4000},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5","@type":"sc:Canvas","label":"Historia of Niketas Choniates fol. 362v (Historia: fol. 362v-385*)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3536.5","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2380%2F9d5fe982f20f300142d6171b2145873b.png","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/png","width":2880,"height":1800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3536.5"}],"description":"The Historia covers the period from 1118 to 1207, and is noteworthy for its description of the occupation of Constantinople, an excerpt in English can be read here: https://sourcebooks.fordham.edu/source/choniates1.asp\n\nThe full manuscript, which also includes other texts can be viewed here: http://mss.bmlonline.it/Catalogo.aspx?Shelfmark=Plut.9.24","metadata":[{"label":"Date","value":"13th century"},{"label":"Shelfmark","value":"Plut. 9.24"},{"label":"Location","value":"Biblioteca Medicea Laurenziana"}],"width":2880,"height":1800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6","@type":"sc:Canvas","label":"Bronze Horses of San Marco (the Triumphal Quadriga)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3535.6","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2379%2F4e36fe93aa5e4f0e9296ef4ecffd4540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":3859,"height":2737},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3535.6"}],"description":"This set of four bronze horses that originally included a quadriga (chariot for racing), after the sack of Constantinople in 1204, the horses were placed on the exterior of St Mark\u2019s Basilica in Venice, where they remained until Napoleon took them in 1797, but were returned in 1815. The original horses are now inside the Basilica, and replicas on the exterior. Many scholars now consider a date of the 2nd-3rd century CE to be more likely than the earlier attestation of the 4th century BCE (and the sculptor Lysippos). It is unclear where they were originally made, but they were in the Hippodrome of Constantinople at least by the 8th or 9th century, when they are made mention of in a Chronicle as being from Chios and brought under the direction of Theodosius II.","metadata":[{"label":"Date","value":"c. 2nd - 3rd century CE (?)"},{"label":"Material","value":"surprisingly, 96.67% copper"},{"label":"Location","value":"San Marco, Venice"}],"width":3859,"height":2737},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7","@type":"sc:Canvas","label":"Entr\u00e9e des Crois\u00e9s \u00e0 Constantinople (Entry of the Crusaders into Constantinople)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3534.7","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2378%2F03b22f22c93d89be70e6de71a7ebf836.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2223,"height":1820},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3534.7"}],"description":"Commissioned by the last French King, Louis Philippe I, this painting by Delacroix shows Baldwin I of Constantinople leading the procession of crusaders through the streets of Constantinople. The painting was not particularly well received after its exhibition at the Salon in 1841.","metadata":[{"label":"Date","value":"1840"},{"label":"Artist","value":"Eug\u00e8ne Delacroix"},{"label":"Material","value":"Oil on Canvas"},{"label":"Location","value":"Mus\u00e9e du Louvre, Paris"},{"label":"Dimensions","value":"13\u2032 5\u2033 x 16\u2032 4\u2033"}],"width":2223,"height":1820},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8","@type":"sc:Canvas","label":"Manuscript illustration of the conquest of Constantinople by the Crusaders, fol. 205r","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3533.8","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2377%2Ff829b4c02060129bd3de40d410f47ec8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1436},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3533.8"}],"description":"From \u201cCroniques abregies commen\u00e7ans au temps de Herode Antipas, persecuteur de la chrestient\u00e9, et finissant l'an de grace mil IIc et LXXVI\u201d\n\nFull manuscript: https://gallica.bnf.fr/ark:/12148/btv1b550069168/f1.item","metadata":[{"label":"Date","value":"15th century"},{"label":"Language","value":"French"},{"label":"Author","value":"David Aubert"},{"label":"Location","value":"Biblioth\u00e8que nationale de France. Biblioth\u00e8que de l'Arsenal"},{"label":"Shelfmark","value":"Ms-5090"}],"width":1024,"height":1436},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3532.10","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2376%2Fdec62b15803baff023f10ba9b8c2831e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":543,"height":539},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3532.10"}],"description":"enthroned and nimbate Christ, IC \u2013 XC on either side of his head","width":543,"height":539},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11","@type":"sc:Canvas","label":"Tomb Marker of Enrico Dandolo","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3530.11","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2374%2Fb3765b2ffb4e183a7d6436b56c7a4880.