1 10 20 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/e6c8f64e57b8294ed1a73f24fd138388.jpg 15df171b2139d19c31fb2aeef9759bfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam and Eve from the Catacomb of Marcellinus and Peter Subject The topic of the resource Adam and Eve, late 3rd to 4th century, Roman, fresco, Rome, Catacomb of Marcellinus and Peter. Description An account of the resource This fresco of Adam and Eve in the garden is instantly recognizable to anyone who is familiar with the scene from later centuries of Christian art. Within the catacomb, there is a mixture of pagan (including a representation of Orpheus playing a lyre), Christian (such as the raising of Lazarus), Old Testament (for example an elaborate depiction of the story of Jonah), and quotidian (a room decorated with paintings of athletes) imagery. This apparent comfort with the coexistence of styles and themes speaks to the gradual and adaptive shift in visual culture that occurred with the rise of Christianity. The catacomb itself, named after the saints and martyrs Marcellinus and Peter who are traditionally believed to have been buried there, covers 3 hectares in total with 4.5 kilometers of underground rooms on three distinct levels. During excavations in the 21st century, some 20,000 skeletons were found. Source A related resource from which the described resource is derived https://www.santimarcellinoepietro.it/ Publisher An entity responsible for making the resource available Catacombe SS. Marcellino e Pietro IIIF Item Metadata UUID 4f814956-88ed-42d9-be3f-c219510c3f1d https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0dd1f2ed85f21846f6e185c967e22d90.jpg 58a858bdf4edba4085d8f0592809aba9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Byzantine Church at Petra Subject The topic of the resource Byzantine Church (The Petra Church), 5th-6th century, Byzantine, Petra, Jordan. Description An account of the resource The so-called Byzantine Church in Petra is one of three Byzantine Churches in the city, the other two are the Ridge Church (also called the Red Church) and the Blue Chapel. It is generally The Byzantine Church is thought to have been built in the first half of the 5th century with some rebuilding in the 6th century. The church was destroyed by a fiver in the 7th century. The Byzantine Church is notable for its monumental size, the 140 papyri found within (the Petra papyri), and the surviving mosaics, which depict animals, figures, the seasons, pottery, and plants. Source A related resource from which the described resource is derived https://www.visitpetra.jo/DetailsPage/VisitPetra/LocationsInPetraDetailsEn.aspx?PID=19 IIIF Item Metadata UUID edcc04a6-8553-4236-9a6c-89df11862088 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/87cf3ffcf5a91b34eeabd1a547c0b9cc.jpg c49d67494b9ecba1ecd707aa78113009 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ as Sol Invictus Subject The topic of the resource Christ as Sol Invictus, Roman, 3rd century, mosaic, Rome, St. Peter’s Basilica. Description An account of the resource This ceiling mosaic in Mausoleum M, the Tomb of the Julii, in the Vatican Necropolis underneath St. Peter’s Basilica, has been interpreted as depicting Christ as Sol Invictus (Unconquered Sun), the sun god of the later Roman Empire. Sol Invictus came to be favored by Roman emperors after Aurelian elevated the cult in 274 CE. Constantine I also identified with Sol. Invictus and has the figure depicted on some of his coinage. The figure depicted in this mosaic, if it is indeed a blending of Christ and Sol, is shown riding in a chariot pulled by rearing horses with vines (a symbol associated both with Dionysius and with Jesus) surrounding. Source A related resource from which the described resource is derived http://stpetersbasilica.info/Necropolis/TombM.htm Publisher An entity responsible for making the resource available St. Peter's Basilica IIIF Item Metadata UUID bb88b3e5-b2fc-4ff7-a4d4-042bce1b1b4e https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/09c1e1da6213dc75b5af37c1a6dfc0f8.jpg 2b529144ce1e1a3609ac6569b3dd9e95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Floor Mosaic with Bust of Apolausis (“Enjoyment”) Subject The topic of the resource Floor Mosaic with Bust of Apolausis (“Enjoyment”), Late 4th-early 5th century, Early Byzantine, mosaic on mortar, Washington D.C., Dumbarton Oaks. Description An account of the resource Museum Descprition: “Apolausis, the personification of enjoyment, welcomes visitors to