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2560,"height":1538},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3530.11"}],"description":"Doge Enrico Dandolo died in 1205 and was buried in Hagia Sophia. During the 19th century restoration, the Italian team placed this marker near the probable location of his burial. The original tomb was destroyed by the Ottomans after the conquest of Constantinople in 1452 and the conversion of Hagia Sophia into a mosque.","metadata":[{"label":"Date","value":"19th century"},{"label":"Type","value":"Cenotaph"},{"label":"Location","value":"East Gallery, Hagia Sophia"}],"width":2560,"height":1538},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12","@type":"sc:Canvas","label":"Alexios [IV Angelos] appears before the Doge","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3529.12","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2373%2F36fdc414733575fbfd102a3aa7c8b39e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1458,"height":1920},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3529.12"}],"description":"After a fire in at the Doge\u2019s Palace in Venice in 1577, some of the new decorations included paintings that celebrated important events in Venetian history. This oil sketch was for a large painting showing the Byzantine emperor Alexios IV Angelos asking Doge Enrico Dandolo for aid against Alexios III (Alexios IV\u2019s uncle).\n\nN.B. the website entry for this piece is presumably mis-titled, identifying the figure as Alexios Komnenos in the title, but correctly as Alexios IV Angelos in the description. Both Alexios I Komnenos and Alexios II Komnenos were very much dead by the 1203. Of course, Alexios IV Angelos would only outlive 1203 by a little over a month.","metadata":[{"label":"Date","value":"after 1577"},{"label":"Type","value":"oil sketch"},{"label":"Material","value":"Oil on Canvas"},{"label":"Artist","value":"Andrea Vincentino (Andrea Michelli)"},{"label":"Dimensions","value":"92 cm x 69.22 cm"},{"label":"Location","value":"Minneapolis Institute of Art"}],"width":1458,"height":1920},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13","@type":"sc:Canvas","label":"Gold Hyperpyron of Michael VIII Palaiologos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3528.13","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2372%2Fd3d73843e09fdec005b164073d2babbb.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":900,"height":450},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3528.13"}],"description":"Obverse: Virgin orans within city walls (Constantinople?) with six groups of towers\n\nReverse: Kneeling emperor being presented to Christ by a nimbed St. Michael. Christ is enthroned and holding the Gospels in his left hand.","metadata":[{"label":"Date","value":"r. 1258-82"},{"label":"Type","value":"Hyperpyron"},{"label":"Material","value":"Gold"},{"label":"Mint","value":"Constantinople"}],"width":900,"height":450},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14","@type":"sc:Canvas","label":"Seal of Henry of Flanders (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3526.14","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2370%2F35055b03ad2cc7d51b63d55aee931c0c.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3526.14"}],"description":"Shows the enthroned emperor wearing a crown and holding a scepter and the globus cruciger, inscription reads: \u1f18\u03c1\u03c1\u1fd6\u03ba\u03bf\u03c2 d\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 (Henry, despotes)","metadata":[{"label":"Date","value":"r. 1206-16"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 47 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15","@type":"sc:Canvas","label":"Seal of Henry of Flanders (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3527.15","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2371%2F9bf129e9f66589d5f39d72c7f3ee0fb7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3527.15"}],"description":"Shows the emperor on horseback, wearing armor and holding a sword and shield, inscription reads: Henric(us) D(e)i gratia inp(er)ator Ro(man)ie (Henry, by the Grace of God, emperor of the Roman realm)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16","@type":"sc:Canvas","label":"Seal of Baldwin II (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3524.16","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2368%2Fbb6230bb8e0984843845655aa7178d63.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3524.16"}],"description":"Shows the emperor seated on a backless throne, wearing the loros and a crown and holding a labarum and a globus cruciger, the inscription encircling him reads: Balduinus Dei gratia imp(er)at[or] Ro[maniae] se[mp(er) au]gu(stus)? (Baldwin, by the Grade of God emperor of the Roman realm, eternal augustus)","metadata":[{"label":"Date","value":"r. 1240-61"},{"label":"Type","value":"Seal"},{"label":"Material","value":"Lead"},{"label":"Location","value":"Dumbarton Oaks"},{"label":"Dimensions","value":"D. 43 mm"}],"width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17","@type":"sc:Canvas","label":"Seal of Baldwin II (reverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3525.17","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2369%2F648a774174c975ce36e79ff648e4b3a7.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":2749,"height":1840},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3525.17"}],"description":"Shows the emperor on horseback, wearing armor and holding a scepter, the inscription reads: \u0392\u03b1\u03bb\u03b4\u03bf\u03c5\u1fd6\u03bd\u03bf\u03c2 [\u03b4\u03b5\u03c3\u03c0\u03cc\u03c4\u03b7\u03c2 \u03c0\u03bf\u03c1\u03c6\u03c5\u03c1\u03bf\u03b3\u03ad\u03bd\u03bd\u03b7\u03c4\u03bf\u03c2 \u03a6\u03bb\u03ac\u03bd]\u03c4\u03c1\u03b1\u03c2? (Baldwin of Flanders, despotes and Porphyrogennetos)","width":2749,"height":1840},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18","@type":"sc:Canvas","label":"Plate with the Ascension of Alexander the Great","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3523.18","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2367%2Fd6e6b6552d4d1e27ea43ea755fa5af96.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1024,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3523.18"}],"description":"This plate was found in Siberia. The central scene shows the Ascension of Alexander the Great, surrounded by decorative imagery and motifs. This story was popular in Byzantine and Romanesque art, as well as in Islamic Art in Asia Minor.","metadata":[{"label":"Date","value":"c. 1208-16"},{"label":"Material","value":"silver"},{"label":"Dimensions","value":"D. 28 cm"},{"label":"Inscription","value":"An inscription on the outside features twelve altered Greek letters. Roundels on either side of Alexander's head give his name and title"},{"label":"Location","value":"Shuryshkar Regional Historical Museum Complex, Muzhi, Siberia, Russia Federation"}],"width":1024,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19","@type":"sc:Canvas","label":"Incense Burner in the Shape of a Domed Building","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3522.19","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2366%2F558ec0829e7d60b08ad6a8817c30dd33.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":774,"height":1024},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3522.19"}],"description":"Although technically an incense burner, this container was used from at least 1283 to hold the relic of the Holy Blood, which had been sent to Venice from Constantinople. Although the later addition of the crosses to the domes give the reliquary the appearance of a church, it was not originally meant to represent one. It is decorated with numerous figures, scenes, and vegetal motifs. It was most likely originally used in a secular setting, as an incense burner, and was only given its religious usage and connotations after it was repurposed as a reliquary.","metadata":[{"label":"Date","value":"12th century"},{"label":"Type","value":"Incense Burner turned reliquary"},{"label":"Place of Creation","value":"Byzantium"},{"label":"Material","value":"silver, partially gilded"},{"label":"Dimensions","value":"36 cm x 30 cm"},{"label":"Inscription","value":"two figures on the front bear the inscriptions \"Courage\" and \"Intelligence\" in Greek"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"}],"width":774,"height":1024},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20","@type":"sc:Canvas","label":"Pala d'Oro","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3521.20","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2365%2F5bf1fbe4ac5d15a45c98dd8ada5fbbe1.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":10000,"height":6248},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3521.20"}],"description":"Literally \u201cGolden Pall\u201d or \u201cGolden Cloth\u201d, the Pala d\u2019Oro is the retable of the high alter at the Basilica di San Marco in Venice. It measures 3 meters wide by 2 meters tall and features a total of 187 enamel plaques along with numerous precious and semi-precious gems. The Pala d\u2019Oro is made up of two parts. At the top, a central enamel of Michael the Archangel is surrounded by three images from the Life of Christ (Entry into Jerusalem, Harrowing of Hell, the Crucifixion, Ascension, Pentecost, and the Komesis) on each side (added in 1209). These enamels, made in Constantinople, are thought to have been looted during the Fourth Crusade. On the bottom, enamels show the life of St. Mark, and were commissioned by the Doge in 1105, and also made in Constantinople. There are additional enamels in this section, with Christ at the center along with depictions of the Evangelists, all twelve apostles, a representation of the Hetoimasia (prepared or empty throne), angels and archangels, the twelve prophets and the Virgin, and a depiction of the Doge and the Byzantine Empress Irene.","metadata":[{"label":"Date","value":"begun in 976, expanded multiple times throughout subsequent centuries"},{"label":"Materials","value":"Enamel and gems"},{"label":"Repository","value":""},{"label":"Creator","value":"San Marco, Venice"},{"label":"Dimensions","value":"3 meters wide, 2 meters tall"}],"width":10000,"height":6248},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21","@type":"sc:Canvas","label":"Chalice of Emperor Romanos","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3518.21","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2362%2F5216ed63d7aaa948a1ac6fe60c917ce8.