Dumbarton Oaks as she has done since its doors opened to the public in 1941. The floor had been discovered just a few years before in a bath building located approximately nine kilometers northeast of ancient Antioch, where excavations had been under way since 1932. The Committee for the Excavation of Antioch and Vicinity, led by Princeton University, was supported by several universities and museums and, starting in 1936, Mr. and Mrs. Bliss. In return for their contributions and with the consent of the Syrian Ministry of Antiquities, the donors to the excavation project received archaeological finds. It is for this reason that all of the floor mosaics at Dumbarton Oaks are from Antioch and nearby sites. The cordial offer to enjoy the amenities of the bath is made by the delicately veiled figure of “Enjoyment” holding up a rose. She graced the pavement of the cold-water pool which, along with other rooms built to provide the tepid and hot-water pools, was found in most Roman bath installations. Based on its location at Toprak-en Narlidja, some distance from Antioch, the building probably served as a public bath for a number of nearby villa-farms. Apolausis is framed by multicolored patterns and colors that are repeated on both a square and diagonal grid, creating a dynamic surround in contrast to the calm figure with whom the entering viewer immediately establishes contact. The fan-shaped section of the floor corresponded to the original end of the room.” -S. Zwirn Source A related resource from which the described resource is derived http://museum.doaks.org/objects-1/info/30420 Publisher An entity responsible for making the resource available Dumbarton Oaks BZ.1938.72 IIIF Item Metadata UUID 17e92b19-eed4-47bb-b230-c598a550b28d https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/4a9eae9919d2cfe8ca875ab958a8e1f5.jpg 37d26f5063b1fd2ce95b0402db3625c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forgery of a Gold Semissis of Anastasios I Subject The topic of the resource Forgery of a Gold Semissis of Anastasios I (r. 491-518), gold-plated copper, diam: 20 mm, Washington D.C., Dumbarton Oaks. Description An account of the resource Obverse: Bust of Anastasios I facing right with diadem, cuirass, and paludamentum. DNANASTA-SIVSPPAVC D[OMINUS NOSTER] ANASTASIVS P[ER]P[ETEUUS] AVC[VSTVS] Our Lord, Anastasios, Perpetual Emperor Reverse: Victory, nude to the waist, seated facing right on shield and cuirass, inscribing XXXX on shield she holds on her knee. VICTORI-AAVCCC VICTORIA AVGVSTORUM Victory of the Augusti Source A related resource from which the described resource is derived https://www.doaks.org/resources/coins/catalogue/BZC.1978.6/view Publisher An entity responsible for making the resource available Dumbarton Oaks BZC.1978.6 IIIF Item Metadata UUID 4521df14-5f71-48ab-a80b-8c0ef2d30dea https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/9b2b5b3d869f968de2853317fe04fa57.jpg b4fa047b073a9a4b9e2cedf4ffb69af6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fragment of the Edict on Maximum Prices (in Greek) Subject The topic of the resource Fragment of the Edict on Maximum Prices (in Greek) re-used as part of the door frame of the medieval church of John Chrysostom, Geronthres, Greece. Description An account of the resource Issued by Diocletian in 301, the Edict on Maximum prices gives the maximum prices for more than 1,200 products, raw materials, labor, services, modes of transport, animals, and for enslaved peoples. Fresh green animal fodder could be purchased for 1 denarius communis (the lowest price listed) and a male lion or purple dyed silk for 150,000 denari. The edict survives in fragments on stone inscriptions in both Greek and Latin, all but one of which were found in the Eastern part of the Empire. Source A related resource from which the described resource is derived https://www.academia.edu/23644199/New_ English_translation_of_the_Price_Edict_of_D iocletianus IIIF Item Metadata UUID 2c423297-440a-438e-9189-f95cbce10b72 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/39916aa53f23f30453c675830f7f9033.jpg b34446b1ea416b19c81a7319c362eb02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Galerius attacking Narseh, detail from the Arch of Galerius, Subject The topic of the resource Detail of Galerius attacking Narseh, Arch of Galerius, dedicated 303, marble, Thessaloniki, Greece. Description An account of the resource The Arch of Galerius was built between 298 and 299 and dedicated in 303 to celebrate his victory at the Battle