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":857,"height":1152},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3518.21"}],"description":"The lip band features fifteen enamel plaques, however this configuration is not original. Christ and John the Baptist would have been placed together, opposite the Virgin Mary who is flanked by angels. The spaces between them would have been filled by the enamels of Saints Peter and Paul, the Four Evangelists (Matthew, Mark, Luke, and John), and the Church Fathers (Gregory of Nazianzos, Basil the Great, John Chrysostom, and Nicholas). The cup was most likely a gift from the emperor Romanos to an unidentified church, although there is some doubt amongst scholars as to which Romanos the inscription refers: Romanos I Lekapenos (r. 920-44) or Romanos II (r. 959-63). The closeness of these dates makes it difficult to argue stylistic and technical differences for one emperor or the other. Like many precious items from Constantinople, this chalice ended up at San Marco in Venice.","metadata":[{"label":"Date","value":"10th century"},{"label":"Type","value":"Chalice"},{"label":"Material","value":"sardonyx, silver gilt, gold cloisonn\u00e9 enamel, and pearls"},{"label":"Dimensions","value":"H. 22.5 cm, D. 14 cm"},{"label":"Location","value":"Procuratoria di San Marco, Venice, Italy"},{"label":"Inscription","value":"God, help Romanos, the Orthodox emperor"}],"width":857,"height":1152},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3519.22","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2363%2Fdf417db23930544bab182fbb004c3101.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3519.22"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23","@type":"sc:Canvas","label":"Chalice of Emperor Romanos, detail","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3520.23","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2364%2Fc8dcde691bded2968dd3755f2cc71ad3.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":1200,"height":800},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3520.23"}],"width":1200,"height":800},{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24","@type":"sc:Canvas","label":"De\u00ebsis mosaic from Hagia Sophia","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3517.24","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg/full/1024,/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2361%2Fa535ca78024980d11f8d786a89fc2540.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":4176,"height":2429},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3517.24"}],"description":"a.\tCommissioned to mark the return to Eastern Orthodoxy in the Hagia Sophia, bringing an end of 57 years of Roman Catholic usage. It shows the central figure of Christ flanked by the Virgin Mary (left) and John the Baptist (right). The De\u00ebsis (in Greek, \u03b4\u03ad\u03b7\u03c3\u03b9\u03c2) is a common iconic scene in Eastern Orthodox art and can be translated as \u201cprayer\u201d or \u201csupplication\u201d. The Virgin Mary and John the Baptist are acting as intercessors for the faithful.","metadata":[{"label":"Date","value":"1261"},{"label":"Type","value":"Mosaic"},{"label":"Location","value":"Hagia Sophia, Istanbul"}],"width":4176,"height":2429}]}]} IIIF Type Manifest UUID 5b8df5cc-fa11-4c5f-b95f-44ddc4d75ad9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grosso of Enrico Dandolo (obverse) Source A related resource from which the described resource is derived https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398 Description An account of the resource The doge standing at left receiving a banner from St. Mark; inscription: ✠ • H • DANDOL' • S • M • VENETI IIIF Item Metadata Original @id https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9 JSON Data {"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9","@type":"sc:Canvas","label":"Grosso of Enrico Dandolo (obverse)","images":[{"@id":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/annotation/3531.9","@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg/full/full/0/default.jpg","@type":"dctypes:Image","service":{"@id":"https://loris.tlt.harvard.edu/loris/atg-media-management-api-prod%2Fprod%2Fimages%2F2375%2F705aa4fcb8265f2e99fb91179e39199e.jpg","@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level1.json"},"format":"image/jpeg","width":547,"height":537},"on":"https://media-management-api.tlt.harvard.edu/api/iiif/manifest/398/canvas/3531.9"}],"description":"The doge standing at left receiving a banner from St. Mark; inscription: \u2720 \u2022 H \u2022 DANDOL' \u2022 S \u2022 M \u2022 VENETI","metadata":[{"label":"Date","value":"c. 1202-05"},{"label":"Type","value":"Grosso"},{"label":"Material","value":"Silver"},{"label":"Dimensions","value":"D. 20 mm"}],"width":547,"height":537} Display as IIIF? Yes UUID 0841a7e6-9cb3-4d8b-b6a1-950a78097ac1