of Satala and the capture of Ctesiphon. In this detail, Galerius (at left) is shown attacking Narseh (or Narses, at right). Narseh was the seventh Sasanian King of Kings of Iran and ruled from 293 to 303. Galerius, Caesar under Diocletian, invaded Mesopotamia, which Narseh had previously occupied in an attempt to cut off Galerius’s advance. After two battles with no clear winner, Narseh defeated Galerius completely at Callinicum. However, Galerius returned in 297 and invaded Armenia with 25,000 men. In this instance, Galerius was victorious. Eventually, a peace treaty was agreed upon. The scene on the triumphal arch in Thessaloniki takes some artistic license, Galerius and Narseh never met in battle. Source A related resource from which the described resource is derived https://www.thebyzantinelegacy.com/galerius-arch IIIF Item Metadata UUID 1ba77543-9b21-4977-b6b4-bd584e60ff73 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/a7079cf94ed5795bbede90bede9781c2.jpg dcdef84c977a7ab9a6e411630ba46b34 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Glass Cup Subject The topic of the resource Glass Cup, 4th century, Roman, Egypt (?), glass, height: 24 cm, Vienna, Kunsthistorisches Museum. Description An account of the resource This ornamental cup bears a Greek inscription reading: “and for years to come!” It was found in Brsljin, Slovenia. Source A related resource from which the described resource is derived www.khm.at/de/object/b7d7b7eecf/ Publisher An entity responsible for making the resource available Kunsthistorisches Museum Wien Antikensammlung, XI 975 IIIF Item Metadata UUID 8c8d3336-734b-43ef-ae60-f1392cd59243 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/0f8f4496ffab67d050609f0fb0e5e537.jpg c8f48cac762b5bf3b5d0df426a623c33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gold Bar Subject The topic of the resource Gold Bar, c. 379-80, Roman, Sirmium (modern day Sremska Mitrovica, Serbia), gold, 174 mm x 23 mm, weight: 499.86 g, Vienna, Kunsthistorisches Museum. Description An account of the resource This gold bar is one of fifteen (all dating to the 4th century) that were found in Romania in the late 19th century. The form makes it more easily transportable, and it most likely would have been brought to a mint where it would have been melted down and used to make coins. Of the fifteen original gold bars, several were cut up, sold, and the group was otherwise dispersed. However, two intact bars were bought by the Kunsthistorisches Museum from a Viennese brewer. The bar bears five stamped inscriptions in Latin, providing details regarding the history of the gold bars, including the name of the inspector, a certification of its purity, and four additional inspection stamps that further verify the quality of the gold. Inscriptions: LVCIANVS // OBR • I • SIC Christogramm and four times: FL FLAVIAN // VS PRO SIC // AD DIGMA Flavius Flavianus probavit signum ad digma Flavius Flavianus approves the authenticity mark [given by Lucianus]. Source A related resource from which the described resource is derived www.khm.at/de/object/6e41695e28/ Publisher An entity responsible for making the resource available Kunsthistorische Museum Wien Münzkabinett, RÖ 37443 IIIF Item Metadata UUID 1c07c9cc-711e-444a-93cf-3c7ec3431f21 https://s3.amazonaws.com/atg-prod-oaas-files/haaimagehosting/original/c24817c2c0ddcf55a2f2bdb8862275b9.jpg 283a070fb132b1914c22f80a973c6f1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late Antiquity, Seminar 2 IIIF Collection Metadata UUID 1f299e05-ea4a-4591-bd6a-7c09fd3e61c8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gold Chain with Fifty-Two Pendants Subject The topic of the resource Gold Chain with Fifty-Two Pendants, 2nd quarter of the 5th century, Germanic (Gepid?), gold and smoky quartz, length: 176 cm, Vienna, Kunsthistorisches Museum. Description An account of the resource This gold necklace was found in Szilágysomlyó (modern-day Simleu-Silvaniei, Romania) in 1797 by two shepherd boys. The central pendant is smoky quartz. The other 51 pendants depict various tools and weapons in miniature as well as a man in a canoe. The chain would have been worn cross-shaped over the chest and back and the loose ends hooked into a ring eyelet. Source A related resource from which the described resource is derived www.khm.at/de/object/aaa82b904f/ Publisher An entity responsible for making the resource available Kunsthistorisches Museum Wien Antikensammlung, VIIb 1 IIIF Item Metadata UUID 9046e2f4-41da-492f-ab5b-1eee7053cf4d